Category Archives: Photographs: New York City

Portal, Wall, and Cable

Portal, Wall, and Cable
Portal, Wall, and Cable

Portal, Wall, and Cable. New York, New York. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

Looking through a portal in a yellow wall towards a white wall beyond, lit by diffused light.

This is almost, but perhaps not quite, a “photograph of nothing.” As we walked through this New York City museum I was distracted by the way the light hit different surfaces, especially because the light was especially diffused on this cloudy morning – and I was intrigued by the juxtapositions of different colors and shapes and types of lighting that I could find as I moved through this space. This minimalist image consists of an open portal with what must be a safety cable along the bottom sill, with a large room with white walls beyond, and another similar portal and a corner breaking up the white walls near the left side of the image.

Ideally it would be best to shoot this from a tripod at low ISO and a long shutter speed and perhaps with a prime. However, here I had to improvise, shooting hand held at 1/20 second (yay for IS!) with a zoom lens that required some distortion correction in post.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ice Cream Man in His Truck, New York City

Ice Cream Man in His Truck, New York City
Ice Cream Man in His Truck, New York City

Ice Cream Man in His Truck, New York City. New York, New York. August 19, 2010. © Copyright G Dan Mitchell – all rights reserved.

A mobile ice-cream vendor parked in his truck at night near Madison Square Garden on 7th Avenue in New York City.

The street vendors are certainly a part of the glorious sensory assault that is Manhattan, at least for this California visitor. They are everywhere, and they range from the generic hotdog/pretzel vendors, through folks who look like they bought a few cases of water and decided to sell them, to some that seem almost gourmet. Two small stories… I didn’t make a photograph, but when we were in lower Manhattan in the financial district we saw a line-up of perhaps a dozen mobile food carts around one small square selling a wide range of foods. While the lines at most of them included a person or two… one stand had a line stretching all the way across the square. Second story – which I’ll tell on myself: One morning we wanted to grab a pretzel. In the process I quickly forgot one of the first rules of buying from these guys, namely settle the price before getting the food. A NYC pretzel ought to cost perhaps a couple bucks, but I managed to double the price by asking for the “goods” first, taking them from the vendor, and only then asking for the price. Let’s just say he gave me the “tourist special price,” and I didn’t feel like enough of a jerk to hand them back to him over the price. :-)

This truck was parked at a corner on 7th Avenue almost across the street from Madison Square Garden, and seemed to be doing a good business during the twilight hour on this evening.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Window, Wall with Shadow and Stain

Window, Wall with Shadow and Stain
Window, Wall with Shadow and Stain

Window, Wall with Shadow and Stain. New York, New York. August 18, 2010. © Copyright G Dan Mitchell – all rights reserved.

Diffused light from a cloudy sky casts a soft shadow across a wall with a faint stain.

This is perhaps a subtle photograph. Originally it was in color, but the colors were so subdued – almost invisible, actually – that I decided to go with this black and white rendition. This wall is in a New York museum and is located next to a window. It was overcast, so the light coming through the window was particularly soft and diffused. It wasn’t until I looked at this photograph in post that I realized that there is a “flaw” in the scene – the slightly darker stained area on the upper wall.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs from “Così fan tutte: Some Assembly Required”

This is definitely not landscape photography.

One of the things on my agenda when we spent a week in New York City last month was photographing “Così fan tutte: Some Assembly Required,” an unusual event based on Mozart’s opera. Over the course of four evenings at the Gershwin Hotel in Manhattan, a group of singers and instrumentalists and others revealed much that might otherwise not be apparent the opera by “assembling” a portion of the opera each night. The outline of the event was that each evening would begin with an informal rehearsal of a section of the opera, interspersed with commentary from participants, and then conclude with a straight-through reading of the section that had been rehearsed. Beyond that, many of those participating also “took it online” during the event, tweeting and blogging as it took place. (My wife played principal oboe in the orchestra, and I have to tell you it was very strange to get text messages from her during the “show!”)

Photographing the event presented some interesting opportunities along with some challenges. The challenges were mostly what you might expect – concert venues, especially during a “rehearsal” are often not lit with photography in mind, and the space in the Gershwin Hotel where this took place was a virtual nightmare of photographic problems. The walls are bright red! The lighting was very low. There were columns in the middle of the orchestra. All in a day’s work, right? (I mostly shot natural light, and was very glad to have a 135mm f/2 lens and a Canon 5D2 which produces quite decent images at ISO 3200.) The opportunities, however, were worth the challenges. For one, unlike an actual performance at which the noise of a camera is simply unacceptable and, in addition, one needs to be virtually invisible, because this was an informal event I was not only able to shoot as the performance took place, but I was also able to wander around more or less at will. And while performers can often be quite skittish about being photographed during a performance – it creates an unwelcome distraction for them – these performers were very relaxed about it and even seemed to want to be photographed.

I exposed hundreds of frames during the two nights I was there, and I’m only now finding the time to sort through them. I will almost certainly not post all of the photographs here individually, as I would do with a lot of my other work, but (below the “jump”) I will collect many of them in this post. Note that this work is ongoing – I’m starting with an initial set of ten photographs, but others will be added as I update this post later. Continue reading Photographs from “Così fan tutte: Some Assembly Required”