Tag Archives: window

Free Beans

Free Beans
A very worn, largely illegible, and graffiti-covere sign on a Manhattan business.

Free Beans. © Copyright 2022 G Dan Mitchell.

A very worn, largely illegible, and graffiti-covered sign on a Manhattan business.

We don’t know if they are good beans, but at least they are free, or so we are led to believe. This window, made opaque, was under scaffolding that covered a sidewalk next to the building in Manhattan. Such scaffolding seems ubiquitous to me. I can’t vouch for this, but I was told by someone who should know about such things that the scaffolding contractors like to leave the stuff up since it is less expensive than moving it and warehousing it!

This kind of forgotten urban detritus fascinates me. At some point in the past, someone must have put some thought into the signage, determining which colors to use, what size fonts to use for different text, and aligning those yellow lines that divide it into sections. But neglect, weather, and graffiti have done their work, and today it is hard to even figure out what the sign is about.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Looking In

Looking In
Looking into an old mansion through a screen left ajar.

Looking In. © Copyright 2022 G Dan Mitchell.

Looking into an old mansion through a screen left ajar.

We were at this location to photograph flowers, but I almost always keep an eye out for other subjects besides the one I came for. This large public garden is centered around a historic mansion, and at times I found the old building to be as interesting as the flowers that were my object. I noticed that the outer screen didn’t quite close all the way, and then I noticed that a warm lamp was barely visible inside the building. Looking in at the warmly lit interior scene, as vague as it is, evokes memories of such places in the winter.

This is one of those photographs that —once again! — proves the point that we often do not expose for some compromise, straight-out-of-camera shot. instead, I like to think about what exposure will give me the image data that I can use to in post to produce an image that is true to what I saw. Here I had to control the brightness of the exterior — which was fortunately muted a bit as the sun passed behind some clouds —while getting enough of an image in the dark and subtle interior that I could work with it in post.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Breakfast, Manhattan, December 2021

Breakfast, Manhattan, December 2021
Breakfast on the window sill, Manhattan, December 2021.

Breakfast, Manhattan, December 2021. © Copyright 2022 G Dan Mitchell – all rights reserved.

Breakfast on the window sill, Manhattan, December 2021.

On one level this is a photograph of a half-eaten breakfast roll on the paper bag it was packed in, sitting on the window sill of a Manhattan hotel room on a cloudy winter morning. We can look at it as a little still life, I suppose, though perhaps a less appealing one than the traditional images of fruit and such. But there’s a story behind it.

For us a typical Manhattan breakfast might be coffee and pastry picked up somewhere on the street or, if we had the time and inclination, a “real breakfast” with eggs and more in a restaurant somewhere. (We follow a “two-and-a-half-meals-per-day plan when traveling, where the half meal could be morning or midday and is usually espresso plus something small.) But this visit was during the start of the Manhattan holiday omicron surge — what a strange description! — and those crowded little restaurants and shops were not so appealing. Fortunately, the Mille-Feuille Bakery was on the ground level of our hotel, so we’d head down there, pick something up, and return to our room… where the morning ritual was to start the covid rapid test, then sip coffee and eat pastry while the 15 minutes passed.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Window and Wall in Summer Light

Window and Wall in Summer Light
High summer light falls across the walls of a building with white window frames.

Window and Wall in Summer Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

High summer light falls across the walls of a building with white window frames.

There are still more of the pandemic photographs — the “postcards from pandemia” — that I have made from time to time since our world changed back in March of 2020. During that time I did a lot of urban walking in a several mile radius of my home, and I always carry a camera when I walk. On many walks the camera remained in my bag, but every so often some element of this area would catch my attention and the camera would come out, I’d make a few exposures, and then I’d continue walking.

I’m now not quite certain where this subject is, exactly. The style of construction is common in older neighborhoods around here. One thing that appeals to me about a photograph like this one is that it can be about many different things. On one hand it is a visual record of the urban architecture of a certain time and place. But it also, to me at least, also a little study in composition and forms, mainly rectangles. It also is a kind of minimalism, consisting of really only three colors — the dark windows, the blue wall, and the white window frame. There are two slightly mysterious elements that create visual dissonance for me. One is the diagonal shadow — really the only line in the scene that isn’t a perfect vertical or horizontal — that comes from some unknown and unseen source outside the frame. Another is that slightly dark and mysterious shaded area near the upper left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.