Category Archives: Photographs: Desert

Dry Mud and Sand

Dry Mud and Sand
Dry Mud and Sand

Dry Mud and Sand. Grand Staircase-Escalante National Monument, Utah. October 25, 2014.© Copyright 2014 G Dan Mitchell – all rights reserved.

A dry and curled layer of mud atop red sand in the bottom of a Utah canyon

It might be amusing for “normal people” to encounter a group of photographers in the bottom of a narrow Utah canyon, where the photographers might be found clustered attentively and enthusiastically around… dry mud. That was the case here, as a group of use suddenly halted our progress down a small (though much larger later on) canyon to set up tripods, fit just the right lenses, and spend about a half hour making photographs of mud.

However, as is often the case in landscape photography, it turns out that even dried mud may have a lot more going on than a casual glance would suggest. For people who are not particularly conscious of their “seeing,” it would be easy to walk past and think, “that curled mud is very interesting” and not pay much more attention to it. However, a bit of time spent in these narrow canyon walls teaches you to become alert to the possibility that you might be missing certain things. One bit of visual magic in these canyons happens during the middle part of the day, when the sun directly strikes the red rock canyon walls and reflects this red-saturated light down into the bottom of the canyon. Once you train yourself to see past what your visual system tells you it is seeing (brown mud) you can begin to see the intensely red coloration of this light and even begin to notice that there is a blue component where direct light from the open sky reflects off of some surfaces. And then, you may also find yourself intently focusing on making a photograph of a small patch of dry and cracked mud sitting atop red sand.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cottonwood, Red Rock Canyon

Cottonwood, Red Rock Canyon
Cottonwood, Red Rock Canyon

Cottonwood, Red Rock Canyon. Grand Staircase-Escalante National Monument, Utah. October 24, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A fall color-tinged cottonwood tree grows in the depths of a red rock canyon, Utah

It is time to begin the Utah posts — I already have perhaps a month of photographs to share. (I still have more photographs from my late-summer back-country Yosemite shoot in the queue, but they can wait for a bit.) Utah, especially the southwest portion that I have visited frequently during the past few years, is an intriguing place for this California photographer. After decades of happily photographing my increasingly familiar home territory, it has been a special experience to work in a place where almost everything is new to me. I’ve gone there will few specific expectations, and I’ve made a point of not seeking out the familiar icons — though I have stumbled onto a few of them. (Yes, I do have a photograph of the Watchman. ;-) Compared to the gray tones of California granite, the red rock country of the Southwest is absolutely wild. Combine that rock with intense colors of green plants, yellow/gold fall foliage, blue sky and the effect is very different from what I’m used to shooting.

On my recent visit I managed to get into a number of canyons and gulches, which are perhaps the most magical of Utah places. In many cases, including the canyon where I made this photograph, the visit often begins in a place that looks nothing like this canyon scene — some dry, shallow wash or perhaps out on the flatlands above the canyon, where the air is dry and warm. I follow a path downstream and soon the wash becomes deeper and the walls rockier, and before long these walls rise to become cliffs and the world outside and above disappears, replaced by cool and moist air and water in the bottom of the echoing canyon. Trees and brush grow here, and sometimes you are caught up short when you encounter the sacred traces of people who made this world their home centuries ago. This photograph was made in such a canyon. At a stream crossing I made an almost random decision to climb up onto a higher route around a bend in the stream rather than following the the stream along the bottom of the canyon. As I crossed the slightly higher area I looked down into this world of red rock where a solitary cottonwood tree grows against the curving patterns of the rock.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Telescope Peak

Telescope Peak
Telescope Peak

Telescope Peak. Death Valley National Park, California. April 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Telescope Peak, the highest point in Death Valley National Park, in the distance beyond the rugged terrain of upper Titanothere Canyon in the Amargosa Range

This one has been sitting in my queue for months now, and it is finally time to send it out with the other photographs! I made the photograph back in early April, while spending a few days in Death Valley exploring a lot of higher elevation area in the mountains on either side of the Valley itself. At one point during this visit, we ended up spending nearly an entire day high up in the Panamint range, at times doing something very unusual — photographing Death Valley wildflowers during a snowstorm!

The distant snow-covered peak in the photograph is Telescope Peak, at over 11,000′ of elevation the highest point in the Panamint range and in Death Valley National Park. While we often think of Death Valley’s reputation for heat, this peak is often covered with snow during the colder times of the year. The location from which I made this photograph is high in the mountains on the other, east side of the Valley, a very arid and rugged region that presents a different appearance than the much lower areas of the Valley itself. Here there is a landscape of dry and rugged mountains and valleys, often receding one behind the other into the distance. I stopped at this spot, where I have photographed before, and was captivated by the conduction of three peak shapes — the nearly peak at upper right, the distant summit of Telegraph Peak, and the peak-like form of the clouds above.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Desert Dawn, Storm Clouds

Desert Dawn, Storm Clouds
Desert Dawn, Storm Clouds

Desert Dawn, Storm Clouds. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Layers of dawn clouds from an arriving storm above receding mountains and valleys, Death Valley

This photograph comes from just about two months ago, during a photography visit to Death Valley National Park. It has been a very strange weather year in California, and the strangeness continued on this trip. In early April, almost anything can happen with Death Valley weather… and much of that “anything” occurred while we were there. On this day, the main attractions was… snow!

The night before I had decided that it looked like there might be the potential for interesting light up high in the mountains to the west of the Valley. My hope was that the clouds of an incoming weather front my just be making their appearance over the mountains, but leaving the sky to the east mostly clear or perhaps with some interesting clouds around dawn. We were up well before first light and on the road. As it began to be light we could see that there were a lot of clouds coming in, and when we arrived at our intended shooting location the clouds were closing in quickly. I guessed that there might, just maybe, be a brief window of light as the sun rose above mountains on the far side of the valley and, for an instant, might shine light horizontally above the mountains and below the clouds. It didn’t quite happen. (And you can’t always count on the good light. You have to be out there in some light failures if you hope to be there enough to get the miraculous successes, too.) The best we got was a brief and fiery illumination of the undersides of these clouds, above darker lower clouds and the shadowed peaks of the Amargosa Range.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.