Creosote plants scattered among sand dunes in early morning light
On our first full morning in Death Valley we decided to visit the dunes, skirting around the side to an area where no one else had gone yet, and arriving there just as the sun began to clear the eastern mountains. Because there had been a bit of a sand storm the previous day the dunes were in almost pristine condition, and the only foot prints were those left that morning by the two of us and the small number of other early morning visitors to the dunes.
The cycle of sunrise light was interesting. We began at our vehicle in dark, pre-sunrise conditions, but as we walked out across playa terrain toward the dunes the sun begin to light up the higher clouds. Then the light struck the summits of peaks to our west and begin to work down the mountains toward the valley, and before long we went quickly to work photographing the rapidly changing conditions as the first sunlight reached our location. Soon the changes slowed down again and the shadows started to fill with light reflected from the sky. I found some higher spots with views across the undulating dunes and made a series of photographs facing almost directly into the sun.
Photographer Patricia Emerson Mitchell at work photographing the small things in Death Valley
This is perhaps the typical photographic pose for my wife, Patty Emerson Mitchell, when out photographing — down on the ground, intently photographing some small thing that I probably wouldn’t have even noticed. Her speciality is in “seeing” flowers, often not as literal objective depictions of these things but as vehicles for exploring color and line and texture and shape and curve. A flower is a wonderful thing, but sometimes it can be many other things, too. On this morning we had stopped near a section of the Death Valley playa where there is a bit of water, and I had wandered off to photograph mountains and sky and the playa. She walked down toward the playa, photographed that stuff a little bit and then headed back toward the car as I continued to work.
Eventually the sun was high enough and I and had photographed here long enough that it was time to head back myself, too. I figured that she might be waiting in the car, but then I remembered, “No, she will be crouched down in the gravel, lens an inch or two from something interesting that I probably stepped over, making photographs.” I had photographed in Death Valley for quite a few years, not unaware that there were flowers, but not paying them all that much attention. On the first trip there that she took with me, for the first time I saw — or, more accurately, was shown — that there are small flowers and plants almost everywhere you look, even on the apparently rocky surface of a dry playa or even under a light snowfall.
A golden desert wash descends toward distant mountains and a valley.
This beautiful wash is very (very!) close to one of the iconic Death Valley stopping places. I’ve never been able to warm up to that particular spot as a photographic subject. Fortunately, even time I go there I look in a slightly different direction — and I often seem to be the only person looking that way — and find this lovely view.
We visited near the end of the day, as afternoon sunlight begins to take on the warm tones of early evening and shadows start to stretch across the valley. Once again, I stopped at this well-known place. Once again I thought it was interesting, but not quite what I wanted to photograph. And, once again, I looked downhill and away to see this wash. The light highlighted the different colors of the geological deposits here, with yellow material lining the path of the wash and the middle distance hills darker and holding tones that are more reddish. The path of the wash winds sinuously back and forth as it descends between the lowering walls, with shadow on one side and sun on the other.
First light on rugged Cottonwood Mountains and low Death Valley sand dunes
The light was not always this lovely on this Death Valley visit — though it was always “interesting” — but on this morning we had it about as good as it gets here. The light on these hills can be fairly beautiful on just about any sunny morning as the first sunlight moved down across the face of the range, lighting up these usually drab hills. But because the sky is often pure blue and there is not variation in the light in those conditions, the maximum color appears only very quickly and often when it is good at one level on the mountains it is either too bright or in shadow elsewhere. But on this morning there were clouds, and just as the light on the mountains reached the valley floor the clouds made for a darker and more dramatic sky, their shadows dappled the upper ridge line, and the very first light slanted across the low plants and dunes.
This light is a very transitory thing and, to be honest, this scene only looks like this for a brief moment between pre-dawn shadow and daytime flat light. But that moment is glorious and magical. When we headed out to this spot before sunrise we weren’t quite sure where we would be at sunrise or what specific opportunities would present themselves. As we approached the edge of dunes, coming around to them from the side, it was suddenly clear that the light was about to arrive. No amount of hurrying would get us to a better spot in time, so we quickly looked around for subjects that we could photograph in this light — a now or never chance. I saw these very low dunes and a few scattered plants, framed a composition, and was ready as the light washed over the scene.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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