Tag Archives: warm

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Light in the Canyon

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Light in the Canyon
“Light in the Canyon” — Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

As I mentioned I recent posts, my plans for Death Valley were somewhat thwarted when I arrived there to find that large areas of the park were not accessible due to flood damage. I had to strike some remote areas from my agenda, recalibrate, and visit more accessible locations. As a result I ended up visiting more accessible areas that I had avoided in the past, including several fascinating washes that I really should have visited before. Since I had a free afternoon before evening photography I decided to take a long hike up this wash and back, and I’m glad I did.

The deeper and narrower Death Valley canyons are great places to visit during the daytime hours — in fact, a typical shooting plan for me includes a sunrise and sunset locations with one or more canyons partially filling the time between the morning and evening shoots. The timing of this canyon walk was such that the bottom of the canyon was almost fully shaded at times. I made this photograph near a bend where a bit of light reached the bottom of the canyon and illuminated this lighter colored formation.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Canyon Walls, Light and Dark

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Canyon Walls, Light and Dark
Contrasting light and dark walls in a narrow canyon, Death Valley National Park.

Canyon Walls, Light and Dark. © Copyright 2022 G Dan Mitchell.

Contrasting light and dark walls in a narrow canyon, Death Valley National Park.

This is a Death Valley canyon that I have visited on numerous occasions, and this particular narrow bend is one I recall from my first visit. Because the foreground section is so narrow and angled away from the light, the contrast with the more luminous wall beyond is striking. That wall receives more light due to its angle as the canyon bends, and the warm-toned light contrasts with the blue toes in the deeply shaded foreground section.

I find this contrast between shadow and brighter light to be a wonderful generator of color contrasts in these canyons. The first such canyons I photographed were in the desert Southwest, where the light picks up the color of the reddish sandstone. But the canyons of Death Valley do not typically have such colorful rocks, and much of the color potential comes from the quality of the light itself.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Creosote, Early Evening Light

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Creosote, Early Evening Light
Soft evening light on creosote growing in windblown unes at Death Valley National Park.

Creosote, Early Evening Light. © Copyright 2022 G Dan Mitchell – all rights reserved.

Soft evening light on creosote growing in windblown unes at Death Valley National Park.

Desert light (like that in quite a few other places) can go through a remarkable transformation late its the day, a transformation that mirrors the one taking place in the morning. In the middle of the day, the light is often quite intense, rather bluish (from that gigantic light panel we call the “sky), and the landscape is full of harsh contrasts between highlights and shadows. At some point in the very late afternoon, assuming a cooperative surrounding landscape and the right weather conditions, the light imperceptibly begins to soften and warm in color. If you were not attuned to this you might not notice at first, but eventually it becomes obvious as the process accelerates and intensifies, producing a sort of “crescendo of light” that often peaks just before it ends.

I made this photograph somewhere in the middle of that cycle — far enough along that the color has definitely warmed, but not so late that the full sunset redness has arrived. At this point the light changes rapidly, and features that I had not noticed suddenly become interesting. I often find myself working quite quickly at this point — perhaps in contrast to how some people imagine landscape photography works. In these situations I often like to work with zoom lenses with long focal lengths. This allows me to quickly respond to things I see at varying distances, to isolate smaller sections of the landscape, and to quickly try out different compositional ideas.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Last Light, Sand Dunes

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Last Light, Sand Dunes
Desert winds blow sand across the lip of sand dunes in sunset light.

Last Light, Sand Dunes. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert winds blow sand across the lip of sand dunes in sunset light.

Some things are only at their best for a brief moment. Think of a fresh espresso, a soufflé, or perhaps the half hour of beautiful spring snow between ice and slush. The light in the moment when shadows from distant hills arrive at the edge of sunset light (or its inversion at sunrise) is another such thing. This light does things to the landscape that aren’t seen at any other time of day, but the event may last barely a few minutes.

Near the end of my shoot at this location I turned and saw the colorful, low-angle light coloring the sand and bringing relief to its features. I quickly went to work photographing it, working quickly and instinctively, as I knew that the moment would be brief. In fact, along the left side of this photograph is the the shadow marking the edge of light. A moment after I made this photograph, the light was gone.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.