Tag Archives: wetlands

Cranes, First Light

Cranes, First Light
The first morning sunlight on a flock of sandhill cranes standing in a wetlands pond.

Cranes, First Light. © Copyright 2022 G Dan Mitchell.

The first morning sunlight on a flock of sandhill cranes standing in a wetlands pond.

The light and atmosphere were a bit unusual on this morning. There was just a bit of ground fog, along with some general haze. As the sun came up, a thin layer of clouds to the east over the Sierra Nevada blocked the direct sunlight. These factors combined to produce a very muted and subdued quality as I photographed groups of sandhill cranes in ponds at this wetlands location, standing in groups and occasionally flying off.

As I photographed in this subtle light I knew that eventually the sun would rise about that eastern cloud deck, and that this would produce a few moments of very warm-colored light that was still softened by the haze and fog. I made this photograph of the cranes just as that first direct sunlight arrived.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cranes Departing

Cranes Departing
Restless sandhill cranes begin to take flight from wetlands on a winter morning.

Cranes Departing. © Copyright 2022 G Dan Mitchell.

Restless sandhill cranes begin to take flight from wetlands on a winter morning.

On a typical winter morning where migratory birds hang out, the cycle of early photography often follows a familiar arc. I arrive in near-darkness and start photographing right away, especially when the birds are very active. Rather than being selective about where and when… I follow the patterns that the birds present. If cranes are taking off from a pond, I go there. If a huge flock of geese is flying out, I photograph that. Despite arriving with a plan, these first moments are often about improvising with the conditions I find.

Then, around sunrise or just afterwards, things may slow down a bit. A bit more strategizing may be effective, and I take stock of the light and atmosphere, the locations of birds before figuring out what I’ll do next and where I’ll do it. On this morning I settled on near a large group of sandhill cranes that was still hanging out in and around a shallow pond. I stopped and waited, expecting that they would soon become restless and begin to fly out, a few birds at a time. And, indeed, that is what happened.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Geese, Wetlands Dawn

Winter Geese, Wetlands Dawn
Snow geese take to the air before sunrise above Central Valley wetlands.

Winter Geese, Wetlands Dawn. © Copyright 2022 G Dan Mitchell.

Snow geese take to the air before sunrise above Central Valley wetlands.

The “fly-out” is one of the most impressive features of migratory goose behavior. At some point around dawn the birds leave their overnight nesting places and take to the sky in huge, dramatic groups that sometimes include many thousands of birds. It is hard to know precisely when it will happen, so you arrive early, find a likely spot, and wait for it.

On this morning I thought I had arrived in plenty of time, but a recalcitrant automated gate at the entrance to the area delayed my final arrival by perhaps ten minutes. Due to this slightly late start, I had little time to get into position before the fly-out occurred. Originally I had a plant to head to a particular location, but once I realized that the delay would make that improbable I stopped where I was — at the first pond full of geese — and assembled my gear… just barely in time to make this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Into The Air

Into The Air
Lesser sandhill cranes rise from a wetland pond into foggy Central Valley winter sky.

Into The Air. © Copyright 2022 G Dan Mitchell.

Lesser sandhill cranes rise from a wetland pond into foggy Central Valley winter sky.

Although this isn’t glorious dawn light, it is rather typical of what you’ll find in places like this one on a late-winter morning around sunrise — some combination of fog, a bit of haze, and (on this morning) some high clouds. All of this combines to produce an atmosphere suggesting cold, damp, stillness, and quiet. (Though the cries of a few thousand birds may interfere with the “quiet” part of that.)

As the first light begins, the sandhill cranes are mostly standing in shallow wet areas, presumably for protection from predators. As sunrise approaches they begin to become more active, and gradually small groups begin to take to the sky and fly off to distant locations. Unlike geese, who often take off by the thousands, the cranes tend to depart in groups of two or three, and rarely more than a dozen. The hints of their imminent departure can be subtle, and I often get barely any warning before they take off. Among the birds in this photograph you can spot individuals at almost every stage of departure, from standing and waiting through fully airborne.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.