Tag Archives: white

Ross’s Geese in Flight

Ross's Geese in Flight
A large group of Ross’s geese in flight above California’s Central Valley.

Ross’s Geese in Flight. © Copyright 2012 G Dan Mitchell – all rights reserved.

A large group of Ross’s geese in flight above California’s Central Valley.

Recently I shared another photograph of Ross’s geese made on the same day as this one. The two photographs could not be more different! I made that other photograph in fading evening light, and I opted for a rather long shutter speed, resulting in a soft and abstract image of the motion of birds taking off. This photograph was made earlier in good light, and while it also focuses on birds taking to the air, there is no softness in this one!

How many birds? I don’t know. (Though if you are interested and patient you can count birds in a small area and then multiply to reflect those in the rest of the frame!) I took a close enough look to say that the birds are primarily Ross’s geese, which is not to say that there might not be a few stray snow geese sneaking into the party.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sudden Flight

Sudden Flight
“Sudden Flight” — A flock of Ross’s geese takes to the air at the end of the day.

As an afternoon of migratory autumn/winter migratory bird photography runs on into sunset and then twilight, it is inevitable that there will eventually be too little light to photograph as I do during the day. But I usually continue until it is virtually dark — to the point that I may need a headlamp to stow my equipment when I finish. During that final low-light period I often end the cycle of increasing ISO and pushing shutter speed, and instead I drop ISO down to the minimum and let the exposure times lengthen, working with motion blur of birds in flight.

We had positioned ourselves near a large flock of geese in a pasture, and they were gradually become more restless, beginning to take off in small groups and leave for parts unknown. Groups tend to depart together, and as they do they take to the air en masse with little or no warning. It is hard to say what makes a photograph “realistic,” but I often feel that these masses of blurry birds suggest the quality of these departing flocks as truthfully as stop-motion photographs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Fairy Lanterns, Spring

Fairy Lanterns, Spring
A cluster of spring fairy lantern wildflowers.

Fairy Lanterns, Spring. © Copyright 2019 G Dan Mitchell – all rights reserved.

A cluster of spring fairy lantern wildflowers.

These are among my favorite spring wildflowers here in my part of the world — the San Francisco Bay Area. The photograph is from last spring, as this year my opportunities to go out and photograph wildflowers have been much more limited. I did photograph flowers like these at the very beginning of their cycle, when they were still mostly buds and before the social lock-down commenced. Even when the rules were relaxed to allow hikes, the location of these flowers is one in which social distancing could be difficult to maintain.

I photographed this little group of flowers at a local spot where I first “discovered” this kind of flower over a decade ago. Oddly perhaps, given that I’ve hiked in these hills for decades, I was unaware of the fairy lantern flowers and surprised to see them. These grow a long a narrow and somewhat steep trail that heads through a narrow ravined, a place that is often in shade but with a bit of sunlight each day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Visitor

The Visitor
An anomalous white rock rests against dark rock deep in a Death Valley canyon.

The Visitor. © Copyright 2019 G Dan Mitchell – all rights reserved.

An anomalous white rock rests against dark rock deep in a Death Valley canyon.

Desert canyons, especially in an arid place like Death Valley, are refuges from the harsh environment. Not that they are entirely gentle and friendly places, being periodically scoured out by floods and left covered in rocks. But they offer shade, sometimes sources of moisture, and occasional plants. The deepest and narrowest are quiet and still places.

They are transitory landscapes, on time scales that range from annual to much longer. Cut through by flowing water and weaknesses in the rock, they reveal strata from long ago. That flowing water inexorably moves material down from the peaks toward the playa, and almost anything we come across in such canyons will only be there temporarily. I don’t know enough geology to offer too many facts about this rock, but its light color against the surrounding dark rock was striking, as was its upright position.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.