Category Archives: Photographs: Fall Color

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Leaves, Boulders in the Stream

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Leaves, Boulders in the Stream
Autumn leaves lie on builders in the middle of a White Mountains forest stream.

Leaves, Boulders in the Stream. © Copyright 2022 G Dan Mitchell.

Autumn leaves lie on builders in the middle of a White Mountains forest stream.

After we stopped here to photograph a couple of lonely creeks passing though hardwood forest along a remote backroad I looked around for smaller subjects within the larger scene that had originally convinced me to stop. I had been looking at the forest as a whole, set off by the stream following a path bending beneath the canopy of trees. Eventually I thought to look more or less at my feet, where I noticed fallen leaves on boulders around which the creeks flowed.

Photographing these dense forest scenes in the Northeast can be something of a challenge. I’m used to more open forests that I see on the West Coast, where the light shines in between the trees, and the view extends some distance. In New England the trees are smaller and grow more densely, and it is often difficult to see more than a few feet into the woods, and even more difficult to find a view that without a trunk, branch, or stick intruding into the frame. All of this is by way of saying that it was not at all easy to isolate this little scene!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Eastern Sierra Aspens

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Eastern Sierra Aspens
Late-season Eastern-Sierra aspens in green, yellow, and orange.

Eastern Sierra Aspens. © Copyright 2022 G Dan Mitchell.

Late-season Eastern-Sierra aspens in green, yellow, and orange

With this post I interrupt the recent stream of New England fall color photographs to bring you fall color from California’s Eastern Sierra. Our productive trip to photograph the beautiful fall color in (mostly) New Hampshire cut into the time I would usually spend in the Sierra during the aspen color season, but I wasn’t about to miss it entirely. So I managed a four-day trip to the “East Side” last week, visiting several promising aspen color locations. As a result, I’ll eventually have a bit more to say about two subjects: a comparison between the East and West Coast experiences, and the prospects of finding Sierra color after the middle of October.

As I post this year’s Sierra aspen photographs, you’ll probably notice that I made many of them in soft light: near dawn or dusk, in the shadow of nearby mountains, or under some degree of cloudiness. Despite my love of backlit trees, this is my favorite kind o light for photographing the fall colors. To me the colors seem richer, and I can maintain more shadow detail than I typically get in the harsher direct sunlight. I made this photograph late in the day on the east side of the range, shortly after the sun had dropped behind the Sierra crest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Autumn Forest and Creek

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Autumn Forest and Creek
A creek flows beneath autumn trees in the White Mountains of New Hampshire

Autumn Forest and Creek. © Copyright 2022 G Dan Mitchell.

A creek flows beneath autumn trees in the White Mountains of New Hampshire

This is a photograph of another branch of the creek that was featured in a recent photograph. The creek in the previous photograph flowed under a bridge to join the creek seen here. Both flowed down gentle rocky sloped though a quiet hardwood forest that was perhaps just past the prime color. On a day when crowds were visiting the more famous sites in this mountain range, it was pleasant to stop here in the still quiet for a while.

People from the Northeast who have me advice on this trip recommended several thing. Some had to do with timing, some with the typical transitions of the color. Others were about locations — and as a first-time visitor to this area I needed that advice. In addition to pointing out some of the must-see locations, almost everyone also said to get off the main roads and poke around some of the backroads, especially the smaller gravel routes. This was one of those, a road that we followed on a whim — and we ended up off the beaten path in places that are not as frequently visited.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Peak New England Color

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Peak New England Color
“Peak New England Color” — A White Moutains forest of almost-exclusively hardwood trees at the peak of fall color.

This photograph, if nothing else, illustrates some aspects of how New England fall color is different from what I usually photograph in California, particularly in the Sierra Nevada. Out here the colors tend to be relatively uniform, usually yellow to brown, broken by occasional examples of other colors. For example, the great majority of our aspens turn yellow/gold, which is why the occasional red and orange exceptions attract so much attention. And the Sierra trees are far less likely to appear in huge, mountain-covering stands — they more typically line the bottom of a valley, run upslope along a gully or other feature, and are surrounded by green conifers.

So what differences can we see here? First, the hardwoods vastly outnumber the sparse conifer trees. (I like the contrast the latter provide, however.) The hardwood forest stretches for great distances — that area of the photograph is quite large but it is only a small portion of the fall-colored trees I could see here. The tree color is also much more diverse, here including every shade from green through orange and red.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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