Tag Archives: wilderness

Evening Light, Upper Young Lake

Evening Light, Upper Young Lake
Evening Light, Upper Young Lake

Evening Light, Upper Young Lake. Yosemite National Park, California. September 14, 2010. © Copyright G Dan Mitchell – all rights reserved.

Early evening light on a tree-covered rocky peninsula at Upper Young Lake, Yosemite National Park, California.

I’ve visited these lakes almost annually for a number of years, since I first visited one autumn on a long day hike from the Tuolumne Meadows area. Many people visit the lower lake on day hikes, quite a few others backpack to the area and visit all three, and climbers on their way to Mount Conness also pass through the area. My plan was to stay several days so that I could do a lot of photography in the  area. The upper lake provides a beautiful sub-alpine scene, surrounded by relatively level meadows with small hills interspersed with rocky rises and groves of trees. Because the area is open to the west there can be stunning evening light here… and that I precisely why I went to the lake on this evening.

I was camped at the lower lake, where I had photographed in the morning. After I finished up my morning photography I spent a good part of the late morning and early afternoon eating a post-shoot late breakfast, more or less hanging out, reading, doing a few camp chores, and finally having a very early dinner at about 3:00 – the plan is to eat the big meal of the day early, go off and do photography as the evening light approaches, and then return to camp after dark and have something to eat before climbing into the sleeping bag.

The route that I prefer to use to get to the upper lake is not really exactly a trail. Anticipating that I’d be returning from the upper lake via this route in near or actual darkness, as I climbed it I made sure to remember a series of landmarks that I could use to find my way back. At various junctures on the route – as I would do on any similar route – I stopped to look backwards and fix in my mind certain obvious route cues that I could follow on the way back: stay above the thicker trees, stay in the middle of the bench, cross the low rise while heading straight toward a certain distant ridge, begin the descent at the two groves of trees next to the lake, and so on. I was so focused on this that when I reached my final landmark at the upper lake I barely looked around – I arrived at the final grove and immediately turned right to walk the short distance to the lakeshore and look for compositions. At about this point I recalled that I also had planned to check out camping possibilities for a future visit, so I looked back up at the grove I had just left.

I saw a tent and two people and tripods – all of which I had completely overlooked at first, so fixated was I on my “route.” I walked back up to say “hi” when I noticed that one of the two photographers looked quite familiar. I approached and said, “You bear a striking resemblance to John Sexton” – which made a lot of sense in that he was John Sexton. (If you don’t know who he is… you should. Follow the link to his web site and perhaps do a bit of searching to find out more.) I have, of course, known of John’s wonderful photography for some time and I had most recently been to a lecture at the opening of a show of his work in Carmel earlier this summer. The other photographer was Anne Larsen.

The wilderness is always full of surprises, but meeting John and Anne in the Yosemite back-country was one of the most pleasant in recent memory. We spoke for a while until the light began to become more interesting, but at various times during the evening we again ran into one another and talked about this and that. The next morning I met them once again as we were heading back to the trail head. (I felt a bit guilty about my “tiny” 15 pound load of photography equipment – they were each carrying close to 30 pounds of film gear!)

The photograph is of a tree-covered rocky rise at the end of a narrow curving peninsula that forms a small lagoon near the outlet of the lake. My initial thought had been to photograph a small tree near the edge of the lake – one that I have photographed in the past – but John correctly pointed out that it would be in shadow at the time of best light, so I decided to focus on this subject instead.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Kearsarge Pinnacles

Kearsarge Pinnacles
Kearsarge Pinnacles

Kearsarge Pinnacles. Kings Canyon National Park, California. July 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

Late afternoon like on alpine lakes, meadows, and forest below Kearsarge Pinnacles, Kings Canyon National Park.

Kearsarge Pinnacles shares its name with (Kearsarge) lakes and a (Kearsarge) pass just to the west of the Onion Valley trailhead. This is not exactly an untraveled spot in the Sierra, given that it is merely one day in on a reasonable (by east side standards) pass and that it provides access to some very popular areas of the Kings Canyon back-country and to the John Muir Trail.

I’ve been over this pass a number of times. I’ve come in this way to start trips north over Baxter Pass and south into the upper Kern River basin and over Mt. Whitney. I exited here some years back on the ninth day of a trip that started at Bishop Pass and crossed a series of JMT high passes including (in addition to Bishop) Mather, Pinchot, and Glenn passes.

