Tag Archives: windows

Four Figures In Doorway

Four Figures In Doorway
“Four Figures In Doorway” — Four people stand in front of the doorway of a Manhattan store.

I suspect that this photograph is going to perplex more than a few folks who watch my landscape and nature photography. In fact, this is one in a large string of very urban photographs made in New York in late December 2015. For those of you who “get” and like this work, thanks! For those who don’t, the more familiar kinds of photography will return before too much longer, and I’ll try to intersperse more of that photography with the urban/street/night stuff.

I’m endlessly fascinated by the way in which seemingly formless and virtually random patterns of motion in the urban environment can suddenly coalesce into something that has structure and which may even be mysterious and suggestive. Capturing this stuff requires me to be “on” all the time — and this can make me not at all fun to be with in these places when I’m carrying a camera! I made this photograph on a very crowded Christmas Eve in Manhattan, and it is one from a short sequence I photographed of this group standing in front of the entrance to a closed store — and for this instant the group miraculously assembled themselves into a fascinating tableaux of individual poses, especially the woman on the left.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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Yellow Building, Ventilation Towers

Yellow Building, Ventilation Towers
Night photograph of a building in yellow light and ventilation towers, Mare Island

Yellow Building, Ventilation Towers. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Night photograph of a building in yellow light and ventilation towers, Mare Island

This was one of the last photographs I made on a recent evening with The Nocturnes at the historic Mare Island Naval Ship Yard. After spending the first half of the shoot exploring some little hidden areas that aren’t quite so obvious, I made my way back towards the “historic core” of the ship yard near the dry docks. This area is well-lit these days, as it is being used to dismantle ships of the “ghost fleet” that have been anchored in the delta for years.

The nature of that light is part of the subject of this photograph. The foreground building, with its classic and well-worn military base construction, stands across a street from the work area. It is brightly lit by sodium vapor lamps whose light floods this entire area, and this kind of lighting has a very warm color cast, so warm that it can give a bright yellow appearances to buildings that are very drab in daylight. Off in the distance is another set of buildings, with some kind of ventilation or cooling towers standing above them. The color of the light on that structure is a mystery — aqua, faint purple, yellow, blue-green. Most likely it is due to a combination of multiple light sources including sodium vapor, industrial LED streetlights, and more. Above all of that is the sky, though it also has a somewhat odd coloration, much warmer that the sky tones in rural areas due to the city lights reflecting on clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Exit, Yellow Doors, Blue Windows

Exit, Yellow Doors, Blue Windows
Exit sign above doors to outside area illuminated by dusk light

Exit, Yellow Doors, Blue Windows. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Exit sign above doors to outside area illuminated by dusk light

After meeting up with my fellow night photographers (associated with The Nocturnes, the long-standing San Francisco night photography community) to share photographs and pizza, we all got ready to head out into the night as darkness came on. After the social time I began to get myself into the rather different frame of mind necessary to photographing this subject. Before I even left the building I began to look around inside, and I decided to walk slowly into some corners of this facility that I had not looked at before. As I did I found myself in a bit of a dead-end spot where this door, lit by indoor artificial lighting, let to the developing twilight on the other side.

I associate a number of things with photographing at night. Of course, subjects often take on a very different appearance at night, and rather prosaic subjects can acquire a feeling of mystery. In practical terms, I’m absolutely fascinated by this world that is illuminated by lighting that is far more varied than what we typically see in daylight. Rather that more or less one kind of lighting, there could be many — the blues of twilight, the daylight-like color balance of moonlight, the wild colors of artificial light from tungsten, sodium vapor, fluorescent and other kinds of light. But beyond all of that, I associate the sense of profound stillness and quite with this kind of photography, where I frequently stand alone in dark and quiet places for many minutes as I wait for exposures to complete.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Windows in Windows

Windows in Windows
Layers of windows and reflections at night, illuminated by ship yard security lights

Windows in Windows. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Layers of windows and reflections at night, illuminated by ship yard security lights

This is a prosaic subject that, to me at least, becomes more mysterious the more I look at it. As I walked down a very familiar alley way — perhaps the most familiar one to typical Mare Island night photographers, and a place I have been in many, many times — I looked at parts of it differently. Perhaps this was because the alley was closed off this time or maybe because one of the huge overhead structures that looms able this area was covered with immense scaffolding. Possibly it was the fact that interior lights in a neighboring building were, for the first time I can remember, still on and shedding light on the alley.

In any case, I went straight to this corner window that I had not really even noticed in the past. I was attracted by they interesting reflected light and the converging lines of the window frame, and then I began to notice the many layers of light and shape in the subject — especially the light coming thought another set of windows around the far corner of the building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.