Images

Quantity. Symbol. Written

Quantity. Symbol. Written
A sign on a preschool wall.

Quantity. Symbol. Written. © Copyright 2022 G Dan Mitchell – all rights reserved.

A sign on a preschool wall.

This photograph comes from some weeks ago, when a group of us were engaged in a little project to photograph orange things — a task related to the colors of the autumn season, but which I took to allow inclusion of distinctly non-seasonal subjects. I photographed it will on one of my pandemic-era local walks, on which I step out the front door carrying a camera and, if the spirit moves me, may photograph right in the neighborhood.

It is tempting to say no more about the subject and just let the viewer owner. However, I found this little bit of graphic and text content on the exterior of a pre-school. Taken out of that context — and that’s how I initially viewed it — the temptation was to try to find my own meaning in the odd mixture of letters, numbers and symbols.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Red-Shouldered Hawk

Red-Shouldered Hawk
A red-shouldered hawk perched in a wetland thicket.

Red-Shouldered Hawk. © Copyright 2022 G Dan Mitchell – all rights reserved.

Description

I had several opportunities to photograph what I believe was this same red-shouldered hawk on several days in early 2022. While visiting a location in the Central Valley on New Year’s Day I (and several friends) saw a hawk just like this one in almost this exact same spot. I made this photograph a few days later on a return visit. Is it the exact same bird? I can’t say. But it was perched very close to where the previous bird was and it was equally willing to allow me to be close enough to photograph it. (For those who wonder… I was photographing from the “mobile blind” of my vehicle and using a very long lens, both of which allow me to minimize any disruption to the bird.)

If you look closely at trees in places like this you’ll almost always spot some sort of predatory bird — hawk, owl, or similar — hanging out in the branches. In fact, there are a few trees I’ve gotten to know rather well over the years where I can pretty predict the specific branches on which such birds will be perched. Most of the leaves had fallen from this tree, making the bird easier to spot, and the filtered sunlight illuminated its features.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Feed Lot

Feedlot
“Feed Lot” — A series of shelters over a feedlot on a foggy Central Valley winter morning.

One of the benefits of photographing in fog is that it can make almost any subject mysterious and moody. Another is that the limited visibilities can mute or eliminate distractions from the visual focus on the elements that are the most interesting. It is hard to imagine a stronger illustration of these principles than a photograph of this particular subject.

I photograph quite a bit in California’s Great Central Valley during the winter months. During much of the year, this is perhaps not an obvious photographic destination (though looking closer may be worthwhile!). But in winter, when dense tule fogs often settle on the landscape, the place can be transformed in magical ways. If you have passed by one of these feedlots on a warm, sunny day… you probably rolled up your windows and held your breath. But morning tule fog on a winter day might can make it worthwhile to stop (while trying hard to ignore the smell!) and make a few photographs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Masked Women

Masked Women
Two masked women in conversation during the December 2021 Omicron surge, Manhattan

Masked Women. © Copyright 2022 G Dan Mitchell – all rights reserved.

Two masked women in conversation during the December 2021 Omicron surge, Manhattan

Back in mid-December the pandemic surged again with the arrival of the omicron variant in the United States. Just when we (at least those of use who are triple-vaccinated) thought things were beginning to ease up, case numbers skyrocketed. We had made plans for a holiday visit to New York City, and as we watched the evolving news stories we wondered whether or not to go. In the end, while the “right” answer remained unclear, we decided to take extra precautions and continue with our plans… and embarked on a weeklong visit just before Christmas.

We love New York. We like the crowds and the energy, dropping into restaurants, visiting museums, walking through the parks, and all the rest of the Manhattan experience. It helps that two of our “kids” and their spouses live there. (They were our main reason for the trip.) Beginning with the carefully masked airline travel, much of this trip was unlike any New York visit we’ve made in the past. By the time we arrived, the city was in the grip of the omicron surge. The streets (at least by Manhattan standards) were nearly empty. The few restaurant meals we indulged in were at cold outdoor tables. Almost everyone was masked. These two women are perhaps emblematic of the experience — outdoors on a cold winter day, sitting masked in the open air on a bench for a few moments of conversation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.