Category Archives: Photographs: Desert

Morning Haze, Death Valley

Morning Haze, Death Valley
Morning Haze, Death Valley

Morning Haze, Death Valley. Death Valley National Park, California. March 30, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Distant snow-covered peaks are barely visible across the vast space of Death Valley in hazy morning light

This photograph was made from Dantes View, high in the mountains along the eastern border of Death Valley itself, and with a commanding, panoramic view of a huge portion of the surrounding terrain and especially down into Death Valley and the Badwater area almost right beneath the peak. The view here looks roughly north or northwest, past the location of Furnace Creek and beyond the Mesquite Dunes area to the far northern end of the Valley and then beyond to distant snow-covered peaks.

I have written before that Dantes View has been a difficult place for me to photograph. At first glance, the location has a lot going for it. At about a mile above the Valley floor below, the views encompass a huge area of interesting terrain, ranging from the lowest reaches of Death Valley itself to the 11,000+” Telescope in the Panamint Range to other features so distant that they often fade into the haze. But for me these same features make it very difficult to pick out anything that can draw the larger components of the scene together. There have been times when I have gone there with the intention of photographing, gotten out, looked around, been impressed by the location, and made no photographs at all. This time I mostly shot details of the Valley using a very long lens, but I thought that the shadows of the passing clouds brought enough relieve to the uniformity of the Valley to make this photograph, which I hope conveys some sense of the scale of the place.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Devil’s Cornfield

Devil's Cornfield
Devil’s Cornfield

Devil’s Cornfield. Death Valley National Park, California. March 31, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early morning light slants across the arrow weed plants of the Devil’s Cornfield area of Death Valley National Park

For the record, while I have no evidence either way regarding the role of the devil in creating this terrain, there is definitely no corn growing in this field! The plant is known as “arrowweed” (or arroweed or arrow weed), and the tall shapes are apparently formed as the sand erodes from around the roots.

This spot is one of several in Death Valley that have been hard for me to see as photographs. (Other “challenges” include the Devil’s Golf Course – which mostly looks like crusty, dried mud to me – and Salt Creek – which I’ve mostly visited at the times of day when the light hasn’t been idea.) I came close once before with a closer view of the plants that revealed their actual color a bit more and which placed them in front of a backdrop of more distant barren mountains. This photograph certainly doesn’t provide a strong center of visual interest, but I like the sense of the plants leading off into the distance, the angles of the blue shadows, and the contrasting warm colors of the plants in near golden-hour light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Mesquite Dunes, Cottonwood Mountains

Mesquite Dunes, Cottonwood Mountains
Mesquite Dunes, Cottonwood Mountains

Mesquite Dunes, Cottonwood Mountains. Death Valley National Park, California. March 20, 2010. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Mesquite Dunes and the Cottonwood Mountains late on a hazy afternoon, Death Valley National Park, California

The Mesquite Dunes are a well-known icon of Death Valley and are often photographed in the early morning or around sunset. I made this photograph at a somewhat different time – late in the afternoon but well before the golden hour light of evening. The sun was still high enough to illuminate the tops of the dunes and even the sides away from the sun, and the afternoon haze made the atmosphere blue and obscured the rugged features of the Cottonwood Mountains beyond the dunes and across the Valley.

If you look closely enough, you can find a number of features that characterize this area of the valley. The foreground flats are “filled” with plants that grow a good distance apart from one another, apparently due to the limited water. The edge of the dunes spills over slightly into the gravelly flat but then rises quite high. Beyond the dunes, and faintly seen through the haze, a giant alluvial fan slants down from higher mountains to the left. (It sometimes surprises visitors to see how much the terrain in this very dry place has been shaped by water.) Beyond the sloping fan, the rugged Cottonwood Mountains, part of the Panamint Range, begin to rise to quite high peaks.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Salt Flat Patterns

Salt Flat Patterns
Salt Flat Patterns

Salt Flat Patterns. Death Valley National Park, California. March 30, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

Detail of a section of Death Valley salt flats as seen from Dantes View

Death Valley is often not quite what it seems to be. Repeat visits and views from different perspectives – far away, very close up, from above – begin to reveal things that you might not see at first. From next to and on the salt flats in the lowest section of the Valley, you see a very desolate terrain – one of the most non-human terrains I know. Here, well below sea level, there are places that seem completely inhospitable and alien, landscapes of caked salt, worked and sharp-edged salt and dried mud, seeps of shallow water, occasional odd plants, and landscape that often seems to go on almost endlessly the same way. But just as looking more closely reveals surprises (such as living creatures in those millimeters-deep pools of salty water), the view from overhead shows patterns that cannot be readily seen up close.

This photograph was made from the summit of Dantes View. This high point along the eastern side of the valley is close to a mile above the Valley floor. The view can often be panoramic, stretching for tremendous distances in almost all directions, blocked only by the higher peaks of the Panamint Range to the west and a few other high points nearby. Although Dantes View is one of the best known “iconic” locations in the park, I have a complicated relationship with the place. First of all, I seem to attract awful weather when I go there, perhaps because I tend to do so in the season that is winter elsewhere in the state. Not too long ago I attempted to drive to the summit on a winter day and was turned back by a snow storm perhaps a half mile from the end of the road. In addition, it has been hard for me to warm up to the place as a photographic subject. In some ways, there is almost just too much in the view for me to see how to isolate a photograph out of that detailed immensity. I dealt with that here by using a very long lens and restricting my view to a small section of the valley floor, without much context of surrounding terrain, which I think produces a photograph that allows the features in this frame to be seen as abstractions.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.