Tag Archives: warm

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Last Light, Sand Dunes

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Last Light, Sand Dunes
Desert winds blow sand across the lip of sand dunes in sunset light.

Last Light, Sand Dunes. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert winds blow sand across the lip of sand dunes in sunset light.

Some things are only at their best for a brief moment. Think of a fresh espresso, a soufflé, or perhaps the half hour of beautiful spring snow between ice and slush. The light in the moment when shadows from distant hills arrive at the edge of sunset light (or its inversion at sunrise) is another such thing. This light does things to the landscape that aren’t seen at any other time of day, but the event may last barely a few minutes.

Near the end of my shoot at this location I turned and saw the colorful, low-angle light coloring the sand and bringing relief to its features. I quickly went to work photographing it, working quickly and instinctively, as I knew that the moment would be brief. In fact, along the left side of this photograph is the the shadow marking the edge of light. A moment after I made this photograph, the light was gone.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Layers, Sunset Dunes

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Layers, Sunset Dunes
layers of desert sand dune formations in the last sunset light of the day.

Layers, Sunset Dunes. © Copyright 2022 G Dan Mitchell – all rights reserved.

Layers of desert sand dune formations in the last sunset light of the day.

When photographing dunes that are new to me, I have little to go on when I first venture into them. I typically have to start walking toward them when the light is still somewhat flat and harsh, or before dawn when it is dark. It is difficult to imagine the details of how that light will evolve. I make some guesses based on the direction of the sun, how I think distant ridges may affect the arrival of shadows, and what I can see of the dunes’ features in the less-than-ideal light. In the end, I’m almost always surprised by how these first visits play out.

I had approached these dunes in the late afternoon in preparation for sunset and evening light. I picked out a destination along the base of a particular dune where I saw some potentially interesting plants. Because the ridges to the west are quite low here, I guessed that I’d have a bit longer period of colorful light and longer shadows later on. Initially I walked past the location of this photograph because the textures of the successive ridges had little contrast in the daytime light. Later, as I finished photographing other nearby features that fell into shadow, I happened to look back in this direction, where the very last bit of colorful light was now delineating these shapes as evening shadows approached.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Evening Sand

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Evening Sand
Warm evening light on sand dunes, Death Valley National Park.

Evening Sand. © Copyright 2022 G Dan Mitchell – all rights reserved.

Warm evening light on sand dunes, Death Valley National Park.

I photographed this scene on my first visit to this location. Going to a new location for the first time can be a complex experience. There is, of course, the excitement of photographing something new. But there are other feelings, too — uncertainty about where to start, a bit of confusion and guesswork about how the light will evolve and about where to find the most interesting subjects. While sometimes the new simply seems exciting, other times it is almost overwhelming. For the most part I think I’ve learned to go with the flow, knowing that I’m going to make some wrong choices, that I’m acquiring knowledge that I can use when I come back, and that most likely I will at least come away with something interesting.

Approaching this spot, at first I wasn’t quite sure where to begin. I had an idea of how the light might evolve as the day ended, but when I arrived the light was less than spectacular. Another thing I have learned is that it is often better to just start making photographs rather than waiting for the perfect to reveal itself. Setting up, looking, and making exposures often primes the pump, and soon I start to see things more clearly. It is also good to be flexible and ready to be surprised. This photograph is built around one of those surprises. At first these patterns of windblown sand seemed uninteresting and I went on to photograph something else. But in the very last direct sun (you can see the edge of approaching shadows at lower left) the low light revealed shadows and textures that had been hidden earlier, and the color of the light became momentarily intense.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon Bend

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Canyon Bend
Contrasting warm and cool colors in a narrow section of a desert canyon.

Canyon Bend. © Copyright 2021 G Dan Mitchell – all rights reserved.

Contrasting warm and cool colors in a narrow section of a desert canyon.

During my hikes up and down this canyon I made quite a few photographs of these lovely narrows. I camped at the mouth of the canyon, and this made it possible to hike up twice — once late in the day and again the next morning. The appearance of a narrow canyon like this one depends so much on the nature of the light, and that was almost completely different during the two visits.

Several things intrigue me about this particular narrows. Sections of it are quite angled, with the wall on one side slanting away and on the other side overhanging the bottom of the canyon substantially. In other words, you don’t look straight up to see the narrow band of sky, but instead you look off to one side a bit. I assume that this is a partially due to erosion following natural lines of weakness in the geology and partly due to the tendency of moving water to undercut a side of the canyon. Of even more interest to a photographer, the color of the light in this canyon and others like it is quite variable. In the darkest section the only light comes from the very blue sky, and the light here is quite blue. (I actually toned it down a bit in the photograph.) However, where the light comes in a bit more directly or perhaps through a wider gap the color is much warmer, as we see on the far wall beyond that gap in this photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.