Tag Archives: yellow

Aspen Grove, Dunderberg Road

Aspen Grove, Dunderberg Road
Aspen Grove, Dunderberg Road

Aspen Grove, Dunderberg Road. SIerra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

A dense grove of aspens along Dunderberg Road in the eastern Sierra Nevada.

If you passed by this grove along the rough, gravel Dunderberg Road you might not even think to stop – in many ways it seems a lot like many other aspen groves along in this part of the Sierra and along this road. However, I once stopped in this spot the first time I drove this road and for some reason the location has become one of those that draws me back. This time I arrived very late in the afternoon, just as the sun was slipping behind Dunderberg Peak to the west, leaving the trees in shaded early evening light. This section of the grove is remarkable for the thickness of the trees – you might not guess from the photo, but trees are not all that tall. It also is more open than some groves of this size and it isn’t quite as cluttered with non-aspen plants that sometimes make it difficult to find a composition.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Brown Aspen Leaves

Brown Aspen Leaves
Brown Aspen Leaves

Brown Aspen Leaves. Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Closeup of a group of brown autumn aspen leaves against a background of yellow leaves.

While I like the brilliantly colored yellow, orange, red, lime green, and golden fall aspen leaves, this color isn’t the only thing that appeals to me about these trees. I enjoy photographing their trunks, too – sometimes when most or all of the leaves are gone. I’m also interested in photographing the brown and sometimes black leaves that seem to appear after a freeze. I found this grove along a slope not far from Mammoth Lakes, and I spent some time wandering up a hillside among the trees in the middle of the day. Although this is not typically the best time for photographing the intense aspen colors, by working under a canopy of leaves and by looking for a few backlit leaves I managed to find a few shots that work. This group of brown leaves ended up being almost colorful because light filtering through the overhead trees and leaves created backlight that was a bit softer and diffused that the “normal” midday light.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Conway Summit Aspens, Autumn

Conway Summit Aspens, Autumn
Conway Summit Aspens, Autumn

Conway Summit Aspens, Autumn. Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Layers of colorful autumn aspen groves lead up toward Dunderberg Meadow and Peak above Conway Summit, California.

I often plan my visits to this large aspen grove on the high point of highway 395 just north of Lee Vining for late afternoon, when the rows upon rows of large aspen groves are back-lit by the afternoon sun as it drops towards the crest of the Sierra Nevada near Dunderberg peak. Each grove tends to change color at a slightly different time, and each can take on a different shade ranging from green (in the case of those that change a bit later) to golden and red and orange. This year, in this area, the colors seem to tend more towards gold/yellow and less towards red/orange, but no matte what the shade they light up in this light.

I was extra lucky on this afternoon in that there were clouds. Talk to many Sierra photographers about the weather and you’ll discover that we are not so fond of the “perfect blue sky weather” that so many others love. Yes, it is “pleasant.” No, it is not necessarily visually interesting. It had been that sort of “perfect” weather for the first couple days of this visit to the “east side,” but in the middle of the afternoon on this day puffy clouds began to form over the crest, and their shadows added texture and brought out the shapes of hills and ridges beyond the aspens.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Golden Aspen Grove, Conway Summit

Golden Aspen Grove, Conway Summit
Golden Aspen Grove, Conway Summit

Golden Aspen Grove, Conway Summit. Sierra Nevada, California. October 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Groves of tightly spaced slender aspen trees with golden fall leaves at Conway Summit, California.

Conway Summit is a location well-known to many eastern Sierra photographers, especially those who photograph the autumn aspen color displays. The “Summit” is the high point on the highway 395 just north of the town of Lee Vining, and the aspens grow to the west on the slopes that gradually rise toward Dunderberg Meadow and Peak. When I’m looking for brilliant autumn color here, several factors come into play. First, you have to be there at the right time. This isn’t always easy to predict, and when the color is great in one area of these trees it may have passed or not yet arrived in others. Second, you need to come at the “right” time of day. For me this means, at least at Conway, coming in the mid- to late-afternoon when the groves are lit by backlight coming across the Sierra crest. Third, it helps a lot if you can be there for conditions that are not too ordinary. For example, on the afternoon when I made this and some others photographs that may follow, after a weekend of boring perfect cloud-free weather some puffy clouds began to form above the Sierra crest, and their shadows raced across the area and created patterns of light and dark.

This photograph is also an example of long lens landscape photography. For some reason there are those who think that landscape photography must be done with certain lenses, often those of “normal” to wide focal length ranges. Those certainly have their place, and I use them too. However, I find that longer focal lengths are also indispensable – not just for filling the frame with subjects that you otherwise might not be able to approach, but also to compress foreground and background and to narrow the depth of field, among other reasons. Here I photographed with a 100-400mm telephoto at 250mm.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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