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Photographs: Nature, Photographs: People, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Turtle Man

Image July 28, 2022 G Dan Mitchell 4 Comments

Turtle Dave* climbing the west side of Mount Whitney near the end of the John Muir Trail.

There are several stories behind this photograph. One is specific to this man and this place, and another relates more generally to people like him that I have encountered in the backcountry over the years. The specific story: “Turtle Dave” (or was it “Turtle Don?*”) was his trail name on the John Muir Trail when we encountered him. He was soloing the JMT, and on this day he was going to reach the summit of Mount Whitney. I was part of a group of experienced backpackers who had come all the way across the Sierra from the west side to get here, and we felt like a pretty tough group… until we met him. He wasn’t fast, but he seemed as at ease in the backcountry as anyone I’ve ever met.

Perhaps because of this photograph, and perhaps because I’m considering some trips into the backcountry, and perhaps because I’m no longer a child (well, not in most ways) I’ve been thinking about a string of similar “mature” backpackers I’ve met over the years. Decades ago as Patty and I embarked on our first long backpacking trip we camped near “Sig,” an “older woman” (at least a decade younger than my age today!) who starting her solo of the JMT. On another trip out of Tuolumne Meadows I spoke with a 75-year-old fellow who was starting out on the JMT all alone. If you meet one of these folks on the trail, I urge you to stop and chat a bit — there’s a good chance that the conversation will be memorable.

* Update: My local research department (a.k.a. Patty) found some web references to “Turtle Don” and his adventure. I’ll leave this post with the current title, but it is good to know the right name for this guy!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Sierra Crest, Blue Hour

Image July 27, 2022 G Dan Mitchell Leave a comment

This is a reinterpretation of an old photograph, one that has long been a favorite but which I’m now looking at differently. Several issues surround the question of whether, when, and how to revise a photograph that you once considered definitive. The most obvious change is the aspect ratio — it formerly used the ubiquitous 4:3 ratio, but now I think it works better with this semi-panoramic presentation. (The old version lost the far right ridge and trees.) I’ve also rethought how I handle the blue tones — when I originally did the photograph I was shy about “going with the blue,” but more recently I’ve embraced it.

All of that background aside, this is a favorite photograph for a bunch of reasons. This was an incredible afternoon and evening of sky and light, and this was one of the final photographs of that day, made in the fading blue hour light. It still astonishes me that perhaps thousands of people were clustered around their campfires in a nearby campground, likely oblivious to this scene, as I stood in solitude along the bank of the river watching the show.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Lenticular Clouds, Alpenglow Reflections

Image July 26, 2022 G Dan Mitchell 2 Comments

This photograph comes from her the end of the spectacular afternoon and evening that I’ve been posting about recently. To quickly recap, I saw lenticular clouds forming over the crest earlier in the day, headed to this spot that I had scoped out previously, then photographed all the way from pre-golden hour through sunset and on into the early dusk. This photograph was made just after sunset, when the pink light was still coloring the sky and the landscape but the blue of evening was gradually taking over.

If you head out into the landscape often to photograph, you will experience a lot of fine but unremarkable days. With care, you can make good photographs in those conditions. You’ll also experience a few “meh” days when nothing happens. (Deny all you want, but you’ve experience it!) But it seems like this earns you an occasional luminous miracle, when everything comes together and amazement ensues. If there is a downside to this, it might be having to explain to people that, “yes, this really happened!” That’s a small price to pay.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Evening Light, Sierra Crest

Image July 25, 2022 G Dan Mitchell 2 Comments

This is the second photograph in this series that I’ve shared recently. (Two more are in the pipeline.) I posted a slightly different one that rendered the scene in portrait orientation. But a bigger difference is how the light evolved over the couple of minutes between the two exposures. At this time of day in these conditions, the light is very dynamic as it shifts from yellowish toward pink and red and ultimately to the blue tones of dusk. Meanwhile, the sunset light from the west is affected by intervening clouds, and the light and color move across the landscape. In this exposure, those blue tones are strengthening in the foreground forest and meadow and in the darker clouds above the lenticular formations.

Often a scene suggests one particular photographic interpretation or perhaps two. Maybe portrait- and landscape-orientation versions are in order or there is more than one way to frame the composition. But on a spectacular evening like this one when the scene remains compelling as it undergoes radical transformations of color and light, it is possible to end up with too many photographs! Originally I strained to hold myself to a series of four from one vantage point. However, after returning to these images recently I now see that others work, too — like this one.

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