Tag Archives: winter

One Goose From The Flock

One Goose From The Flock
A goose takes flight along with the rest of the flock

One Goose From The Flock. San © Copyright 2018 G Dan Mitchell – all rights reserved.

A goose takes flight along with the rest of the flock

Some birds are most often photographed as individuals, usually because that is how they live. Examples include egrets, eagles, hawks, and many other hunting birds. To simplify a bit, a major challenge is to get close enough (physically and/or with a big lens) so that an individual is large enough in the frame to produce a photograph and so that distinguishing characteristics of the bird (along with some aspect of its environment) are visible. I rarely do that with geese snow geese, Ross’s geese, and other wild geese. These are, by their nature, birds that live in communities. I most often see and photograph them in groups which may range in size from a few individuals up to many thousands.

Some of the other members of the flock are partially visible in this photograph, so the image isn’t entirely of a lone bird. However, because the others are shown only in part and out of focus, my attention here is drawn to the largest, central bird with wings outstretched as it ascends. I made the photograph on a day when I found myself unusually close to a large flock for a good amount of time — they were spread across a dirt access road I was using. Eventually, as always happens with geese, some of the birds began to get ideas about going elsewhere, and this time I was very close to their lift-off.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Stairwell, Winter Shadows

Stairwell, Winter Shadows
Shadows of bare winter trees on windows in a Metropolitan Museum stairwell.

Stairwell, Winter Shadows. © Copyright 2017 G Dan Mitchell – all rights reserved.

Shadows of bare winter trees on windows in a Metropolitan Museum stairwell.

This is perhaps a bit of a mind game of a photograph. I’ll explain why in a moment. I made it while visiting the New York Metropolitan Museum of Art on a cold winter day last December. We were there mainly to see the David Hockney exhibit and then, once we realized what it was, the remarkable Michelangelo exhibit nearby. It is also true that we were there on that particular day partly because that was when we happened to be in New York, partly because we wanted to see the exhibits, and partly because it was a freezing cold day! For visitors to New York City in winter, the museums are good options when it is just plain too cold for a lot of outdoor stuff. (Nonetheless, we still did do a lot of walking in this frigid weather.)

This little corner of the museum is at the end of a series of galleries where an open stairway connects several floors together. There are windows, but they are covered with a sort of fabric scrim that allows diffused light to enter, blocks views of the outdoor landscape, but does project the shadows of nearby trees. The bare, winter branches silhouetted on this window and others nearby caught my attention. But the more I looked the more I saw the almost bizarre and perspective-defying combination of lines from the angled wall, the floor and handrail, and more. In the end, this photograph is perhaps of several things, but also about the strange conjunction of their forms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Snow Geese, Pond

Snow Geese, Pond
A flock of snow geese stands in a shallow wetland pond.

Snow Geese, Pond. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of snow geese stands in a shallow wetland pond.

This is a somewhat different photograph of geese than I might usually make. More often I photograph them in flight or in huge flocks, either landed or flying, and quite often the photographs feature Ross’s geese. This group is none of those things. When I came to this spot — and, yes, I was looking for big flocks — I found small groups of geese (and other birds) that were mostly quietly tending to their business in these shallow ponds. There wasn’t a lot of flying, a lot of noise, or much else.

However, their relative passivity did give me a chance to make some photographs that can (especially when viewed larger than these web images permit) reveal some of the individuality of the birds in the group. Their heads are up, which often indicates that they are aware of something that focuses their attention, possibly a potential danger of some sort. (It could have been me, but I was using a long lens and was pretty far away.) Because of their erect bearing, we get to see the juxtaposition of all those heads and beaks, pointing in various directions. It is also possible (again, in a larger version of the photo) the tell-tale “grin” pattern on the sides of the beaks that characterizes snow geese. (It is easy to mistake them for Ross’s geese and vice versa, and the indicators can be a bit subtle.) In addition, contrary to our expectation that such bird will all look pretty much the same, among the members of this group you can spot some significant variations in appearance. For example, note the two birds with darker feathers or the several with distinctly yellow features on their heads.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Post-Sunset Geese

Post-Sunset Geese
Winter geese fly toward San Joaquin Valley wetlands after sunset

Post-Sunset Geese. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter geese fly toward wetlands after sunset

These days photographing wild birds are frequently long. For me they begin about three hours before dawn, when I awake to a (very) early alarm, grab coffee and a bit of food, load my vehicle, and start out on a two-hour drive in the darkness. As I approach my destination the first color is coming to the sky above the Sierra — that is if tule fog doesn’t reduce visibility to 100 feet or so! I arrive a half hour before sunrise, set up camera equipment, and begin to work. At first I may make some landscape photographs, since it is often still too early to handhold the camera for bird photography, but soon the first birds fly up from the ponds. I usually spend the next three hours of so photographing birds and landscape — though the precise time varies depending on the conditions — and then I take a break in the middle of the day. By mid-afternoon I’m back, looking for evening photographic opportunities, and the pace of the work increases as sunset approaches. During the last few minutes of light a lot happens quickly, and then I photograph until the light is gone.

I made this photograph during that late period, following sunset, when lingering light colored the thin clouds above the western mountains. Around sunset there is a period of coming and going by the birds. Birds may rise up from ponds and fly away, or flocks may arrive from distant points and settle in for the night. Often cranes arrive just after sunset. The birds in this photograph are geese, most likely Ross’s geese, approaching the wetland ponds from that western sunset sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.