Tag Archives: water

Near Point Sur

Near Point Sur
Morning fog clears above a long beach and coastal bluffs near the mouth of the Little Sur River and Point Sur

Near Point Sur. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning fog clears above a long beach and coastal bluffs near the mouth of the Little Sur River and Point Sur.

The summer/fall seasonal boundary is not necessarily my favorite time to visit the California coast, but sometimes I get lucky! Although it may seem counter-intuitive to folks who aren’t familiar with this region, the beginning of autumn is generally the sunniest and warmest time of the year on the coast. And while that may seem like great news to people who go to the coast to visit beaches — and who want warmth! — as a photographer I prefer more “interesting” conditions: large surf, clouds, incoming and departing storms, or at least some fog!

The weather report wasn’t promising on this day — it looking like the coast would (literally) be “clear.” But since I had the morning free I headed towards the area south of Monterey anyway. The first hint that the weather reports might be wrong in a delightful way came halfway there when I entered thick inland fog that clearly had come from the coast. Monterey Bay was largely socked in, and below Carmel the fog was still reaching up into coastal hills. As I approached this familiar bay, where the Little Sur River reaches the ocean just above Point Sur, the fog was intermittently thinning and rebuilding, so I stopped in a high location and waited for the right conditions to emerge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Stream And Meadow

Stream And Meadow
An alpine stream descends through a boulder-strewn, meadow-filled Sierra Nevada valley

Stream And Meadow. © Copyright 2019 G Dan Mitchell – all rights reserved.

An alpine stream descends through a boulder-strewn, meadow-filled Sierra Nevada valley.

One reason I made this photograph is that the scene is so ordinary, believe it or not. In fact, these little landscapes of flowing water, meadow, rocks, and small trees are perhaps my favorite in the Sierra Nevada, found in the region just below timberline where the terrain begins to open up. I’d love to be able to add the sound of this scene to the post, with its characteristic and almost ever-present lullaby of flowing water.

This location was only a few hundred feet from our camp. We stayed in a small valley between two ridges, and just below the truly alpine region of moraines and ridges and peaks. Here several streams converged, draining various higher canyons and lakes, and we were never far from water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shoreline Bench, Reflections

Shoreline Bench, Reflections
A rocky bench above the reflecting surface of an alpine Sierra Nevada lake

Shoreline Bench, Reflections. © Copyright 2019 G Dan Mitchell – all rights reserved.

A rocky bench above the reflecting surface of an alpine Sierra Nevada lake.

Since roughly August of 2005 I have been posting a daily new photograph at my website (https://gdanmitchell.com) and on social media, almost always accompanied by a couple of paragraphs of background. Yes, that is 14 years of daily photograph posts at this site! That’s more than 5000 photograph posts as of the date of this on. I’ve done this for several reasons. First, it is a form of daily practice — the importance of which I learned about in my other life in the world of music. Second, I hope that revealing my working process and thinking about photographs may be useful to others trying to make sense of this medium.

This does mean that — obviously! — you’ll see more than one way of seeing a particular subject since I share this editing process here. Today’s photograph — from my recent weeklong shoot in the Eastern Sierra backcountry — is an example of this in at least a couple of ways. First of all, I recently shared another photograph of this same subject that interpreted it in a different way. (That photograph took a closer look at it — this one includes more of the surrounding visual context.) Secondly, if you scroll back to that other version, you may discover that I shared two examples of that one with different crops.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Reflections, Rocky Shoreline*

Reflections, Rocky Shoreline
“Reflections, Rocky Shoreline” — Huge rocky slabs meet the shoreline of a subalpine Sierra Nevada lake

* This is the second of two photographs that I’m posting for an unusual reason — after the original post I rethought the aspect ratio of the photograph and decided that I like it in the (unusual for me!) square format. The text below is the same as that used in the original post.

A group of us recently spent a week camped at 11,000′ in a landscape of water, glaciated rocks, meadows, and high peaks. AS the week went on we gradually pushed out the boundaries of our photographic explorations. My first view of this formation was on my initial scouting trip to this lake — I did not photograph it on that visit, but I made a mental note to return when the light would be more ideal. In this case, “ideal” meant “not in full sun,” so my plan was to come back in the early morning and evening hours. Early morning turned out to be best since the air was still at that hour, leaving the water still enough to produce coherent reflections.

I returned a few mornings later. Demonstrating once again the importance of what I might term “attentive serendipity” in photography, even though I got distracted and arrived at the lake later than planned, the timing turned out to be nearly perfect. I had a few minutes to photograph the larger landscape in the pre-sunlight “quiet light” before moving on to photograph this still-shaded scene. And once I finished here, the sunlight cooperated by arriving at a nearby rocky peninsula and both backlighting a tree and turning the water a lovely deep blue color.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.