Here late afternoon light, filtered by clouds, illuminates the granite benches and scattered trees above a couple of the upper lakes in the basin. Despite the obvious impressive beauty of this location, I find that it presents some photographic challenges, at least when I try to photograph “grand views” of the area and the surrounding landscape. One of them, at least in my experience, is that the light angles can be a bit tricky. For example, as the sun sets it isn’t quite far enough north to light up the slopes of the pinnacles, and some of the interesting foreground subjects go into shadow as the light warms up. On this evening I made one of those timing discoveries that I’ll have to remember and apply the next time I’m there – from about the location of this photograph there was a minute or two of very interesting light right on the upper edges of the closer ridges… which I wasn’t quite quick enough to capture!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Sunset, Mt. Shuksan and Picture Lake

Sunset, Mt. Shuksan and Picture Lake
Sunset, Mt. Shuksan and Picture Lake

Sunset, Mt. Shuksan and Picture Lake. Mt. Baker-Snoqualmie National Forest, Washington. August 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

Sunset on cloud-shrouded summit of Mt. Shuksan with Picture Lake in the foreground, Mt. Baker-Snoqualmie National Forest, Washington.

Icon alert! I understand that photographing Mt. Shuksan from this locale is, in the Pacific Northwest context, perhaps almost equivalent to photographing the Golden Gate Bridge from the Marin Headlands or photographing Yosemite Valley from Tunnel View. As a brand new photographer of Cascades Range subjects, I plead guilty to succumbing to this icon and photographing it. (I’m told that the only thing that this photograph needs in order to qualify for full “yet another photo of an icon” status would be to come back in a month and shoot it when the fall colors appear.)

My brother and I had been up higher photographing the Artist Point area for most of the afternoon, and he suggested that since we were here we might stop at Picture Lake on the way back down the mountain and see what might develop. I’m glad he did since, icon status aside, this really is a stunning and beautiful location and it was a quiet and beautiful evening. Several things made it special, I think. First, while the summit of Shuksan never fully cleared, the clouds shrouding the summit gave it a more dramatic aspect than might have been the case with an unobstructed view. Second, much to our surprise, we were not joined by a throng of other photographers. At first we were the only ones there, and later we only saw a few others in the area.

This was a technically challenging scene to photograph. The lake and foreground trees were in shadow at this point, though on the scene one could still see the details of the forest along and beyond the far shore. Yet the summit of Shuksan and the clouds were in full sun, and making this even more difficult, the red sunset light was extra intense. The eye can take all of this in without a problem as you move your focus from foreground to distant peak, but the camera is not as capable – and the dynamic range of the scene dramatically exceeds the capabilities of cameras. So, again, this photograph is a composite of three exposures manually blended in post to combine the best exposures of bright and saturated highlights with the best exposure of the dark forest along the shore of the lake.

Update on 9/29/10: I recently noticed that I had misidentified the lake in the photograph! I have corrected the post to call it by its correct name, Picture Lake.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Sub-Alpine Ponds in Afternoon Light, Artist Point

Sub-Alpine Ponds in Afternoon Light, Artist Point
Sub-Alpine Ponds in Afternoon Light, Artist Point

Sub-Alpine Ponds in Afternoon Light, Artist Point. Mt. Baker-Snoqualmie National Forest, Washington. August 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

A trail weaves through meadow and among sub-alpine ponds at Artist Point with the ridge of Mt. Shuksan beyond – Mt. Baker-Snoqualmie National Forest, Washington.

This is another photograph from my late-August afternoon exploration of the stunning ridgeline of Artist Point in the Mt. Baker-Snoqualmie National Forest near the Mt. Baker ski area. This ridge runs through an intimate landscape comprised of small rock fields, meadows with running streams, groves and isolated high elevation trees, and small ponds – and provides a truly stunning panorama that takes in Mount Baker on one side and Mount Shuksan on the other, with distant peaks all around. We could hardly have asked for better conditions for late-afternoon photography. Dramatic clouds ringed the peaks, sometimes obscuring them and sometimes clearing for a moment, and bright sun alternated with softer and diffused light as cloud shadows moved across the ridge.

A bit further along the ridge there is a series of small snow-melt lakes – what I usually refer to as “tarns” in the Sierra. Here a trail winds in front of a couple of them that sit in rocky hollows in front a few ridgeline trees, with the cloud-shrouded shoulder of glacier-covered Mount Shuksan beyond.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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