Category Archives: Photographs: Central California

Marsh and Sky

Marsh and Sky
Late autumn sky above a flooded marsh, Central Valley, California

Marsh and Sky. San Joaquin Valley, California. December 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Late autumn sky above a flooded marsh, Central Valley, California

A winter ritual begins each year about this time. In the late fall the migratory birds return to California’s Great Central Valley and a band of photographers of which I am a part also heads out to the valley. The primary draw is the birds — geese, ibises, cranes, herons, egrets, and more — which gather by the thousands in the wetlands. But the valley itself also has its attractions at this time of year. The tule fog that slows drivers and obscures the sun also makes the landscape quiet and mysterious. The flat terrain is open to the sky and the clouds of winter storms create an overhead landscape.

A few days ago I made my first trip of the season to the valley, joining a small group of friends for a day of photography. We spent the first few hours focused on the birds — mostly geese and cranes on this visit — and then paused in the late morning. It was during this midday pause that I stopped along the edge of one of the marshland ponds and made this photograph of the expansive cloud-filled sky reflected in the surface of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tail of the Humpback

Tail of the Humpback
The tail of a humpback whale is all the remains as it dives beneath the Pacific Ocean

Tail of the Humpback. Monterey Coast, California. September 3, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The tail of a humpback whale is all the remains as it dives beneath the Pacific Ocean

Back in early September I had a remarkable morning at the Point Lobos State Reserve along the California coast just south of Carmel. This has been a year of unusual weather and unusual ocean conditions, including much warmer than usual waters. Most likely as a result of this, sea life has behaved in unusual ways — for example, certain species that are rare along the coast or that usually stay farther out to sea have shown up right along the coast. That was the case on this morning when huge schools of small fish had apparently appeared very close to the rocks of Point Lobos.

When I went there on this morning I suspected that I might spot some whales, but what I saw exceeded my expectations. I arrived and walked out onto a high bluff that extends a way out from the shoreline, and from here I could immediately see commotion on the surface of the water very close — thousands of birds were obviously feeding on something. Within moments I spotted my first humpback whale and before long many more showed up. Every so often they engaged in spectacular examples of bubble feeding, in which groups of them work together to corral the fish they feed on, at which point the group suddenly breaks the surface all at once, with gaping mouths wide open to catch a meal. This photograph is a bit less spectacular, but it is still a special experience to watch these huge creatures slowly glide below the water’s surface.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Fog, Water, Light

Fog, Water, Light
A beam of light on water below fog, Pacific Ocean

Fog, Water, Light. Pacific Ocean Coast, California. July 212, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A beam of light on water below fog, Pacific Ocean

Living very close to the Pacific coast of California for nearly my entire life, the ocean has always “been there” — just on the other side of coastal mountains, hardly more than a half hour away, bringing cooling evening breezes on hot summer days, and producing periodic morning fog where I live. On one hand I am more familiar with this landscape than most people, but in recent years I began to feel that I know much less about it than I should. These photographs made with the camera pointing straight out to see are something of a them of mine, not as frequent as photographs of mountains perhaps, but important nonetheless. They might include fog or winter swell or clearing storm clouds or simply the brilliant light on the water from the western sun. To me they are all a bit mysterious.

We had spent a couple of days along the Big Sur coast photographing (and eating!). The main part of the visit was over, but we had a full day to get home, and home was only about an hour and a half away. So we took our time and followed the coast almost all the way north to San Francisco before turning inland. During much of the drive we were in the sun, but north of Santa Cruz the fog began to appear, and eventually we arrived at that point where the offshore fog bank was substantial enough to form a virtual wall against the light. We stopped and I photographed as the eastern edge of the fog picked up a bit of light and the sun broke through a few clearings to illuminate the surface of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Landing

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

This photograph has appeared here at my website and in subsequent social media posts already, but merely as an example in a post I shared about some slightly technical matters related to a camera I use. (More on that in a moment.) Since I feel like the photograph stands not only as an example of how a lens and a camera work, but also as a photograph, this time I’m sharing it for the latter reason. We had spent a couple of days in the Monterey and Big Sur area, photographing along that spectacular coastline, and now we were headed home. We decided to work our say north along the coast, eventually turning inland just south of San Francisco.

Just before that homeward turn we passed a small, rocky island just a few yards off the actual coast, and I realized that it was covered with many scores of brown pelicans. I love photographing these birds, and it is somewhat unusual to see so many in one place, so we stopped and walked out to the bluff to make some photographs. The light was challenging since it was coming from almost directly behind the birds — but in this case that worked well as there is a light fringe around the bird, some light comes through its wing feathers, and additional light reflects back up from surf and rocks as this pelican lands. Oh, and that technical article? I made this photograph with a pretty unusual “birding” setup — the 50.6MP Canon EOS 5Ds R with a 100-400mm zoom lens with a 1.4x teleconverter attached!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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