Tag Archives: windows

Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

Street, Buildings, Shadows

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Street, Buildings, Shadows
Afternoon shadows fall across buildings and a narrow street in Tuscany

Street, Buildings, Shadows. © Copyright 2019 G Dan Mitchell – all rights reserved.

Afternoon shadows fall across buildings and a narrow street in Tuscany.

This photograph is the second half of a pair similar photographs I made during this visit to a vineyard in Tuscany a few years back. The location (Castello de Ama) features a small central area of stone buildings, amounting to a very small village, surrounded by vineyards. As you can guess, that it was pretty much “typical Tuscany,” which is a very good thing.

Arriving towards the middle of the day, the light was intense during our entire visit, aside from a very few passing clouds. To this Californian there is something both familiar and different about Tuscan light. The intensity is similar, especially at midday during the summer, and stark contrasts between light and shadow are common. But the Italian light seems to me to be softer, or perhaps more accurately the atmosphere seems softer, perhaps as a result of humidity. This photograph and the one I posted earlier both feature stone buildings, a bit of a narrow street, and dark midday shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

Building And Shadow, Tuscany

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Building And Shadow, Tuscany
A cloud drifts in the sky above stone buildings in Tuscany

Building And Shadow, Tuscany. © Copyright 2019 G Dan Mitchell – all rights reserved.

A cloud drifts in the sky above stone buildings in Tuscany

If you follow my posts you may have noticed quite a few post from Italy recently, and you might be wondering why. Have you been to Italy? ;-) OK, there are more objective reasons I can share. I make a habit of reviewing older work a year or more after I make the photographs. I see the images differently with a bit more subjective distance from the actual experience. There’s another reason, too, and it ties the place I live (California) to Italy it ways that have only recently made more sense to me. This spring and summer as I’ve walked trails in California’s grass and oak lands on warm days, it has hit me just how similar the experiences can be. And a visit to an area winery on such a day reinforced that feeling. So I suppose I’ve been enjoying both the pleasant memories of the 2016 visit from which this photograph comes and the realization that I live in a place that shares some Italy’s pleasant features.

This is one of a pair of related photographs I made at an Italian vineyard and winery we visited — both focus on the stone buildings and midday shadows. (The related image will show up here in a later post.) The vineyard centers on a very old hamlet consisting of stone buildings surrounded by vineyard. We were there in the middle of the day, and the unique Italian light was wonderful. I’m not quite sure how to describe it in words, but it has some remarkable combination of the intensity of southern light along with the softness of the Italian atmosphere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: France, Photographs: Travel, Photographs: Urban/Street

Paris Street, Midday Light

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Paris Street, Midday Light
Two figures in midday along a street in Le Marais, Paris

Paris Street, Midday Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Two figures in midday along a street in Le Marais, Paris.

Le Marais, in Paris, if full of visual delights. This area was “left behind” when much of central Paris was modernized, so you won’t find the wide boulevards and open views. Instead there are very narrow streets — often barely wide enough for a single vehicle, and that only because sidewalks are barely a foot or two wide. The buildings are old, often leaning at odd and interesting angles.

This photograph is a bit unusual in that I made it in full midday sun. I would most often not do a lot of photography at such a time of day, but I liked the stark quality of this light, and I thought that it could work as a black and white image.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Germany, Photographs: Structures and Objects

Windows, Oblique Light

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Windows, Oblique Light
The shadows of windows in oblique lighting on a Berlin building

Windows, Oblique Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

The shadows of windows in oblique lighting on a Berlin building.

You might regard this as “what happens when they let landscape photographers do street photography.” For me, street photography combines a bunch of possible components — the human element, the crystallization of a “moment,” the light and color and patterns, and the nature of urban landscape. I do think of the urban scene as a landscape, and in some ways — though not all! — I approach it that way. (Depending on how far you want to go with that thought… it does have “valleys,” and “faces,” and “peaks,” and even flora and wildlife.)

We had spent the day walking through parts of Berlin, starting at our hotel a way off from the central city, heading past the East Side Gallery area of the Wall, then walking back toward the central area of the Brandenburg Gate. As we got closer to this center we improvised a route that did not take the largest, most popular streets, and it a few places we ended up in rather non-touristy spots. I’d have to go back and consult a map to see precisely where this was photographed, but I was intrigued by the minimalist quality of the architecture, the shadows cast by the protruding window frames, and the contrast between the warm red-brown tones of the wall and the cool blue tones of the windows — and even a resonance with the landscapes of the American Southwest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.