All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.

Hockney Observed

Hockney Observed
Two museum visitors observe a David Hockney Painting

Hockney Observed. New York City. December 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two museum visitors observe a David Hockney Painting

We have been in New York City during the past week or so, on one of our frequent trips to visit sons and daughters-in-law there… and of course to also simply be in New York. (And, did I also mention “eat in New York?”) It has been cold — something like 10-15 degrees below normal during our visit — and among the practical cold weather activities here are museum visits. We already knew we wanted to see this David Hockney exhibit — we had seen the big Hockney exhibit in San Francisco a few years ago, and we just saw a SF Opera production of “Turandot” that used a Hockney-designed set.

So we joined the throngs on a very cold day at the Metropolitan Museum and went inside to see this exhibit. (Having not done our research ahead of time, we were unaware of the Michelangelo show also taking place, but we managed to visit that, too.) The exhibit was, not surprisingly, very popular and crowded, with a variety of work from across Hockney’s career — lots of the usual stuff, including two of his Grand Canyon landscape paintings. I made this photograph as two people stopped to view one of them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Path Above San Francisco

Path Above San Francisco
A person walks on a path through a grove above the night lights of San Francisco

© Copyright 2017 G Dan Mitchell – all rights reserved.

A person walks on a path through a grove above the night lights of San Francisco

This is another of my handheld night photographs, something I’ve been experimenting with for a couple of years now. Newer high ISO small handheld cameras make it possible to work without a tripod in the urban landscape, essentially doing street photography in the (near) darkness. While there are some compromises in pure image quality — more noise to deal with in post, and greater potential for motion blur, working this way makes in possible to photograph in ways that just aren’t possible with a tripod. I can move quickly and respond to changing subjects more readily, and I’m less of an obvious intrusion on the scene.

This photograph might seem like one for which a tripod would be appropriate. I can’t argue with that on a technical basis. But I point out that between the time I saw this person walking along the path and the time I made three quick exposures was measured in seconds. With a tripod-mounted camera I simply would not have been able to make the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Wetlands

Winter Wetlands
Ponds and trees on a winter morning in the San Joaquin Valley

Winter Wetlands. San Joaquin Valley, California. January 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Ponds and trees on a winter morning in the San Joaquin Valley

This is a very familiar spot to me — and probably to some of my friends as well. We often pass through this area while photographing in the San Joaquin Valley, usually looking for migratory birds (and often in very dense fog!). This is a landscape of farmland, interspersed by ponds, in and area of the valley through which large rivers travel — or traveled, until the waterways were “managed” for agricultural and other uses. There are trees, too, though they are often widely separated from one another or else arranged in long rows along roads and property lines.

There are a few birds in this photograph — you may see them on the water if you look closely — but it is more about the landscape. Here it consists of (mostly) those ponds, divided by low levees on which grasses and other plants grow and an occasional tree takes root.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sandhill Cranes, Morning Light

Sandhill Cranes, Morning Light
A group of sandhill cranes flies in early morning light

Sandhill Cranes, Morning Light. San Joaquin Valley, California. January 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A group of sandhill cranes flies in early morning light

It wasn’t that long ago when I first began to photograph the birds in the San Joaquin Valley. I was oblivious to their presence for many, many years — which is strange, since I have traveled across that valley for decades on my way to and from the Sierra and other locations. Perhaps a bit more than a decade ago I got my first hint on a long drive to Seattle, when I passed through the Sacramento Valley and was shocked to see huge flocks of geese in the evening sky. Later, almost as an accident, a friend mentioned a location where there are sandhill cranes and, looking for something to photography, I went off to find the spot and, again, thousands of birds. From that time forward, photographing the birds in fall and winter has become a passion.

At first it was the geese that got my attention. Anyone who has seen flocks of thousands of snow geese or Ross’s geese suddenly fill the sky, or who has heard the sound they make will understand why them made such an impression. But somehow the cranes have become more and more the birds that define these places for me. Their call is like that of no other bird that I know, and they are often heard before they are seen. Their manner of flight is often more sedate than that of geese, and they often tend to fly at low elevations and in straight lines. This group flew overhead in the early morning light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.