Category Archives: Photographs: Architecture

Rooftops Of Paris, Twilight

Rooftops Of Paris, Twilight
Rooftops of Paris and the Eiffel Tower at Twilight, Montmartre

Rooftops Of Paris, Twilight. Paris, France. August 10, 2016. © Copyright 2017 G Dan Mitchell – all rights reserved.

Rooftops of Paris and the Eiffel Tower at Twilight, Montmartre

This photograph is partly a hotel story. There are all sorts of such stories, but this one began poorly and ended well. We took a cab from the train station to our hotel when we arrived in Paris, hopped out, ran inside, went to the desk to check in… and they had no idea who we were. Uh, we were in the wrong hotel. Ours was next-door and, if I recall, had a similar name. We sorted this out, went to the right hotel, checked in, and went up to our room. We opened the door to find… someone else’s luggage spread out in the room. Uh, no…

Back downstairs at the desk they apologized profusely and asked if we should mind an upgrade to a better room with a better view on a higher floor. Sounded good to us, and we ended up high enough to have a decent overview of the surroundings. We didn’t initially think of this in a photographic context, at least not until we found ourselves in the room at twilight one evening as lights began to come on in the city and soon the Eiffel Tower was illuminated.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Flag Makers

Flag Makers
A complex landscape of steps, columns, braces, windows, reflections, and buildings

Flag Makers. San Francisco, California. January 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A complex landscape of steps, columns, braces, windows, reflections, and buildings

I made this photograph near the new, lower level entrance to the remodeled San Francisco Museum of Modern Art (MOMA) during a visit around the start of the new year. The old entrance to the museum has now been augmented by a new entrance that leads into the newly added wing. A large installation fills the space on the very lowest level, and large windows open from there to the surrounding buildings and a stairway leading to the entrance one floor higher.

I love photographing in museums — for the architectural spaces and the people — and I photograph inside and around MOMA every time I visit. Some subjects are immediately obvious but other take a bit longer to figure out. This open area on the lower level is, for me, in the latter category. It immediately felt like a place to make photographs, but it has taken quite a few visits to begin to reveal its potential. This photograph is more or less a study of the many layers and angles found within and outside of this space, including layers of time between the very new museum and the very old brick wall just beyond the stairs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Abandoned Loading Dock

Abandoned Loading Dock
Railroad tracks and a weather protection structure above an old loading dock, Mare Island Naval Ship Yard

Abandoned Loading Dock. Mare Island Naval Ship Yard, Vallejo, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Railroad tracks and a weather protection structure above an old loading dock, Mare Island Naval Ship Yard

This is another very still and quiet image from my recent evening photographing the historic Mare Island Naval Ship Yard. Image walking alone in the darkness among these old (mostly) abandoned ship yard buildings: shops, warehouses, towers. Occasionally a lone car drives past, momentarily raising my level of alertness. It is mostly silent except for a sound of distant traffic across the water in Vallejo. The air is typically cold and damp, and on this night a bit of a breeze blows. The photographs are visual images, but they also evoke, for me, a whole series of associations, memories, and sensations associated with the place the experience of making the photographs.

There is always a question of just how to treat luminosity and color with these nighttime subjects. The fact of the matter is that many of these scenes are barely visible to the human eye, and details are shrouded in darkness. In this low light color is mostly desaturated, only becoming visible afterwards in the photograph. And much of the color is not the true color of the objects, but rather is the color of the light that illuminates them — and it can range from yellow to reddish, but white or even blue-green. The concept of accurate rendering becomes moot, since an “accurate” photograph (if “accurate” means “what it looked like”) would be almost colorless and nearly pitch black. Instead I take this as an opportunity to capture “what the camera sees” and use that as the raw material for what must be an interpretation of the captured light — almost inevitably brighter and more colorful than the original, but still trying to evoke that mysterious and quiet nocturnal quality.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Building, Reflections

Building, Reflections
Portions of downtown San Francisco reflected in the windows of a tall building

Building, Reflections. San Francisco, California. February 3, 3017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Portions of downtown San Francisco reflected in the windows of a tall building

This is an urban landscape photograph — while the subject is quite different from natural landscapes, I think of it is ways that are at least partially similar. Superficially, the urban world of towers and canyons presents some possibilities that are related to the mountains and valleys that I photograph in the non-urban world; I think about light and form in similar ways; and the ways I view each type of landscape can’t help but inform how I view the other.

It was only a few years ago when I understood something that intrigues me about glass-covered buildings like this one. (Yes, I’m slow sometimes…) We feel like we are looking at a building in a photograph like this, but a good part of what we actually see is not the building at all, but its form made visible by means of reflections of its surroundings, including other buildings and the sky. Here some skeletal forms help define its shape, perhaps more so than with some other buildings, but between those elements the windows themselves mostly reflect things that are not the building itself


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.