Tag Archives: wetlands

Winter Wetlands and Sky

Winter Wetlands and Sky
Ross’s geese flock on California Central Valley winter wetlands

Winter Wetlands and Sky. Central Valley, California. January 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Ross’s geese flock on California Central Valley winter wetlands

To simplify, there are two common conditions in California’s Central Valley in winter: dense tule fog that reduces the visibility to mere feet, and immense open skies above the flatlands that reveal the distant snow-covered mountains. Sometimes both condiments — and, to be fair, some other possibilities — reveal themselves on the same day, as happened on this New Year’s Day visit.

We headed out to the Great Valley before dawn, arriving to a combination of scattered tule fog that continued to fill in as the morning went on, eventually turning the day rather gray. We spent the morning photographing this landscape and the tens of thousands of migratory birds that occupy it this time of year. By mid afternoon the sky began to clear as winds blew away most of the fog to reveal a clouded-studded blue sky above the expansive wetlands. Here that sky is reflected in a wetland pond — and a bit further out from the camera position you may be able to make out the flock of many thousands of Ross’s and snow geese on the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sandhill Cranes, Pond, Sunrise

Sandhill Cranes, Pond, Sunrise
The first light comes to a pond as sandhill cranes begin to take to the air

Sandhill Cranes, Pond, Sunrise. San Joaquin Valley, California. December 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The first light comes to a pond as sandhill cranes begin to take to the air

Morning in these wetlands brings the literal reawakening of life in and above the ponds. I usually arrive before dawn, in the faint light of morning dusk and often in fog, just as the sunrise chorus of birds begins. Some take flight, but many are still settled in. Sandhill cranes often stand in shallow water and on low islands in this far corner along the western edge of this place, and I often begin my day of photography with these birds.

This was mostly a clear morning, with just a bit of general morning haze and here and there small bits of fog. As the pre-sunrise light in the eastern sky increased these cranes became more active, and eventually they began to take off and depart for the day. I made this photograph just as the first sunrise light arrived on the trees along this levee.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Last Light

The Last Light
Photographer Michael Frye silhouetted against the fading light of winter San Joaquin Valley dusk sky.

The Last Light. San Joaquin Valley, California. December er 26, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Photographer Michael Frye silhouetted against the fading light of winter San Joaquin Valley dusk sky.

Earlier this week I spent the day out in the San Joaquin Valley, photographing birds and this expansive landscape of water and sky and a few trees. (I also made a quick midday run up to the Sierra foothills on business, and it was wonderful to see the evidence of a relatively normal looking winter in California — water pooling in flats and snow on the peaks!) It was quiet in the morning when I arrived, and there were few others there at dawn. But shortly, as I was stopped photographing sandhill cranes, a car drove up and it was my friends Michael and Claudia — what a wonderful surprise!

These are long days, beginning with a 3:30 wake-up alarm, a two-hour pre-dawn drive in darkness, and arrival at my destination by perhaps 6:30 AM or so. I photograph for a few hours, take a midday break, and then return in the afternoon to photograph until the light is gone. The cycle of the afternoon photography is striking. I begin in good light, watching for the golden hour light to begin. Soon it arrives, and it goes quickly. On this evening it was hard to figure out where the birds would be, so we finally just decided to pick a spot and see what would happen. As the sun set, geese and cranes began to arrive — cranes flying past, mostly, and some geese landing in the ponds in front of us. We continue to find ways to photograph as the light fades — switching from long lenses to wide-angle, working with rather than against the blur of lower shutter speeds. But eventually it just plain becomes too dark and we stop photographing. And this, in many ways, is the most beautiful moment of the entire day — we lower our cameras and simply stand and look, on the best days standing with a small group of friends as the day ends.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Three Snow Geese

Three Snow Geese
Three snow geese in flight over San Joaquin Valley wetlands

Three Snow Geese. San Joaquin Valley, California. December 3, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Three snow geese in flight over San Joaquin Valley wetlands

There are many ways to photograph geese in these California Central Valley locations, where they spend the winter months after migrating down from points far to the north. Great flocks of them settle in on ponds in these areas, or sometimes gather in fields. At other times giant flocks fill the sky, especially when something spooks them and thousands will take to the air at once, producing a sound that is the combination of their excited cries and the rush of wind from their wings. Large groups of them come and go throughout the day. Occasionally smaller groups, like this trio, arrive and circle before finding a spot to land and join the flock.

I confess that part of the fun with these groups comes from the challenge of trying to track and photograph them as they move so quickly. With practice one can find a few hints about their trajectory — they will circle a few times and they always land facing into the breeze — but they move fast, the light on their feathers changes, and they spend most of their time facing in the wrong direction! I saw this group coming in from a good distance away, and I tracked them as they approached a spot to my right, banked into a turn, and passed in front of me as they crossed to my left, circled away, and then returned to face the wind and land.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.