When photographing dunes that are new to me, I have little to go on when I first venture into them. I typically start walking toward them when the light is still somewhat flat and harsh, or before dawn when it is dark. It is difficult to imagine the details of how the light will evolve. I make some guesses based on the direction of the sun, how I think distant ridges may affect the arrival of shadows, and what I can see of the dunes’ features in the less-than-ideal light. In the end, I’m almost always surprised by how these first visits play out.
I approached these dunes in the late afternoon in preparation for sunset and evening light. I picked out a destination along the base of a particular dune where I saw some potentially interesting plants. Because the ridges to the west are quite low here, I guessed that I’d have a bit longer period of colorful light and longer shadows later on. Initially I walked past the location of this photograph because the textures of the successive ridges had little contrast in the daytime light. Later, as I finished photographing other nearby features that fell into shadow, I happened to look back in this direction, where the very last bit of colorful light was now delineating these shapes as evening shadows approached.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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