Tag Archives: leaces

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Eastern Sierra Aspens

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Eastern Sierra Aspens
Late-season Eastern-Sierra aspens in green, yellow, and orange.

Eastern Sierra Aspens. © Copyright 2022 G Dan Mitchell.

Late-season Eastern-Sierra aspens in green, yellow, and orange

With this post I interrupt the recent stream of New England fall color photographs to bring you fall color from California’s Eastern Sierra. Our productive trip to photograph the beautiful fall color in (mostly) New Hampshire cut into the time I would usually spend in the Sierra during the aspen color season, but I wasn’t about to miss it entirely. So I managed a four-day trip to the “East Side” last week, visiting several promising aspen color locations. As a result, I’ll eventually have a bit more to say about two subjects: a comparison between the East and West Coast experiences, and the prospects of finding Sierra color after the middle of October.

As I post this year’s Sierra aspen photographs, you’ll probably notice that I made many of them in soft light: near dawn or dusk, in the shadow of nearby mountains, or under some degree of cloudiness. Despite my love of backlit trees, this is my favorite kind o light for photographing the fall colors. To me the colors seem richer, and I can maintain more shadow detail than I typically get in the harsher direct sunlight. I made this photograph late in the day on the east side of the range, shortly after the sun had dropped behind the Sierra crest.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Ridge and Haze

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Autumn Aspens, Ridge and Haze
Autumn aspen “color” in black and white, Eastern Sierra Nevada.

Autumn Aspens, Ridge and Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn aspen “color” in black and white, Eastern Sierra Nevada.

Necessity, as they say, is the mother of invention —or at least a trigger to try something different that what I would usually be doing with a subject like this one. The subject is, of course, “fall color” from the Eastern Sierra Nevada aspens. The challenge at times on this visit to the area was the wildfire smoke was obscuring a lot of the landscape and muting and altering the colors. Late-summer and autumn wildfire smoke has long been a seasonal feature in and around the Sierra Nevada, but the situation has become much worse in recent years. The fires a larger and they last longer, with the end result being a whole lot of smoke in the air.

So, what to do? There are almost always ways to shoot around such challenges. One is to forego the large landscape and shoot more intimate subjects — perhaps focus on one grove, one tree, or even one leaf rather than on the grove in the larger landscape. Another is to embrace the smoky conditions and try to find a way to make aesthetically compelling photographs of that subject. Another option is to move to monochrome. The smoke that looks brown and ugly in color can merely look like interesting haze in black and white. Of course, this leaves us with another challenge when the subject is fall… color. But we photographed autumn in black and white in the past. We can still do that.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cliff and Trees

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Cliff and Trees
Trees and brush at the base of a sandstone cliff along the Virgin River, Zion National Park.

Cliff and Trees. © Copyright 2012 G Dan Mitchell – all rights reserved.

Trees and brush at the base of a sandstone cliff along the Virgin River, Zion National Park.

For an autumn photograph there isn’t a lot of autumn color here! Back in 2012 I made two trips to Southern Utah. The pattern of fall color change in Utah, in my somewhat limited experience, is both different than what I’m used to in California and spread out across many weeks and the many climate zones of the state. The first lesson I learned was very early in October: the aspens in Utah change earlier than those in the Eastern Sierra that I know so well. A second lesson was that the cottonwoods and other trees and bushes in the redrock canyon country change next, and they can be spectacular. The third lesson — illustrated here — is that the colors in Zion Canyon apparently change quite a bit later. I haven’t hit the peak there yet, but I understand that it can be as late as the beginning of November.

This visit was barely two weeks into October, and much of the vegetation in Zion Canyon was still quite green. This photograph comes from a very popular and often crowded area just beyond the road-end at the upper end of the canyon, where many begin their walk/wade up the Virgin River. This is, I think, one of those places that is “iconic for a reason.” This section features a relatively flat and wide canyon bottom, full of trees that can benefit from occasional flooding. But for me the massive canyon walls that follow the river’s course are the main show — the sandstone here is massive and nearly vertical.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.