Category Archives: Photographs: Central California

Fog, Water, Light

Fog, Water, Light
A beam of light on water below fog, Pacific Ocean

Fog, Water, Light. Pacific Ocean Coast, California. July 212, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A beam of light on water below fog, Pacific Ocean

Living very close to the Pacific coast of California for nearly my entire life, the ocean has always “been there” — just on the other side of coastal mountains, hardly more than a half hour away, bringing cooling evening breezes on hot summer days, and producing periodic morning fog where I live. On one hand I am more familiar with this landscape than most people, but in recent years I began to feel that I know much less about it than I should. These photographs made with the camera pointing straight out to see are something of a them of mine, not as frequent as photographs of mountains perhaps, but important nonetheless. They might include fog or winter swell or clearing storm clouds or simply the brilliant light on the water from the western sun. To me they are all a bit mysterious.

We had spent a couple of days along the Big Sur coast photographing (and eating!). The main part of the visit was over, but we had a full day to get home, and home was only about an hour and a half away. So we took our time and followed the coast almost all the way north to San Francisco before turning inland. During much of the drive we were in the sun, but north of Santa Cruz the fog began to appear, and eventually we arrived at that point where the offshore fog bank was substantial enough to form a virtual wall against the light. We stopped and I photographed as the eastern edge of the fog picked up a bit of light and the sun broke through a few clearings to illuminate the surface of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Landing

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

This photograph has appeared here at my website and in subsequent social media posts already, but merely as an example in a post I shared about some slightly technical matters related to a camera I use. (More on that in a moment.) Since I feel like the photograph stands not only as an example of how a lens and a camera work, but also as a photograph, this time I’m sharing it for the latter reason. We had spent a couple of days in the Monterey and Big Sur area, photographing along that spectacular coastline, and now we were headed home. We decided to work our say north along the coast, eventually turning inland just south of San Francisco.

Just before that homeward turn we passed a small, rocky island just a few yards off the actual coast, and I realized that it was covered with many scores of brown pelicans. I love photographing these birds, and it is somewhat unusual to see so many in one place, so we stopped and walked out to the bluff to make some photographs. The light was challenging since it was coming from almost directly behind the birds — but in this case that worked well as there is a light fringe around the bird, some light comes through its wing feathers, and additional light reflects back up from surf and rocks as this pelican lands. Oh, and that technical article? I made this photograph with a pretty unusual “birding” setup — the 50.6MP Canon EOS 5Ds R with a 100-400mm zoom lens with a 1.4x teleconverter attached!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Monsoonal Clouds, Pacific Ocean

Monsoonal Clouds, Pacific Ocean
“Monsoonal Clouds, Pacific Ocean” — Monsoonal clouds above the Pacific Ocean, Big Sur coast, California

Driving along the central California Big Sur coastline in mid-July we experienced a very unusual coastal summer day. Summers in this area typically feature morning and evening fog and relatively cool temperatures, interspersed with clearer days when the temperatures might rise to near 70 degrees. But for a few days this July, California was affected in an unusual way by a dissipating tropical storm and the early phase of El Niño, and we had unusual light and atmosphere. There were thunderstorms, some of them quite heavy. The ocean was smoother than usual and the swell came from the south rather than the north. Layers of monsoon clouds filled the sky.

This photograph belongs to what I categorize as both minimalist and imaginary landscapes. I wrote more about this in my previous post, so I’ll keep it short here. The idea is to work with simple materials and often not with an obvious central subject, to focus on some kind of subjective reality rather than creating the illusion of objective depiction.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pacific Ocean, Clouds

Pacific Ocean, Clouds
“Pacific Ocean, Clouds” — Monsoonal clouds above the Pacific Ocean horizon, Big Sur, California

This photograph and the one that will follow it belong to a small sub-thread in my photography, but a thread that means a lot to me. I think of these photographs as both imaginary and minimalist landscapes. They are “imaginary” in that they are about the subjective experience of the place and an invented or focused way of seeing it, and they are “minimalist” in that they are about simple forms and patterns, and because they often include large “empty” or near empty areas. These are not remotely photographs that are attempting to show the objective nature of places. They are photographs that are about some subjective way of seeing things. I often say that “all photographs lie,” but it might be more honest to say that “all photographs have a point of view.”

I’m not sure that the specific location or subject is all that relevant to this photograph, but since it is my habit to say something about that when I share photographs online, here goes. We spent a few days along the central California coast in mid-July. This is a very familiar place, but several things were unusual this time — and they may have put me in a somewhat different perceptual state. Monsoonal moisture was streaming up the coast from a Pacific Ocean tropical storm near Mexico and bringing clouds and even heavy rain to parts of California, a very unusual situation here. An anomalous plankton bloom turned big areas of the ocean and Monterey Bay an unusual blue-green aqua color. (That is probably the source of the light patch in the water in this photograph.) The swell was out of the south rather than the more typical northwest, and the water was much smoother than is typical, creating unusual reflections of sky and coastal bluffs.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.