Category Archives: Photographs: Architecture

Concrete Landscape

Concrete Landscape
Concrete Landscape

Concrete Landscape. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A curving freeway ramp encircles a downtown building in the urban landscape of San Francisco

Another morning trip to San Francisco, another walk through the City, and another photograph of urban landscapes. This photograph is from a mid-June morning walk that started at the Caltrain station, headed over toward China Basin, and then ambled back toward Market Street before looping back to the trains station.

Several freeways cut through this section of downtown San Francisco: 101 on its north-south route, 280 arriving from the Peninsula, and 80 connecting to the East Bay. Here the freeway is high above the city, which has the advantage of keeping city streets open but the disadvantage of creating a large path of somewhat seeding “beneath the freeway” areas and sometimes forcing the city itself to conform to the contours and paths of the highways. In some cases the result can be interesting, and in this location where this strange landscape of vertical columns and nested curves is the result.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Gated Pier

Gated Pier
Gated Pier

Gated Pier. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A metal gate blocks the entrance to a pier along San Francisco Bay

This is another in the recent series of photographs made along the San Francisco waterfront, walking along various less-visited areas and occasionally poking my head into places that are more industrial than tourism oriented. I’d have to review more closely to remember for certain, but I believe this one was in the China Basin waterfront area.

As I walked slowly along this section of the waterfront I paused frequently to photograph buildings and other features of the area. This is an area in transition, and taken as a whole this part of the waterfront ranges from old and dilapidated, through working piers, and right on up to remodeled and updated areas reoriented towards business or tourism. By comparison to some of the older working piers, this one seems awfully neat and clean, with the exception of some fabric pushed up against the wall at the far left. The stark lines and stark morning light, open to the vast sky above the bay caught my attention.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Poles and Shaded Wall

Poles and Shaded Wall
Poles and Shaded Wall

Poles and Shaded Wall. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A curving arrangement of metal poles leads to the shaded front of an industrial building at a Port of San Francisco pier

I’m always fascinated by the juxtapositions of things – sometimes the ways that the forms of the natural world come together, but also the little surprises in the human world where things that might not have been thought of as being connected turn out to be. I also love seeing and understand how the camera sees differently that we do with our eyes.

This is just a section of warehouse loading docks along a commercial pier on the San Francisco waterfront. While walking along the shoreline I happened to see a road and pathway leading out onto the pier so I ambled that direction. The way was lined on both sides by the long buildings. On one side they were slightly in sunlight, and the angle of the light created an interested relief on the windows and doors and other textures. In this direction the walls were still in shadow, and the objectively somewhat white walls were subjective very blue—or perhaps I have that backwards!. Until you have seen what the camera sees in this kind of light you don’t realize just how blue the shadows are, but here I decided to “embrace the blue” and let that colored shadow light be what it is. The curving arrangement of metal posts struck me as surprising. In a location where most things are arranged in very linear patterns, this curve seemed to stand out, and I enjoyed the pattern of their shadows on the asphalt.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Building 237, Evening

Building 237, Evening
Building 237, Evening

Building 237, Evening. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening light on Building 237 at the Mare Island Naval Ship Yard, Vallejo, California

This is one of a pair of buildings that has featured in several of my night photographs at the Mare Island Naval Ship Yard, where I’ve been photographing after dark for about a decade now. The location is the site of the former and now historic naval ship yard that was the first on the west coast of the United States, being established way back in the 1800s. It was decommissioned in the 1990s, and since that time the facility changed in many ways. Parts of the island are now open space, others have been turned into urban developments, businesses and others are using some of the old buildings and spaces—yet parts of the facility have been retained as a sort of informal historic site.

The buildings in the cluster of which this one is a part are very close to the “historic core” of the ship yard. Although many of the buildings give the appearance of being abandoned, some are in use and all are kept in a sort of state of suspended animation. Almost all of my photography here has been at night, when a diversity of light sources transform it in magical ways. During the day, much of it can seem quite mundane. Buildings that are wildly colorful when lit by brilliantly colorful sodium vapor lights and other colorful light sources often turn out to be quite drab in the day time. On this visit I managed to arrive before sunset, and I headed out to see if the golden hour light might offer some opportunities for a different sort of visual transformation of these buildings, and this one was photographed during the final few minute of daylight.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.