Tag Archives: woman

Tortaria

Tortaria
A woman walks past a Manhattan tortaria with a red pickup truck parked in front.

Tortaria. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman walks past a Manhattan tortaria with a red pickup truck parked in front.

I made this photograph about four years ago, and the brief tale of how emerged now is perhaps worth telling. Recently I was involved in a discussion of tilt/shift lenses. Part of the discussion drifted to image changes that could be made in post-processing rather than by using shift to correct converging perspective lines. I went looking for example files I could use, especially those that might have been shot with a very wide lens and in need of correction. I figured that urban photographs would provide good examples, so I started digging into my New York raw files. Eventually I ended up back in 2014… and to my surprise I found a group of images that I had almost completely forgotten about and which I never finished reviewing and processing.

Four years later I don’t even remember making this photograph, nor do I remember the location. (I could figure it out easily enough.) I’m betting that the initial attraction was to the contrast between the bright red pickup truck (and all of the things that it can symbolize) and the teal-colored front of the Tortaria. It may have been good fortune that the woman walked into the left side of the frame at this moment. I like the juxtaposition of the red and green-blue colors and the potential cultural and other symbolism of the big, red pickup truck.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Pose

The Pose
A woman stands on a sidewalk as a man and a woman photograph her and another talks on a phone

The Pose. © Copyright 2017 G Dan Mitchell – all rights reserved.

A woman stands on a sidewalk as a man and a woman photograph her and another talks on a phone

In many of my street photographs that include people, I am seeing some kind of momentary tableau — almost an arrangement that one might imagine and then pose the figures to produce it. These ephemeral arrangements constantly appear and disappear on the street, and I’m fascinated by the arrangements themselves and by the prices of trying to see them fast enough to make photographs.

This one was a bit more static than some — in fact I may have been the most active participant, as I more or less made this and a couple other photographs very quickly as I continued walking past. The primary interaction was between the young man sitting on the step with the camera and the woman with her back to my camera position. Another woman at right was making, with her smart phone, what may have been a documentation or informal photograph. To the left, leaning against a column, another woman seems unengaged with the main action, looking away and holding a cup of coffee.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Woman Pushing Stroller

Woman Pushing Stroller
A woman pushing a child in a stroller in a cross walk, New York City

Woman Pushing Stroller. © Copyright 2017 G Dan Mitchell – all rights reserved.

A woman pushing a child in a stroller in a cross walk, New York City

Perhaps intuitively I have been making quite a few street photographs at cross walks, either while waiting for the light to change or while crossing the street. I think I need to be more conscious of this situation and the reasons it can work. For one thing, I stop at cross walks. While I do photograph as I’m “on the move,” the pause gives me an opportunity to scan my surroundings a bit more intently. In addition, there are usually other people collecting at the corner and waiting to cross — it might be an individual or it could be a small crowd. Also, when people are crossing they tend to (at least most of the time) be focused on their progression across the street and perhaps are less aware of me. Finally, the cross walk itself can provide an interesting visual context, especially the newer striped design.

This photograph is a bit hard to fully explain. There’s something about the black-attired woman and her unusual white sunglasses, along with her position as she looks toward the right side of the frame. The child seems completely inert, almost like luggage in the stroller. And, again, there are those alternating stripes of pavement and white paint.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Photograph, New York

The Photograph, New York
A woman poses for a photograph as friends look on, Manhattan

The Photograph, New York. = © Copyright 2017 G Dan Mitchell – all rights reserved.

A woman poses for a photograph as friends look on, Manhattan

For today’s photographer we are back to Manhattan, with a photograph from our recent end-of-December week in New York. I always go into street photographer mode (with essence of travel photographer sprinkled in, as well) when we visit there — which we get to do relatively frequently since two sons live in Brooklyn. The street wandering on this trip was a bit more of a challenge than usual, as we were there during a rather extreme bout of very cold weather that taxed this coastal Californian’s ability to stay warm. Our routine often became one of walking and photographing until we were too cold to continue, stopping in a warm place for coffee or food, and then heading out again.

I think I made this photograph in Soho, as we walked north from near the southern tip of Manhattan. I’m pretty certain that the lighting on these group first caught my attention. (This was the trip on which I finally realized that the light in Manhattan is as interesting as that almost anywhere else, including a lot of places that are otherwise not at all like New York City.) The arrangement of the members of the group also caught my attention — the one woman (the subject of the photograph they are making) standing apart and with her back to me and being hit by the light just a bit, the fellow with the camera trained on her, a woman seated next to him looking on closely, and the woman apart on the left and in darker clothes, who is smoking and doesn’t seem all that involved. The light shines obliquely across the scene from the left, catching both the people and the scene in front of the building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.