Category Archives: Photographs: Mono Lake

Photographs: Mono Lake, Photographs: Nature, Photographs: Sierra Nevada

Dawn, Mono Lake and Sierra Crest

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Dawn, Mono Lake and Sierra Crest
Dawn light on the Sierra crest at South Tufa, Mono Lake

Dawn, Mono Lake and Sierra Crest. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dawn light on the Sierra crest at South Tufa, Mono Lake

There is a bit of a story behind the choice to post this photograph today. And that story may help explain the posting of more than a few older photographs this month. Every December, like so many other photographers, I prepare a set of “favorite photographs” from the year that is about to conclude. (Something happened this past December and I was delayed in this process. One thing led to another and I never did post my annual set of favorites for 2017!) Part of my process for preparing the list of favorites is to go through ALL of my raw files from the year, and I often discover interesting work that I missed as I engage in this process. I didn’t do that either… so I’m now digging back into the older files to see what I missed. So expect a mixture of current and older work through August and possibly into early September.

To make things a bit more confusing, this photograph is even older! It comes from 2007. Once I get into this process of looking at old files, I never know where it will lead! I made the photograph on a lovely, quiet morning at Mono Lake, when the water was still and the first light was shining on the eastern Sierra Nevada.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: Mono Lake, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Ship Yard Buildings, Crane

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Ship Yard Buildings, Crane
Weathered ship yard buildings illuminated by saturated colors of artificial lighting

Ship Yard Buildings, Crane. © Copyright 2018 G Dan Mitchell – all rights reserved.

Weathered ship yard buildings illuminated by saturated colors of artificial lighting

I recently had a chance to return to this old ship yard facility near Vallejo, California to work on night photography. This is actually the place where I first tried out that genre approximately fifteen years ago. It was more or less on a whim — I read that someone was inviting photographers to come up to Mare Island, in conjunction with the annual Flyway Festival, and find out about night photography. I knew almost nothing about it, but decided to give it a try. Since that time I’ve been hooked. I’ve returned to photograph that locations often during the intervening decade and a half, and my night photography expanded from that beginning point to incorporate other subjects and places. (Most recently I have focused on night street photography done with small handheld cameras.)

This photograph is a prime example of several of the things that intrigue me about photographing at night. Scenes that might seem mundane in “normal” daylight are often transformed in the night. Not only do many distractions simply disappear, but the light itself, especially in areas with varied artificial illumination, transforms these subjects. In many places LED lights have replaced the wild mix of tungsten, fluorescent, sodium vapor, and other sources today — an unfortunate development in the visual sense, as LED light is more or less like daylight. But in places like this spot, the colors of the light become intense. Here it is the exceedingly green light of a large work light that predominates. Another appealing aspect of night photography is that it lets me make photographs of things that I really can’t see with my own eyes. In the ambient lighting I could only barely see the details of this scene. But with a long exposure there is enough light to reveal features that I could not see at all, a pure example of “seeing what the camera sees.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Mono Lake, Photographs: Nature

Mono Lake Shoreline, Evening

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Mono Lake Shoreline, Evening
The last light on hills beyond the Mono Lake shoreline

Mono Lake Shoreline, Evening. Mono Basin, California. October 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The last light on hills beyond the Mono Lake shoreline

I’ve long been fascinated by the view across this section of the Mono Lake shoreline. It contains a lot of things that I consider essential to the Mono Lake experience — tufa “towers” (though these are more like islands), the shallow shoreline with its curving edges, the larger islands and buttes, the distant mountains in the east, the immense open sky, and the textured and reflecting surface of the water.

In a way, this photograph was sort of (but not exactly!) the result of “killing time” between photographing two other subjects. I had been at a nearby area with colorful aspen trees, and had finished up there — the light was gone sooner than expected when high clouds moved in. At that point I knew that the full moon was going to rise close to sunset, so I decided to find a location along the Mono Lake shoreline to photograph it. I arrived there too early — better than too late! — and had some time to photograph other things as I waited for the moon. I went ahead and set up tripod and camera with some urgency as I noticed to last sunlight on some of those distant hills.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Mono Lake, Photographs: Nature

Trees, Volcanic Slopes

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Trees, Volcanic Slopes
Sunrise light on trees ascending the side of a volcanic cone, east of the Sierra Nevada

Trees, Volcanic Slopes. Near Mono Lake, California. July 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Sunrise light on trees ascending the side of a volcanic cone, east of the Sierra Nevada

I frequently photograph in the Mono Basin, at and around Mono Lake. I have been photographing there long enough that I’ve learned to look beyond the famous tufa formations — worthy photographic subjects that they area — and try to find other elements that also are intrinsic to the character of the place. The lake itself is one subject — its huge expanse, the immense quiet and stillness often found there, the birds, and the sky. The surrounding terrain is also very interesting once you spend some time looking away from the lake: the eastern slope of the Sierra Nevada, gentle terrain rising to eastward mountains, ponderosa pine forests, and more.

Many years ago I became intrigued by these trees that grow a good distance up the sides of the volcanic domes rising just south of the lake. At certain times the light bathes them in color and can turn a normally drab scene into something quite striking. ON this morning the sun had just risen into hazy skies, and there was a great deal of red in the light, contrasting with the very blue color of the shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.