Tag Archives: windows

Terraces, Stairways, Sky

Terraces, Stairways, Sky
People arrayed on terraces and stairways at the Whitney Museum

Terraces, Stairways, Sky. New York City. December 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

People arrayed on terraces and stairways at the Whitney Museum

This is another of my December 2015 photographs from the New York Whitney Museum, and perhaps yet one example of my idiosyncratic approach to visiting museums. I love visiting museums, especially art museums, and I can easily spend many hours or even a full day wandering around and slowly taking things in. It is enough to drive other people who go there with me crazy! (On this visit, the rest of our group finally gave up, left without me, headed to a nearby tavern, had lunch and drinks, and waited for me to finally show up hours later.)

I love to look at the art, the people, and quite often the architectural spaces as well. This was my first visit to the new Whitney Museum, so there was a lot to see. I started on the top level and explored galleries, but soon was distracted by the outdoor terraces, which extent from each of the floors in delightful and interesting ways. On the top floor narrow terraces project out into space above the Chelsea district. On lower levels the terrace areas become larger, and afford urban landscape views of the surrounding city and back upwards toward the exterior of the museum. When I looked up at this mass of windows, terraces, stairways and more I knew there was a photograph (or several) here, and I spent some time with the subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Four Figures In Doorway

Four Figures In Doorway
Four people stand in front of the doorway of a Manhattan store

Four Figures In Doorway. New York City. December 24, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Four people stand in front of the doorway of a Manhattan store

I suspect that this photograph is going to perplex more than a few folks who watch my landscape and nature photography. In fact, this is one in a large string of very urban photographs made in New York in late December 2015. For those of you who “get” and like this work, thanks! For those who don’t, the more familiar kinds of photography will return before too much longer, and I’ll try to intersperse more of that photography with the urban/street/night stuff.

I’m endlessly fascinated by the way in which seemingly formless and virtually random patterns of motion in the urban environment can suddenly coalesce into something that has structure and which may even be mysterious and suggestive. Capturing this stuff requires me to be “on” all the time — and this can make me not at all fun to be with in these places when I’m carrying a camera! I made this photograph on a very crowded Christmas Eve in Manhattan, and it is one from a short sequence I photographed of this group standing in front of the entrance to a closed store — and for this instant the group miraculously assembled themselves into a fascinating tableaux of individual poses, especially the woman on the left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Yellow Building, Ventilation Towers

Yellow Building, Ventilation Towers
Night photograph of a building in yellow light and ventilation towers, Mare Island

Yellow Building, Ventilation Towers. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Night photograph of a building in yellow light and ventilation towers, Mare Island

This was one of the last photographs I made on a recent evening with The Nocturnes at the historic Mare Island Naval Ship Yard. After spending the first half of the shoot exploring some little hidden areas that aren’t quite so obvious, I made my way back towards the “historic core” of the ship yard near the dry docks. This area is well-lit these days, as it is being used to dismantle ships of the “ghost fleet” that have been anchored in the delta for years.

The nature of that light is part of the subject of this photograph. The foreground building, with its classic and well-worn military base construction, stands across a street from the work area. It is brightly lit by sodium vapor lamps whose light floods this entire area, and this kind of lighting has a very warm color cast, so warm that it can give a bright yellow appearances to buildings that are very drab in daylight. Off in the distance is another set of buildings, with some kind of ventilation or cooling towers standing above them. The color of the light on that structure is a mystery — aqua, faint purple, yellow, blue-green. Most likely it is due to a combination of multiple light sources including sodium vapor, industrial LED streetlights, and more. Above all of that is the sky, though it also has a somewhat odd coloration, much warmer that the sky tones in rural areas due to the city lights reflecting on clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Exit, Yellow Doors, Blue Windows

Exit, Yellow Doors, Blue Windows
Exit sign above doors to outside area illuminated by dusk light

Exit, Yellow Doors, Blue Windows. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Exit sign above doors to outside area illuminated by dusk light

After meeting up with my fellow night photographers (associated with The Nocturnes, the long-standing San Francisco night photography community) to share photographs and pizza, we all got ready to head out into the night as darkness came on. After the social time I began to get myself into the rather different frame of mind necessary to photographing this subject. Before I even left the building I began to look around inside, and I decided to walk slowly into some corners of this facility that I had not looked at before. As I did I found myself in a bit of a dead-end spot where this door, lit by indoor artificial lighting, let to the developing twilight on the other side.

I associate a number of things with photographing at night. Of course, subjects often take on a very different appearance at night, and rather prosaic subjects can acquire a feeling of mystery. In practical terms, I’m absolutely fascinated by this world that is illuminated by lighting that is far more varied than what we typically see in daylight. Rather that more or less one kind of lighting, there could be many — the blues of twilight, the daylight-like color balance of moonlight, the wild colors of artificial light from tungsten, sodium vapor, fluorescent and other kinds of light. But beyond all of that, I associate the sense of profound stillness and quite with this kind of photography, where I frequently stand alone in dark and quiet places for many minutes as I wait for exposures to complete.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.