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Autumn Color, Canyon Walls

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Autumn Color, Canyon Walls - Autumn color foliage marches up the lower slopes of Zion Canyon, Utah
Autumn color foliage marches up the lower slopes of Zion Canyon, Utah

Autumn Color, Canyon Walls. Zion National Park, Utah. October 30, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn color foliage marches up the lower slopes of Zion Canyon, Utah

I was in Zion three times during October this year – it is a long story how that happened! On the final occasion, we were passing through the area on our way back to California at the very end of the month, having stayed the night before in Kanab and having a plan to stage the next day’s long return drive from St. George, Utah. The drive between those Kanab and St. George is not all that long, so we figured we would see what Zion might offer up as we passed through. Since we had photographed the high country along the Mount Carmel Highway earlier in the month, and since the fall color was rumored to be starting in Zion Canyon, we decided to head there in the morning. (In the end, we finished up here a bit sooner than we might have, so we ended up driving well past St. George, but that’s a different story…)

The height of the Zion Canyon color typically comes a bit later than this, so we figured that we might not see the very best color – but Zion is sort of like Yosemite in that there is something to see no matter what. After many days of shooting, this was one of those days when energy was at a bit of a low ebb. We started out in the upper end of the canyon, where we found some colorful red maples, but I don’t think any of use were necessarily quite “seeing it” at this point. So we moved down that canyon a bit, looking for whatever might turn up, and hoping for a bit more color that we were seeing. One of the last places we stopped to shoot was in this area from which features such as the Great White Throne and The Organ are visible. Here we were a bit more inspired, since there was a variety of things to see: the Virgin River, the flats along the river in the bottom of the canyon, a decent amount of developing fall color, towering rock walls, and evolving light. As I poked around along the river bottom I saw that some very colorful trees were visible up high along the base of the steepest cliff walls.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Patterns

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Sandstone Patterns
Sandstone Patterns

Sandstone Patterns. Zion National Park, Utah. October 14, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Complex patterns in sandstone formations at Zion National Park

I’m certainly no geologist, but that doesn’t keep me from being somewhat amazed by the fantastical and convoluted shapes and conjunctions in this little detail of cross-bedded sandstone photographed in the Zion National Park high country. As I understand it, these rocks originated in sand that was laid down, perhaps as dunes, in the distant past. For a variety of reasons, layers that originally tilted one direction ended up butted up against or nudging into layers tilting in radically different directions. My untrained eyes count a number of such layers in this small bit of rock. Overlaid on this are eroding flakes, cracks, bits of vegetation, lichen, and more – and all of it on this intensely colorful Southwest rock.

I am not certain precisely where this bit of geology was photographed, beyond recalling that it was along the Mount Carmel Highway through Zion National Park and that the photograph was made in shaded and diffused light. I am not only intrigued by the disjunct lines and angles of the underlying rock here, but also by odd features such as the big curve running across the middle of the frame and the subtle differences in the coloration of the rock – in places it is quite pink, verging on redness, while in others it is almost somewhat purple.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Layered Sandstone and Red Leaves

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Layered Sandstone and Red Leaves
Layered Sandstone and Red Leaves

Layered Sandstone and Red Leaves. Zion National Park, Utah. October 22, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

The red autumn leaves of a small tree contrast with the angles and layers of a curving sandstone slot canyon, Zion National Park

One of the most intriguing things about slot canyons – among many intriguing things – is the surprising variety of things to be seen as you progress through them. While the basic idea might seem somewhat consistent – e.g. narrow canyon with tall walls and water in the bottom – the details of the canyons seem amazing diverse and they change from moment to moment and bend to bend. This first really made sense to me in a canyon in the Escalante area where we entered by walking down a very wide and flat wash. Gradually a low sandstone “curb” began to appear along the sides of the wash and almost before I knew it this had grown to become a wall. Shortly the bottom of the canyon narrowed so much that we had to rise out of it and walk along side until we got to a point where we could again drop down into it, and it was now deep enough to cut off much of the direct light from overhead.

The slot in this photograph is in Zion National Park, and to be honest I not entirely certain where it was outside of a sort of general area. As we walked through it – and it was not a long canyon – it twisted along the base of a cliff wall and at this spot there was almost no visible vegetation except for the red leaves of one small autumn tree poking out from behind the thickly striated and twisted rock of the canyon side walls.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Tree Covered Hillside, Cliff

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Tree Covered Hillside, Cliff
Tree Covered Hillside, Cliff

Tree Covered Hillside, Cliff. Zion National Park, Utah. October 14, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early autumn afternoon back-light on high country trees and shadows on a sandstone cliff face, Zion National Park

Perhaps surprisingly, trees were a big draw for me during my several visits to Zion National Park in October last year, and not just the trees that were getting their fall color. The junipers and pines are also intriguing, especially when backed by sandstone or lit from behind by low angle light as in this photograph.

This area near the eastern boundary of the park has intrigued me but also puzzled me each time I have stopped there. Nearly is a significant and named park feature that seems to be the main reason for stopping. It is an impressive geological feature… but, for the life of me, I have not been able to find a way to make an interesting photograph of it. Yet each time I passed by, I stopped and looked and pondered and (most often) did not photograph it. However, with each successive stop I began to pay more attention to other features in this spot: the big cliff on the other side of the valley on which colors fade from gray-white to red, the many trees that stand with enough space between them to allow back-light to pick them off individually, and more.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.