Category Archives: Photographs: Birds

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Cranes in Motion

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A flock of sandhill cranes taking flight above wetlands on a Central Valley autumn morning.

Cranes in Motion. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes taking flight above wetlands on a Central Valley autumn morning.

This photograph follows one that I shared a few days ago. In that photo a group of sandhill cranes was standing in and along the edge of a pond, and I mentioned that their upright positions suggested that they were preparing to take to the air and depart. I wrote that without looking at the files that followed. Now I have looked at those other files, and I realize that I was correct — the small flock rose into the air almost immediately after that photograph and then traversed across the scene from left to right. I made this photograph as they departed.

You may notice that there is a lot of motion blur in this photograph. We often try to capture sharp photographs of birds, including those in flight, by hoping for sufficient light and then learning to track them as they fly. That’s not always an easy thing to do, and there’s nothing wrong with a sharp photograph of birds! But sometimes I feel that including some blur may better express the motion of this subject and the speed and suddenness of the birds’ flight.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Wetlands Cranes, Dawn

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Wetlands Cranes, Dawn
A flock of sandhill cranes at a wetland pond at dawn.

Wetlands Cranes, Dawn. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes at a wetland pond at dawn.

This group of sandhill cranes was “hanging out” along wetland ponds earlier this autumn, standing quietly in the soft light of a foggy morning. These noble birds are found across vast areas o f America, and at this time of year they visit more southerly locations. When I go out to photograph migratory birds, one of the things I look forward to every time is opening my car door when I arrive before dawn and hearing the distinctive call of the cranes.

From looking at a lot of bird photography (and reading some of the descriptions of it) you might think that it is a thrill-a-minute, non-stop action endeavor. You would be wrong. The reality is that much of the time is spent not photographing the birds! There’s the pre- and post-photography drive to get to these places and home again, usually done in darkness. Then there are often some very busy moments right around sunrise and sunset. Between those times there is a lot of quiet sitting and waiting, wandering around trying to find the birds, napping (!), snacking, followed by more wandering and waiting. This is not necessarily a bad thing. In a world full of constant demands and stimulation, the slow and quiet times with these birds can be restorative.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Flock of Cranes in Flight

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Flock of Cranes in Flight
A flock of sandhill cranes in flight against clear blue sky.

Flock of Cranes in Flight. © Copyright 2020 G Dan Mitchell – all rights reserved.

A flock of sandhill cranes in flight against clear blue sky.

Today’s post gives me an excuse to explore a few technical (and aesthetic) considerations about photographing birds, so I’m sharing this photograph both as an image and as an illustration of a few things I’ll mention below. I made the photograph in the morning (contrary to a possibly erroneous bit of EXIF data in the file), when the rising sun was still low and the light was muted a bit by thin fog. I positioned myself in a spot that groups of cranes were crossing, and I simply waited for them to approach.

There’s a lot going on inside a dynamic flock like this one. Some things are at least partially subject to decisions by the photographer, while others must simply be accepted as “what is.” Even those that are subject to photographer decisions improve the odds rather than producing certainty. I identified a spot over which groups of birds were flying. I chose to position myself on the “sunny side” of that point so that passing birds would get some direct illumination. This is important, since backlit birds against a back sky are… challenging. The second issue has to do with the positions of the birds in the frame and relative to one another. With practice one can become better at framing the flying birds in desirable ways. More difficult is keeping track of how the birds interact with one another in flight. Ideally you probably want them close together, but you don’t want one bird obscuring the head of a nearby bird. The birds rarely understand this! But you can increase the odds by developing your ability to watch this positional interplay among the birds. You learnt to avoid triggering the shutter when the positions aren’t great and (to some extent) time your shots for when they are. In the end, as in this photograph, while all of these intentional acts help, there are still significant elements of chance in the result… and here it worked and not a single bird’s head is blocked by another in the group.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

The Cranes Return, Dusk

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The Cranes Return, Dusk
As the day ends, sandhill cranes return to the wetlands.

The Cranes Return, Dusk. © Copyright 2020 G Dan Mitchell – all rights reserved.

As the day ends, sandhill cranes return to the wetlands.

Sandhill cranes are often the first birds I am aware of in the early morning and the last I look for in the evening before I put my camera away. In fact, the boundary between enough and too little light often comes during their evening return, so it isn’t unusual to end the day just watching them.

I’ve never quite figured out where they go during the day, though I suppose that some investigation would turn up the answer. (In a West Coast location I once found thousands of them in a dry, barren, out-of-the way place where I was virtually alone with them.) I’ll never forget the first time I experienced their evening return. At the end of a day of photography it was becoming dark — too dark, I thought, to continue. As I was about to pack up my gear I heard a remarkable sound coming from the southeast, a sound that I didn’t understand then but which I now recognize immediately as that of the returning flocks. A few moments later hundreds (more likely thousands) of them arrived, filling the sky, and then descending to nearby ponds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.