Images

Old Police Headquarters, Evening

Old Police Headquarters, Evening
The dome of the Old Police Headquarters on a Manhattan winter evening.

Old Police Headquarters, Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

The dome of the Old Police Headquarters on a Manhattan winter evening.

This is another photograph from our long afternoon and evening walk from more or less Midtown down to Lower Manhattan along a route that kept us off many of the main streets and gave us a look at somewhat more intimate scenes along the way. All of the recent evening photographs that I have posted from Manhattan were made on this walk. (Eventually we ended up at Manhatta, on the 6oth floor of a building with stupendous views over the city and its surroundings.)

When I went to work on this photograph I realized that I had no idea what the dome-topped building is. By looking at photographs made just before and after this one, and by enlarging the image enough to (barely) make out the name on a street sign, I was eventually able to identify it on a digital map of Manhattan. Apparently it is, as the title states, the “Old Place Headquarters.” It is, at least from this angle, a pretty notable piece of old style architecture, especially with that impressive dome.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Erosion Patterns

Erosion Patterns
Erosion channels line the walls of a Death Valley canyon in morning light.

Erosion Patterns. © Copyright 2020 G Dan Mitchell – all rights reserved.

Erosion channels line the walls of a Death Valley canyon in morning light.

This spot is a relatively accessible one, not terribly distant from a few other iconic locations, but one where I can usually find near solitude and lovely light early in the morning. When I’m in the general area I often swing though here on at least one morning. As such, I’ve gotten to know details of the place fairly well, to the point that I have a pretty good idea how the light will interact with the formations at various points during the day.

I went there one again during my most recent visit to Death Valley, and even though the light was a bit challenging on this morning — clouds were sometimes in the way — I spent several hours there photographing. This bit of the slope rising from this shallow canyon often presents subtle colors early in the morning, and here I photographed it just as the first direct light was sweeping across its surface.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Beneath The Bridge

“Beneath The Bridge” — Beneath a bridge, reflections from the water of a small creek on concrete structure.

This remarkable bit of texture, color, and geometry turned up where a creek passed beneath an underpass along a hiking path that I sometimes use. The patterns stopped me cold as I walked though this area, where I might typically pay almost no attendant to the photographic potential of the spot. The light reflected from the rippling water covers the scene with patterns that run in opposing directions. There is a right/left symmetry, but the tones are reversed in the two halves.

I usually carry a camera when I go out, typically a small one with a single small “pancake” lens. Most of the time I don’t even take it out, but every so often something turns up that makes me very glad I carried it. In addition, if you happen to be a fan of landscapes, when you open your eyes you may find that the “urban landscape” has a lot to offer, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Three Guys, Crosswalk

Three Guys, Crosswalk
Three men crossing a Manhattan street, looking into the light.

Three Guys, Crosswalk. © Copyright 2020 G Dan Mitchell – all rights reserved.

Three men crossing a Manhattan street, looking into the light.

One thing I like about photographing in New York City — or, for that matter, in any really busy urban area — is that challenge of picking subject out in the very dynamic environment. Once you tune it to it there are things happening all around you, often so fast that you barely have time to react… and you are absolutely certain to miss a good number of them. It requires a very different approach to photographing than one might use for, say, landscape photography. Not only that, but honing this alternative and fast approach, actually has benefits for other kinds of photography like, say, landscape photography!

There are so many potential angles that one can focus on when shooting street. It could be the people themselves. It might be the light. It may be color and texture. It could be compositional interest. Sometimes it is spontaneous relationships between elements that suddenly appear and this disappear. That was the case here. I already had the camera out and was photographing passing people when, for a brief instant, the three men in the cross walk glanced to the side at the same moment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.