Shadows fall across a window and weathered wall in Heidelberg, Germany
We have relatives living in Heidelberg, so when we go to Europe the city almost seems like “home” at this point. We often stay not far from the old town area — far enough away to not be in the middle of it all time, but close enough that a short walk over the Philosophenweg and across a bridge gets us there quickly.
Wandering around the streets of the town there are plenty of photographic subjects. At the moment I cannot recall precisely where I made this photograph, but I can recall being attracted by the forms and colors of the wall, the weathered and peeling paint, and the shadows produced by the sunlight glancing across its surface.
A weathered and cracked sandstone wall in Utah canyon country
It has been about four-and-a-half years since I visited this spot and made this photograph, but I remember it distinctly. We had followed the twisting course of a small stream down a canyon as it wound back and forth between the tall sandstone walls. Eventually we perhaps began to think it was time to turn around, but it was hard to resist finding out what was around “one more bend” — until we had passed through quite a few more of them! I remember three things about this particular wall. It was huge — a monumental expanse of nearly solid granite broken in a few spots where giant flakes of rock had fallen. The stream passed right along the base of the wall. And there were odd circular patterns inscribed into its surface — so regular in shape that I first thought they must have been made by humans.
This spot is in Grand Staircase-Escalante National Monument, a place that we might have believed to be safely protected for future generations. But these days, when America has been turned upside-down, things we took for granted are now threatened. And, yes, there are forces in the state of Utah that are working to take land out of this incredible monument and turn it over to extractive industries to dig it up and take out shale oil, uranium, and whatever else they can get their hands on. There are many things we can do about this. One very important step is to get the attention of the people of the state of Utah and remind them that one of their greatest assets is the beautiful system of parks, monuments, national forests, and other lands that draws visitors from all over the world — visitors who support a thriving tourism and recreation economy in the state. Since their legislators don’t seem to respond to reason or shame, perhaps they will respond to economic pressure. This week a consortium of outdoor manufacturers announced that they are moving their annual convention out of Utah. Lots of us are vowing to not visit the state until they stop trying to destroy it — and we won’t be staying in their motels, eating in their restaurants, buying gas there, or anything else.
A window in an old building in the Heidelberg area, Germany
Yes, I still have more photographs from this past summer’s visits to New York, London, and several European locations — lots more! After London and Paris we headed to Germany, and returned to Heidelberg, which almost seems like a home base for us. Patty’s brother and his wife live there, and in the middle of five weeks of travel it was wonderful to spend time in their Heidelberg home.
This time we hopped on a boat and travelled up the river a ways to a more distant suburb (?) of Heidelberg, where things feel a bit more rustic, at least to this first-time visitor to that particular spot. When we got there we spent some time simply wandering around, walking up narrow and hilly streets. I spotted this window in a weathered wall along the shaded side of one of the buildings we passed — so on this one week anniversary of the American election you get a heart in a window.
Repainted and patched green door in the brick wall of an old San Francisco building
On this mid-August morning I got up early, took the bus to the train and the train to San Francisco, then walked right up into the downtown core of the City. The walk began with among train commuters heading up toward Market Street, past construction zones, freeway interchanges, and lots of traffic. Once at Market Street I turned toward the Bay and walked slowly, stopping frequently to watch and photograph. At the end of Market I turned south and began my walk back to the train station along the Embarcadero.
Eventually I decided to leave the Embarcadero and follow smaller streets to cross back to the Caltrain station. Like so many parts of San Francisco today, this is an area in transition. There are still some gritty old buildings, but things are rapidly evolving in a much more upscale and expensive direction — and for now the gritty and the modern live side by side. But not for long. Given the price of real estate in this area, funky old buildings like the one with this doorway do not have much of a future. I imagine that almost all of them will be knocked down for more condos and townhouses, and those that remain will be cleaned up and gentrified in ways that retain only the stylish chic quality. Two things (at least) caught my attention about this doorway, at least sufficiently to make me stop for a minute and make a few exposures. First is the stark contrast between the pinkish color of the painted bricks and greens of the doorway. Second is the sum effect of paint over graffiti and then painting it over again, which often produces interesting cubist patterns on San Francisco architecture in places like this.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
