Category Archives: Photographs: Nature

Strata and Columns

Strata and Columns, Red Rock State Park
“Strata and Columns” — Red rock strata and vertical columns

For years I have passed by California’s Red Rock Canyon State Park on my way to or from other places, most often Death Valley National Park. My winter route between the San Francisco Bay Area and Death Valley almost inevitably takes me south over Tehachapi Pass and then north, where the highway cuts through this state park. Every time I have passed through I have marveled at the beautiful rock formations rising from the desert and thought about stopping… but kept driving, anxious either to get to DEVA or to get home after a long time on the road.

This time we made a plan to stop, booking a motel in a nearby town for the night to more or less force a stop. We made a fairly brief visit, but we did go this time. This visit, although brief, may have finally cracked the door open a bit to the idea of returning and photographing here again. Being unfamiliar with the park I cannot be sure, but I would guess that this formation may be one of its “icons.” It stands in an easily visited location and presents a striking appearance. It also seems to me to tell a bit of a story. One of the first things that got my attention is the way that its thick band of red rock tilts the opposite direction from the similar rock in the sculpted cliffs that stand behind it. It seems to me that this piece must have dropped off the face (probably with a big bang and lots of dust!), landed in the softer material at the base of the cliff, and momentarily leaned toward falling over to the right, but then managed to just keep its balance enough to be locked into this off-kilter tilted position.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Canyon Reflections

Reflective mud and shallow water in a Utah clot canyon
“Canyon Reflections” — Reflections of canyon and sky in the muddy bed of a canyon stream

I was tempted to title this “More Mud.” But I didn’t, even though canyon mud is a very interesting subject throughout this area of the Southwest. I had been in one south Utah location for a few days and it was time to travel to different area to meet up with a friend. Rather than taking the paved routes I decided to follow about 50 miles of gravel back roads — the mileage was shorter but the time was longer. Better yet, this route took me past several interesting sites that I wanted to explore a bit.

One of these is a little canyon that I first visited a few years ago with friends. In fact, this spot was my very first time in one of these deep and narrow canyons. I recall that the entire experience was foreign to me on that first visit — from walking up the middle of a shallow running stream, to shooting in midday for the best reflected light, and the new and unusual (to me) sights and sounds of this part of Utah. So I figured that it might be fun to make a brief stop on this drive and wander back up the canyon for an hour or two. The canyon has many attractions, but one is that its regularly running steam keeps the canyon floor mud damp and reflective. Another is that high red rock walls reflect lovely bright colors down onto the water and the mud. After hitting my turnaround point, as I retraced my steps back down the canyon I paid special attention to the textures and reflections in the mud, and I was excited to find this spot that combined the red sand, the deep blue reflection of sky, the reddish reflection of canyon walls, and the warm light reflected down into the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Crystal Bay, Lake Tahoe

Crystal Bay, Lake Tahoe
“Crystal Bay, Lake Tahoe” — Blue water and light above Crystal Bay, Lake Tahoe

My annual hunt for aspen color took me to the Lake Tahoe area in early October. I realized that although I’ve gone to Tahoe for many years that I have very few photographs of the area. So often Tahoe has been a place to go for other purposes, such as skiing or a cabin stay, etc. And, frankly, Lake Tahoe is very busy and, in many ways, an urbanized place — so my nature and wilderness instincts are often a bit frustrated there. But it is a beautiful lake, and I saw more of that when I went there with photographic intentions.

The underlying reason this time has to do with a project related to fall color in the mountains of California. I’ve covered many other Sierra fall color areas, but I needed more material from the Tahoe area. So I spent an evening, a full day, and part of a morning doing some exploring. The “full day” began with a drive to the Carson City, Nevada and then north towards Reno and back toward Tahoe via Mount Rose. There were quite a few aspens along this part of the drive, but I couldn’t stop much due to road construction. Then I did something I’ve done a number of times before — I circumnavigated the lake, paying special attention to fall color. I realized that there is quite a lot of it, even if much of the color is in areas filled with cabins and resorts. This photograph overlooks the northeast part of the lake from the roadway descending from Mt. Rose.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canyon Walls, Reflected Light

Canyon Walls, Reflected Light
“Canyon Walls, Reflected Light” — Light reflected from blue sky and sunlight canyon walls illuminates the lower reaches of a Utah slot canyon

On this day I visited — though just barely — an area of slot canyons in southern Utah. I rarely do much advance research when I plan to photograph in a new area, generally preferring to discover the place for myself. This has both advantages and disadvantages. I certainly make my share of missteps and sometimes miss spectacular locations on my initial visits. On the other hand, when I come with few preconceptions I am free to make my own relationship with these places and perhaps I am forced to look a bit more carefully at what I see.

I had a vague plan to visit an area where there are some fairly well-known features, though I did not plan to visit the most popular of them, preferring to avoid the need to special permits and the attendance line-waiting. So I got a map (one without a lot of detail) and figured out where to find a gravel side road to a place with a name I had heard of, and I headed that direction. I parked at another place with a name that sounded familiar, loaded up and started walking down a valley with a good size wash. Soon the walls closed in on both sides and I entered an area of slot canyon. There is much to see and feel in these canyons, but my attention is often focused on the light, which does astonishing things when it bounces down between higher red rock canyon walls. As I came to this spot I was taken aback by the intensity of the brilliant blue tones when open sky reflected on the shiny surface of the rock, contrasting with the intense reddish tones of red rock illuminated by red reflected light, and creating almost sensuous forms in the rock walls.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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