Images

Great Blue Heron

Great Blue Heron
A great blue heron standing in a winter pasture

Great Blue Heron. © Copyright 2019 G Dan Mitchell – all rights reserved.

A great blue heron standing in a winter pasture.

Great Blue Herons are soloists — I virtually never seem them in groups, with only one strange exception. Both herons and egrets are closely related, and I recall being surprised a few years ago to encounter bird pairs consisting of a great blue heron and a great egret. I particularly remember watching one such pair land and then fly off together.

But this one was definitely alone. Earlier in the season I had seen few great blue herons, but by this point I was beginning to spot more of them, and I had already encountered several on the day I photographed this one — including one memorable critter that flew back and forth in front of me several times, gliding above a shallow bond. The bird in the photograph stood alone in a large pasture that was beginning to green up after winter rains. Up close they are remarkable birds, and their attentiveness to surroundings becomes apparent.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Mono Lake, Wildfire Smoke

Mono Lake, Wildfire Smoke
Mono Lake and tufa towers with drifting wildfire smoke in morning light

Mono Lake, Wildfire Smoke. © Copyright 2019 G Dan Mitchell – all rights reserved.

Mono Lake and tufa towers with drifting wildfire smoke in morning light.

My foremost impressions of Mono Lake are usually formed around its vast expanse — the place is absolutely huge, and the low mountains to its east accentuate this effect. The great open space above its water usually presents an equally expansive view of sky, whether it is pure blue or broken by various clouds. (My other strong impression of the place is an audio impression — a combination of early morning silence and the sounds of thousands of birds.)

I made this photograph during very unusual conditions. On this late-summer morning a very large wildfire was erupting south of here, and its smoke was drifting northward in the early morning. The morning light was increasingly blocked by the smoke and eventually (after I made this photograph) the smoke became oppressively thick and I had to leave. When I made the photograph the smoke was drifting softly in front of those distant mountains and glowing faintly in the early morning backlight.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two Sandhill Cranes In Flight

Two Sandhill Cranes In Flight
Two sandhill cranes take to the air on a foggy morning

Two Sandhill Cranes in Flight. © Copyright 2018 G Dan Mitchell – all rights reserved.

Two sandhill cranes take to the air on a foggy morning.

Most often when I see these birds in flight they are in somewhat larger groups, especially during the daily fly-in and fly-out events. Then they may fly in long lines, either side by side or beak to tail. By comparison to some of the other birds of similar size, they usually have a fairly smooth and steady sort of flight — with the exception of absolutely manic moves that they sometimes make when they arrive in the evening, with some birds seemingly dropping suddenly out of the sky and skidding off in odd directions.

This pair was almost heading straight toward me, and at a fairly low altitude. This is a bit unusual, as that groups that are about to fly over me typically divert at the last minute and pass to one side or the other. (I’d guess that out of all the groups that look like they will fly right over me, no more than one our of twenty actually do.) One thing I enjoy about this photograph is that you can see the birds in two different ways — either as a pair of separate individuals or as a striking combined x-shaped pattern.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

First Autumn Color

First Autumn Color
Early season fall color comes to aspen-covered mountains east of the Sierra Nevada

First Autumn Color. © Copyright 2016 G Dan Mitchell – all rights reserved.

Early season fall color comes to aspen-covered mountains east of the Sierra Nevada.

Sometimes heading away from the sure thing reveals wonderful surprises. Sometimes following up on previous explorations works, too. Occasionally the two align. A year to two earlier we had taken a long drive east of the Sierra Nevada on a fall day. We had been photographing autumn color on the east side of the range, and one morning we simply decided to try something different, so we went the opposite direction, ultimately ending up along the Nevada border. On a long, looping drive back toward the Sierra we drove down a long valley where we “discovered” a single, marvelous grove of aspens. We kept going, reaching a junction, and after exploring a bit more took a turn that headed back toward the area near Yosemite. Driving up a long, dry valley I looked west toward a range that stood between us and the Sierra and saw that there were aspens up high on its flanks.

On the trip when I made this photograph I really didn’t think I was likely to find aspens, and my plan was to head out here — again to the east of the Sierra — to do a bit of reconnaissance in preparation for returning a few weeks later during the normal peak of the fall color season. One thing led to another, and I ended up on some backroads passing through the very mountains that I had looked at on that previous visit, and much to my surprise there were already vast groves of aspens that had turned. To make this photograph I drove up to a rather high spot — 4WD was my friend on this little detour — from which I could look down at the forest and across to the highest peaks above them, past the still-green heart-shaped grove in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.