All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.

Photographs: Abstract, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Urban Wall, Tree Shadow in Winter Light

February 19, 2013 G Dan Mitchell Leave a comment

The shadow of a tree casts its shadow in winter light across an urban wall.

I made this photograph in the very late afternoon near the end of December, 2012. For some reason, each year at about this time I get the idea of doing a personal “photo walk” that starts at my front door and then wanders around the “neighborhood” in a two-mile or so radius. Almost invariably, the walk takes place late in the day and lasts through the sunset hours. I frequently cover (or perhaps I should write “cover again”) familiar territory, and I even re-photograph some of the same subjects that I have photographed in the past. (This isn’t the first time that I have photographed this wall.) I usually walk slowly for the most part, focusing more on looking than on walking. By slowing down and especially by paying attention to things I might photograph, I invariably see things – within walking distance of my home – that I would otherwise not see at all.

This photograph probably looks like a very strange amorphous thing to some viewers, so let me at least explain what you see. This is a concrete wall, with low angle sun striking it almost directly from the left, producing stretched shadows from a nearby tree. The wall is painted green, but the very warm golden hour light moves the color toward yellow. The wall apparently is an attractive target for vandals/graffiti artists, since it is apparent that something was previously painted out using a slightly different color paint. Although it is hard to see in this small web jpg, I like this odd mix of colors and the interesting details of the wall’s texture as they are revealing by the side-light.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California

Forest Ridge, Fog

February 18, 2013 G Dan Mitchell 2 Comments

Ocean fog overruns forest-covered ridges in Marin County, California

I made this photograph on a very cold, cloudy, gray, and by most people’s standards, fairly miserable day! It was a morning of murky atmosphere, high clouds blocking the light, and thick ocean fog along the coast and into the coastal forests – and it had stymied most of my attempts to find the sorts of photographs I was looking for. I finally decided to just look around – we call this “scouting” – and I eventually ended up in the hills near Mount Tamalpais State Park in Marin County, where I thought I might get above this gray atmosphere. I sort of succeeded, rising above the coastal fog, but the overall haziness and the high clouds were still a factor.

As I drove up the ridge and past an area of open meadows, the view opened back down towards lower hills with fog swirling round them. The hills were mostly submerged in the fog, but in one area the tops of ridges managed to poke through, though at times they, too, were covered. This is one of a small set of photographs I made here before moving on. In order to get the mood that I wanted to evoke from this subject, I made several particular choices in post production. One was to desaturate the colors quite a bit but to not go all the way to a purely black and white rendition, so the dark areas retain the slightly blue-green coloration of the forest. I also did some work with curves to produce the balance of light and dark that I was looking for.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Striped Rock, Grass, and Sand

February 17, 2013 G Dan Mitchell Leave a comment

I made this photograph in the first canyon we investigated during my late-October 2012 visit to Utah with photographer friends. We drove up a long gravel road and pulled off at a wide spot to find the creek that came out of this canyon, which we followed a good distance upstream. Believe it or not, this was the first time that I had hiked such a canyon and it was exciting to move from imagining the experience to actually doing it! We started out by essentially walking up the creek bed though the flats below where it left the canyon, wading through shallow water and little sand bars. Soon we entered the canyon itself and the “path” involved walking alongside the creek, frequently crossing from one side of the stream to the other to avoid obstacles, and sometimes just walking right up the stream bed, as that often provided the clearest path.

In the location where I made this photograph, the light became very red as it reflected between the upper sandstone canyon walls, and although I was shooting in the shade I had unusually warm toned light to work with. The sand here comes from – no surprise! – sandstone, and was very red in places. This bit of sand had been smoothed by the passage of higher water which had also flattened the grasses and wrapped them around this small rock with its bright red stripe.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
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Commentary, Events

The Annual Horsetail Fall Post

February 16, 2013 G Dan Mitchell Leave a comment

UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.

The silver strand of Horsetail Fall and water reflecting on surrounding cliffs in late afternoon light, Yosemite Valley, California.

Although it seems like it would be extremely difficult to make a truly original photograph of Horsetail Fall at this point, I won’t completely rule out the possibility, and recently I have seen a few interesting and imaginative photographs of the phenomenon.

The necessary conditions are fairly specific, and even when the basics are in place there is no guarantee that the show will occur on a given evening. To be honest, the odds are distinctly against you, and you are more likely to see something that doesn’t match your expectations.

There must be flowing water in the creek near the east end of the face of El Capitan that feeds the fall. This is not a sure thing in mid-winter. There must be sufficient snow above El Capitan and the temperatures must be warm enough to melt it, or there must have been a recent warm storm that brought some rain to higher elevations.
The setting sun must align just right with a gap in the mountains to the west of El Capitan so that the setting sun (miraculously) casts its last beams right on the face of El Capitan where the fall is located. Roughly speaking this occurs during the second half of February, right around February 20 or so.
You must be in a position such that the fall is back-lit by the sunset light beam. In addition, your position must provide a clear view of the fall – not necessarily a simple thing given the forest cover in the Valley. These areas are now subject to terrible crowding that has damaged areas of the park, and the park service is wisely reducing or eliminating access.
Although photographs make it seem like a huge, overpowering spectacle, it is actually very small. It takes place high on a distant cliff face, and to photograph it you’ll need a very long lens.
Finally, the skies to the west of Yosemite must be clear so that the golden hour sunset light is not blocked. Many tell stories of clouds that made it obvious that the show would not happen or, even more frustrating, developing light that was killed at the last minute when the sun dropped behind clouds to the west, which are quite common.

Any post about the February Horsetail Fall occurrence must include a few other important points:

The event has become so popular in recent years that the experience has been significantly compromised. You will not have an experience of relative solitude such as Galen Rowell likely had when he made the iconic photograph of the subject decades ago. Instead you will likely find yourself among hundreds or thousands (you read that right) of other photographers lined up with lenses pointed the same direction.
This, of course, implies that parking and finding “your spot” may both be challenges. As a result of traffic jams, illegal parking, overwhelming crowds, gross littering, and damage to meadow, forest, and river… the park service is wisely putting several access limits in place, even closing one of the favorite areas as of 2020.
If Horsetail isn’t an option, you are are still in one of the most beautiful and compelling places on the face of the planet for making photographs! Speaking of which, while the crowds are focused on Horsetail, you might consider photographing other things away from the crowds…

The annual Yosemite Renaissance art show typically opens at about this time each February and features the work of photographers and other artists working in Yosemite. The show is in the Yosemite Museum Gallery and the 2013 edition runs from February 22 through May 5, with the opening reception at 5:30-7:30 on February 22. (You can view my work in the show this year.) In addition, there is always something interesting to see at the nearby Ansel Adams Gallery – this year an exhibit of Michael Frye’s photographs opens on February 16.

NOTE: The 2017 edition of the exhibit, Yosemite Renaissance 32, opens with a free public reception at 5:30 PM on Friday, February 24. One of my photographs is in the exhibit again this year. See you there!

G Dan Mitchell Photography

All posts by G Dan Mitchell

Urban Wall, Tree Shadow in Winter Light

Striped Rock, Grass, and Sand

The Annual Horsetail Fall Post

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.