Category Archives: Photographs: Death Valley

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

First Light, Panamint Mountains

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First Light, Panamint Mountains, Death Valley
“First Light, Panamint Mountains” — The first sunrise light on Rogers Peak and the Panamint Mountains, Death Valley National Park.

How many times have I watched for this first light as it touches the peaks and ridges of the Panamint Mountains before working its way down to the floor of Death Valley? I have no idea, but I’ve been going there for something like 25 years now, so it must be quite a few times! It never gets old.

The highest point in this photograph is snow-capped Rogers Peak. The highest summit in the park, Telescope Peak, is just out of sight to the left. Surprisingly, there are communications facilities on top of Rogers Peak, and in a higher resolution version of this photograph you can see the towers on the very summit.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning Dunes

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Morning Dunes, Death Valley
“Morning Dunes” — Death Valley sand dunes in early morning light.

On my late-February visit to Death Valley I only photographed the dunes on one morning. The dunes are a wonderful subject, but there are lots of other things to see and photograph in this park, and photographing those subjects didn’t leave me much time for the dunes. But it would seem wrong not to visit them at least once! I arrived well before sunrise, loaded up a pack, and walked out in the dim pre-dawn light to look for a good spot to use as a my vantage point.

Eventually I climbed to the top of a long dune that provided open views in almost every direction. There are lots of ways to photograph dunes, but on this morning I went with a very long telephoto that allowed me to focus in on distant subjects and still fill the frame. I noticed the overlapping curves on this tall dune as soon as I arrived, and I photographed it several times as the light transitioned from the soft, blue predawn light, through increasingly directional light as sunrise approached, to the intense light just after sunrise.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

The Manifold, Detail

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The Manifold, Detail, Death Valley
“The Manifold, Detail” — Close photograph of a section of the Manifold formation, Death Valley National Park.

Even though this photograph only shows a very small area of a much larger formation, there’s a good chance that those of you familiar with Death Valley will recognize it. The feature is called “The Manifold,” and it features ribs of soft, light-colored material stretching out from beneath a layer of darker material. For this photograph I narrowed the angle of view to only include a very small part of the larger feature.

The geology of these “badlands” features some very soft material that is easily eroded. The different colors were laid down as layers a very long time ago, and since then they have been tilted and distorted. It is hard to imagine a better place to visualize the effect that flowing water has on this desert landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

At the Edge of the Salt Flats

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At the Edge of the Salt Flats, Death Valley National Park.
“At the Edge of the Salt Flats” — Panamint mountains tower above as a small wash runs to the edge of the salt flats, Death Valley.

During my late-February visit to Death Valley National Park I spent two early mornings photographing this location. It is generally most interesting at dawn, when the morning light shines on the distant Panamint Mountains, so I was there well before sunrise. In order to find ideal locations here you really have to scout ahead of time. On the first of the two visits I slightly missed my target location in the darkness. I still got photographs, but before my return on the last morning of my trip, I checked it one more time and determined that following this runoff gully would get me where I needed to be.

There was another benefit from following the little gully. The soil on the higher ground to either side is quite soft and walking on it leaves obvious footprints. In many places the bottom of the gully is covered with small rocks, and it is easier (on me and the landscape1) to walk on this harder surface. Distances here are deceiving. If you started at sunrise (and could find a route) it would take you an entire, long day just to get the base of those mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.