Category Archives: Photographs: Desert

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Light in the Canyon

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Light in the Canyon
“Light in the Canyon” — Afternoon light strikes a hill in the lower reaches of a Death Valley canyon.

As I mentioned I recent posts, my plans for Death Valley were somewhat thwarted when I arrived there to find that large areas of the park were not accessible due to flood damage. I had to strike some remote areas from my agenda, recalibrate, and visit more accessible locations. As a result I ended up visiting more accessible areas that I had avoided in the past, including several fascinating washes that I really should have visited before. Since I had a free afternoon before evening photography I decided to take a long hike up this wash and back, and I’m glad I did.

The deeper and narrower Death Valley canyons are great places to visit during the daytime hours — in fact, a typical shooting plan for me includes a sunrise and sunset locations with one or more canyons partially filling the time between the morning and evening shoots. The timing of this canyon walk was such that the bottom of the canyon was almost fully shaded at times. I made this photograph near a bend where a bit of light reached the bottom of the canyon and illuminated this lighter colored formation.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Cactus-scape

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Cactus-scape
Close-up view of beavertail cactus, Death Valley National Park.

Cactus-scape. © Copyright 2023 G Dan Mitchell.

Close-up view of beavertail cactus, Death Valley National Park.

Many of the photographs that I brought back from Death Valley last week feature the grand, immense scale of the landscape — which is only nature given the, well, grand, immense scale of the landscape of the place. Today I’ll take a break from those images and look share something on much smaller scale — a cactus-scape, if you will. This is a very close view of a small portion of a beavertail cactus. As I worked on landscape photography in this location I realized that these cacti were everywhere, so I soon switched to a different camera with a macro lens.

This subject may bring up the question: will this be a “super-bloom” year? I don’t have a definitive answer to that, but I’ll share a few observations. I have heard that above-average rainfall in about the November time frame supports those extraordinary spring blooms. That did not happen this year. But there was rain — quite heave and even damaging rain — much earlier in the season, and there was some additional rainfall during the December-January period. I did see some very young shoots of new plants already starting to pop up in a few promising areas. My bet? No super-bloom, but more of a good to better-than-average year for wildflowers.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Playa Patterns

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Playa Patterns
Patters of earth, water flow, and salt deposits in Badwater Basin, Death Valley.

Playa Patterns. © Copyright 2023 G Dan Mitchell.

Patterns of earth, water flow, and salt deposits in Badwater Basin, Death Valley.

In a roundabout way, this photograph is the result of last-minute changes to my plans during my recent Death Valley visit, changes necessitated by the closure of other places I intended to visit there. I took advantage of this situation by more carefully exploring some popular (and some less popular) locations in my central portions of the park. And that led to me being being at Dantes View on a rather cold evening. This is a location with some rather remarkable views, stretching from distant Sierra peaks to mountains near Las Vegas.

I arrived while there was still direct light on the salt flats and other features in Death Valley, and then I continued to photograph right on through sunset until early dusk. I made this photograph was the sun-shadow line was just passing over this area of salt deposits in, more or less, Badwater Basin. From Dantes View, more than 5000′ above Death Valley, these features look quite different than what we see when we are among them, and I used a long lens to isolate interesting sections of this otherworldly landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Winter Dawn, Panamint Mountains

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Winter Dawn, Panamint Mountains
In dawn light, the Panamint Mountains rise from Death Valley to snow-covered Telescope Piak.

Winter Dawn, Panamint Mountains. © Copyright 2023 G Dan Mitchell.

In dawn light, the Panamint Mountains rise from Death Valley to snow-covered Telescope Piak.

At the current time many road (and the locations they access) in Death Valley National Park are closed as a result of earlier flooding and washouts. Before I went there this past week I was aware of some closures, but when I arrived I discovered that some of my planned destinations were unavailable. I changed plans, improvised, and still found plenty to see and do in the park, and my list of planned locations remains for my next visit.

If plans had not changed, I would not likely have come back with this photograph. I often make relatively last-minute decisions about where to photograph based on light and sky conditions, and when I noticed that the air was clearer than usual — important given the vast distances in this park — I headed to a location with a view of the first morning light on the Panamint Mountains and their snow-capped summit of Telescope Peak. To give some idea of the distances, the highest peak is perhaps roughly twenty-five miles from my camera position.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.