Tag Archives: windows

Windows in Windows

Windows in Windows
Layers of windows and reflections at night, illuminated by ship yard security lights

Windows in Windows. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Layers of windows and reflections at night, illuminated by ship yard security lights

This is a prosaic subject that, to me at least, becomes more mysterious the more I look at it. As I walked down a very familiar alley way — perhaps the most familiar one to typical Mare Island night photographers, and a place I have been in many, many times — I looked at parts of it differently. Perhaps this was because the alley was closed off this time or maybe because one of the huge overhead structures that looms able this area was covered with immense scaffolding. Possibly it was the fact that interior lights in a neighboring building were, for the first time I can remember, still on and shedding light on the alley.

In any case, I went straight to this corner window that I had not really even noticed in the past. I was attracted by they interesting reflected light and the converging lines of the window frame, and then I began to notice the many layers of light and shape in the subject — especially the light coming thought another set of windows around the far corner of the building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Yellow Wall, Warning Signs

Yellow Wall, Warning Signs
Night photograph of yellow building wall, doorway, windows, and warning signs, Mare Island Naval Ship Yard

Yellow Wall, Warning Signs. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015© Copyright 2015 G Dan Mitchell – all rights reserved.

Night photograph of yellow building wall, doorway, windows, and warning signs, Mare Island Naval Ship Yard

This will be the first of a series of night photographs, made on a recent visit to the Mare Island Naval Ship Yard in Vallejo, California. I have been photographing at night here for more than a decade now. As I return I continue to find new things to photograph as the lighting is always different and the buildings themselves change. For example, on this visit I found that a dry dock area that has recently been used to dismantle old ships is lit in such a way as to light familiar buildings in new ways, and that some ship yard equipment that used to be behind security fences was now more accessible.

The architecture of this old building is found all over Mare Island and in other military and similar locations all over the country. (At a recent exhibit in San Francisco many viewers of one of my Mare Island photographs were almost certain that the photograph was from Hunters Point — and I can see why, as the same sort of architecture is found there.) Many buildings near this one appear to have been damaged in a north bay earthquake that happened not too long ago — a chunk of the building’s roof is damaged, some of the hanging conduit may have come down in the quake, and a corner of the next door brick building is gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Asian Styles

“Asian Styles” — People in front of a San Francisco storefront at night

At about this time last year I made an important “discovery during a trip to Manhattan” — with newer cameras I can photograph at high enough ISOs that it is possible (and even easy) to do handheld night street photography. And since I use a small mirrorless camera for street photography, I can even do this sort of photography without carrying around a big camera and lenses. I’ve long been a night photographer, but generally the type to sets up a tripod and approaches this genre more or less the same way I approach landscape photography, but with longer exposures. Much longer! But this new development is tremendously liberating. Using a large aperture prime I can walk around and spontaneously respond to what I see, and I can capture brief and ephemeral moments in the wild and beautiful light of the urban night.

This photograph exemplifies one way that I’ve always shot street photography, though now adapted to the night. I begin by finding an interesting bit of urban landscape — buildings, light, color, texture, form. I find a composition that will work… and then I wait. Sometimes the wait is brief and sometimes it is long. I wait for people to populate this “landscape,” and to configure themselves into some interesting combination. Since I don’t pose these photographs, I have to react quickly and take whatever the street serves up. This time it served up something special, I think. The storefront itself first got my attention, with its brightly colored merchandise, the light spilling out onto the sidewalk, the aqua windows on the left margin, and the red and yellow vending machine on the right. The small group of people just to the right of the doorway were my first target, and I think I have a photograph of just them taken shortly before this one. But very soon a wonderful and unpredictable conjunction occurred as the man walked out through the store doorway, the woman in blue passed in front of the vending machine, and the two men with the crying child in a stroller passed the store, followed by the woman with the bag. (Two things for those wondering about the title: Most obviously, it is the name of the store, but there’s a less-obvious irony, too.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Building Detail

Building Detail
Exterior surface of a Chicago building, including distorted window reflections

Building Detail. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Exterior surface of a Chicago building, including distorted window reflections

This is another small bit of Chicago urban landscape, this time a detail of a downtown building that contrasts the very regular and geometric shapes of textures of the vertical and horizontal features against the wildly random and distorted patterns in the windows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.