Category Archives: Photographs: Architecture

Inside The Oculus

Inside The Oculus
Play of midday light and shadows on the walls of the Oculus, SFMOMA

Inside The Oculus. San Francisco Museum of Modern Art. July 13, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Play of midday light and shadows on the walls of the Oculus, SFMOMA

This week we made a visit to the San Francisco Museum of Modern Art (SFMOMA) to see and hear the Soundtracks exhibit, which presents objects and installations of sonic art of various sorts. To be honest, I wasn’t that hopeful about this exhibit — I’ve often found that many visual artist’s ideas about sound art can be naive and banal in too many cases. However, the exhibit was (is, and you should go) excellent, with a wide variety of work that is interesting in a range of ways.

In any case, virtually every visit to this museum is also an excuse to make at least a few photographs, often of the architecture of the place. The central “Oculus” structure (which housed one of the sonic art pieces, too) is interesting to me as much for the play of light and shadows on its curved walls as it is for its own architectural form. I have photographed it many times, but being so close to the summer solstice the shadows took on different qualities than I had seen before. Here shadows from the structure of the upper window fall across a curved wall that is perforated by a pattern of large holes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Walking Woman, Wall

Walking Woman, Wall
A woman walks past a Manhattan wall

Walking Woman, Wall. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A woman walks past a Manhattan wall

We returned last night from a week in Manhattan, mostly visiting family but also wandering… and eating… and photographing. I know for a fact that I’m not the only so-called nature or landscape photographer who also loves photographing the urban landscape, and when there is hardly a more varied or compelling location than New York City — from Central Park to the skyscraper canyons to the variety of neighborhoods. I’m often happy to just go out walking with my camera, with only the vaguest notions of what I’ll photograph, and to be open to surprise.

We were walking uptown from our hotel, which was on Grand, almost in the middle of the Little Italy area, and we decided to pass through the Washington Square area. We were almost there when we approach portions of the NYU campus and I saw this cubist scene, with colors, shapes, and textures that immediately reminded me of the sandstone canyons of the Southwest. (Yes, my mind works that way, even in the Big City.) I made a few quick initial exposures and then paused to see who would walk into the frame on this sunny morning.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wall, Window, Shadows

Wall, Window, Shadows
Shadows fall across a window and weathered wall in Heidelberg, Germany

Wall, Window, Shadows. Heidelberg, Germany. August 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Shadows fall across a window and weathered wall in Heidelberg, Germany

We have relatives living in Heidelberg, so when we go to Europe the city almost seems like “home” at this point. We often stay not far from the old town area — far enough away to not be in the middle of it all time, but close enough that a short walk over the Philosophenweg and across a bridge gets us there quickly.

Wandering around the streets of the town there are plenty of photographic subjects. At the moment I cannot recall precisely where I made this photograph, but I can recall being attracted by the forms and colors of the wall, the weathered and peeling paint, and the shadows produced by the sunlight glancing across its surface.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Eiffel Tower, Clouds

Eiffel Tower, Clouds
Thin clouds in bright summer sky above the Eiffel Tower

Eiffel Tower, Clouds. Paris, France. August 12, 2016. © Copyright 201 G Dan Mitchell – all rights reserved.

Thin clouds in bright summer sky above the Eiffel Tower

It was Paris, so I had to photograph the Eiffel Tower. It is expected of me. It is an iconic site and it is impressive in person. But I found it to be a difficult photographic subject. It is easy to photograph it, but I found it tricky to find a way to not just make a picture of the Eiffel Tower. (On the other hand, I did almost exactly that on one evening late in our visit when we had a view from an upper story towards to tower as it got dark and the lights on the tower were illuminated.)

In any case, I decided to try some relatively tightly cropped photographs of the structure, some of which were much tighter than this one. But I got lucky, and some thin, fluffy clouds floated over in the midday light, producing a soft and glowing quality in the sky, and this seemed to contrast nicely with the start, strong, and dark form of the tower.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.