Images

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

The Old Oak Tree

Image January 10, 2026 G Dan Mitchell Leave a comment

While this big oak tree grows in a meadow filled with scores of other beautiful oaks, it presents a different appearance than its neighbors. The other trees, perhaps because many of them grow close together, tend to be somewhat tall and slender. But this tree is massive, with thick trunk and main branches, and it spreads widely — enough so that it is as wide as it is tall.

One of Yosemite Valley’s monumental granite faces rises nearby behind this tree and its neighbors. Because that face is tall and to the south, its shadow falls across the trees for hours every day. I photographing it after the late-day shadow had arrived, which gives a softness to the image that would not be there in full sunlight.

Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Virgin River, Zion Canyon

Image January 9, 2026 G Dan Mitchell Leave a comment

Judging from the muddy water, a substantial amount of Utah landscape appears to be disolved in the Virgin River and flowing out of the park! A walk through the bottomlands of Zion Canyon reveals a riparian landscape subject to periodic flooding. Seeing this, you can begin to understand the role that water has played in forming this remarkable landscape.

On this morning we left our vehicle behind, shouldered photographic gear, and crossed to the far side of the canyon and the river, then followed a trail upstream. It was quiet and there was a lot to see, including a lovely little waterfall at one point.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Autumn Flowers

Image January 8, 2026 G Dan Mitchell Leave a comment

The fall colors brought me to Yosemite Valley for a few days at the end of October. But autumn there isn’t just abut those colors — everything about the place is different during this season. The Valley seems to slow down and mellow out, and I sense that winter is just around the corner, even on a warm, sunny day like this one.

There’s a lot going on in this photograph, and it was a challenge to incorporate all of these elements. Right in front of the camera we see the golden-brown meadow, dotted with white flowers . The forest begins beyond that, with deciduous trees close to the Merced River and then large groves of conifers. In the distance, we see several of the famous Yosemite Valley granite cliffs, with details muted by haze and bright late-afternoon sun.

Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

Photographs: Belgium, Photographs: Europe, Photographs: Structures and Objects, Photographs: Travel, Photographs: Urban/Street

Graffiti and Barred Window

Image January 7, 2026 G Dan Mitchell Leave a comment

An alley in Ghent, Belgium is called the “graffiti street” or the “graffiti alley.” (The latter is more apt, since it is a very narrow walkway.) The walls (and sometimes the pavement) are covered with a wild mix of tags, graffiti, and street art. New imagery is continuously added on top of the old, and the intersections of these old and new images can be fascinating.

I have mixed feelings about photographing graffiti and street art, at least when it isn’t just an unavoidable element of the scene or an embellishment on other subjects. But here, the individual work is subsumed by the sum of it all, and in ways that hardly could have been anticipated by those who produced the deeper layers.