Tag Archives: water

Photographs: Nature, Photographs: Sierra Nevada

Mountain Stream

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Mountain Stream
A Sierra Nevada stream cascades over and around rocks

Mountain Stream. © Copyright 2019 G Dan Mitchell – all rights reserved.

A Sierra Nevada stream cascades over and around rocks.

To be honest, photographing moving water like this can easily become addictive, and there are endless variations on how you might do it. Shutter speed variations allow a range of interpretations between stopped motion and motion-suggesting blur. Zoom in close and the water can be the entire subject, or work from a bit more distance and incorporate the surrounding terrain. Choose your time of day and get warm or cool coloration. Photograph at a time when the water reflects light on nearby objects and introduce a wider range of colors into the composition.

During our one-week stay high in the Eastern Sierra we were fortunate to have many opportunities to photograph water, ranging from many nearby alpine lakes to the abundant creeks and cascades that were still flowing despite the rather late date in the season. One evening I wandered a few hundred feet down below our base camp to this area where I had walked this creek a day or two earlier, and I spent a good deal of time photographing it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Reflections, Rocky Shoreline

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Reflections, Rocky Shoreline
Huge rocky slabs meet the shorline of a subalpine Sierra Nevada lake

NOTE: This original interpretation interpretation of this photograph has been superseded by a later version found here.

A group of us recently spent a week camped at 11,000′ in a landscape of water, glaciated rocks, meadows, and high peaks. AS the week went on we gradually pushed out the boundaries of our photographic explorations. My first view of this formation was on my initial scouting trip to this lake — I did not photograph it on that visit, but I made a mental note to return when the light would be more ideal. In this case, “ideal” meant “not in full sun,” so my plan was to come back in the early morning and evening hours. Early morning turned out to be best since the air was still at that hour, leaving the water still enough to produce coherent reflections.

I returned a few mornings later. Demonstrating once again the importance of what I might term “attentive serendipity” in photography, even though I got distracted and arrived at the lake later than planned, the timing turned out to be nearly perfect. I had a few minutes to photograph the larger landscape in the pre-sunlight “quiet light” before moving on to photograph this still-shaded scene. And once I finished here, the sunlight cooperated by arriving at a nearby rocky peninsula and both backlighting a tree and turning the water a lovely deep blue color.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Sierra Nevada

Peninsula, Lake, Morning Light

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Peninsula, Lake, Morning Light
Morning light on a rocky peninsula, reflected in the deep green waters of an alpine lake

Peninsula, Lake, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning light on a rocky peninsula, reflected in the deep green waters of an alpine lake.

My morning visit to this lake above our basecamp was fortuitously timed. I’d love to take credit for great planning, but I must admit that luck played a big role. I had a plan — it involved heading up that way quite early and then taking the time to ascend a low ridge and walk to the far side of the lake. But none of that happened. While I did get a reasonably early start, I was soon distracted by other subjects along the route to the lake, and I ultimately arrived there later than I had planned. However, my inability to stick to my schedule played to my advantage.

I arrived at the lake’s outlet, a long and narrow channel of still water, to find that the “quiet light” (thanks, Keith Walklet) was still there, so I paused to photograph that scene in soft shadows. Soon I decided to move on and head up and over that low ridge… but I immediately saw another scene that I had to photograph, some lichen-covered rocks along the shoreline. Finishing with this distraction, I now realized that I really had to get moving and climb that ridge. But by now the sunlight was on that ridge, and its reflection was casting lovely soft light back on a rocky peninsula and the boulder-strewn shoreline. So — again! — I stopped to make photographs of this scene. But this one took longer, as the light continued to develop and increase, until sunlight began to illuminate the water itself, building abstractions of light and color and reflections in front of the peninsula. (In the end I never did cross that ridge or go to the other side of the lake!)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Rocks, Water, Reflection

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Rocks, Water, Reflection
Granite slabs and submerged rocks at the edge of an alpine Sierra Nevada lake

Rocks, Water, Reflection. © Copyright 2019 G Dan Mitchell – all rights reserved.

Granite slabs and submerged rocks at the edge of an alpine Sierra Nevada lake.

One advantage of photographing for a long time in one small area is that you may begin to see things that you initially overlooked. I’m often immediately attracted to the large scale landscape — lakes, peaks, forests, sky — and it takes more time, patience, and attention to start to start to see subtler, smaller subjects. These often constitute what has been called the “intimate landscape,” made up of distinctly non-iconic elements, and frequently offering and almost abstract quality of shape, color, and texture.

To find these things I have to slow down a lot. It is easy to become anxious about finding that Great Photograph that will knock viewers over. But those don’t come every day or even every week. Sometimes, in fact, there are long gaps between them. At one point on this trip one of my fellow photographers mentioned that he had seen me from where he was working, and that I seemed to be doing a lot of “contemplation.” Guilty as charged! In a sense, most of the work of photography may be done without the camera. Sure, the camera is in my bag or attached to my tripod, but I’m looking and considering and thinking more than I’m actually making photographs. This photograph comes from one of those moments — I had simply been walking along the edge of “our” lake, spending a lot of time just looking, when I noticed this pattern of granite and still water than I had walked past quite a few times before.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.