Category Archives: Photographs: Northern California

Photographs from Northern California

Doorway, Stairs

Doorway, Stairs
A doorway opens to a lighted passageway and ascending stairs.

Doorway, Stairs. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A doorway opens to a lighted passageway and ascending stairs.

A small group of photographers was exploring portions of nighttime San Francisco on a recent evening, making their way from North Beach through Chinatown and towards the Union Square area. As we photographed and walked the light transitioned from evening (with some sun visible in places) to dusk (as lights came on) and then to darkness — at least as dark as it gets in this City on a Friday night. Our path took us to some areas that are not as frequently visited by tourists, but it also took us straight down a section of Grant Avenue.

Grant Avenue is what comes to mind for many people when they think of San Francisco’s Chinatown. Grant is the touristy “main drag” of the area, lined with a range of shops and business and restaurants, many of which appeal to tourists. At night much of this area shuts down, though restaurants remain open — but even as things close the light remains interesting. So we walked down Grant, stopping to photograph various things along the way. At one point we passed this somewhat mysterious doorway. Most such entrances are closed up tight, usually with a locked gate in front, but this one was open and light from the stairway inside flooded out onto the sidewalk. The walls around the door are painted in many colors, and ambient lighting adds another layer of color. My first thought was to make this a color photograph, but as I looked at it in post that seemed just a bit too obvious so I went with this monochrome rendition instead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Glaciated Ridge and Trees, Morning

Glaciated Ridge and Trees, Morning
Trees growing on rocky, glaciated granite terrain in morning light

Glaciated Ridge and Trees, Morning. Yosemite National Park, California. July 13, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Trees growing on rocky, glaciated granite terrain in morning light

Among folks who know me a bit, it is not a surprise to hear that this is my favorite kind of Sierra light — early morning light coming across hazy ridges and granite and striking sparse trees from behind, creating a glow among their branches. I can’t explain why it draws me, but it does, and I think it always has. Perhaps I saw something, now forgotten, during one of my first visits to the Sierra, or possibly I saw a photograph (possibly in one of my father’s books) many years ago and it made an impression.

This scene is obviously not a Yosemite icon (though one is nearby), but the nature of the view is iconic Yosemite for me. A handful of things seem characteristic of the Yosemite high country, and one of them is the sight of granite domes, usually with broken rock, and widely separated trees somehow eking out a livelihood on what appears to be bare rock. Undoubtedly, more square miles of the park are covered by forest, but we can find forest almost anywhere — these trees thriving on bare granite are more rare and more a special characteristic of this place.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Landing

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

This photograph has appeared here at my website and in subsequent social media posts already, but merely as an example in a post I shared about some slightly technical matters related to a camera I use. (More on that in a moment.) Since I feel like the photograph stands not only as an example of how a lens and a camera work, but also as a photograph, this time I’m sharing it for the latter reason. We had spent a couple of days in the Monterey and Big Sur area, photographing along that spectacular coastline, and now we were headed home. We decided to work our say north along the coast, eventually turning inland just south of San Francisco.

Just before that homeward turn we passed a small, rocky island just a few yards off the actual coast, and I realized that it was covered with many scores of brown pelicans. I love photographing these birds, and it is somewhat unusual to see so many in one place, so we stopped and walked out to the bluff to make some photographs. The light was challenging since it was coming from almost directly behind the birds — but in this case that worked well as there is a light fringe around the bird, some light comes through its wing feathers, and additional light reflects back up from surf and rocks as this pelican lands. Oh, and that technical article? I made this photograph with a pretty unusual “birding” setup — the 50.6MP Canon EOS 5Ds R with a 100-400mm zoom lens with a 1.4x teleconverter attached!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Dawn Fog and Haze, Tuolumne Meadows

Dawn Fog and Haze, Tuolumne Meadows
Morning fog rises from Tuolumne Meadows toward surrounding forest and ridges

Dawn Fog and Haze, Tuolumne Meadows. Yosemite National Park, California. July 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning fog rises from Tuolumne Meadows toward surrounding forest and ridges

I was up quite early on this morning, and with a plan to drive a bit to photograph a particular subject as it was struck by the first dawn light. In the dark I got dressed, crawled out of my tent, got in my vehicle, and quietly left the campground. Within a few hundred yards of the campground exit my plans changed. A low fog lay across almost the entirety of Tuolumne Meadows, shallow in places and deeper in others, partially obscuring trees and domes. In the pre-dawn light the quiet scene was one of very low contrast and not altogether interesting color, but I suspected that once the sun begin to come over the Sierra crest that it might strike the fog and create some interesting effects. So, out the window with the original plan, and now to see what I could make of my new plan.

I headed to the far end of the meadow where I figured that several potentially interesting things would happen. First, the fog was likely to be back-lit once the sun hit it. Second, I could shoot back across large sections of the fog-blanketed meadow and do so from a slight elevation. Third, I knew that I could position myself so that interesting ridges and trees might appear in the frame. In fact, it all worked out! As the sun rose high enough to illuminate the drifting fog, it began to rise and form more distinct patterns against the background of ascending ridges. I’m often somewhat surprised to find myself completely alone at this utterly beautiful times of day, when the sun is just coming up or when its last light is leaving the meadows. Tuolumne is an impressive place at any time, but it is often special in all sorts of ways during these beginning and ending of the day times. Yet most people, folks who I assume come here at least partially to seek out mountain beauty, miss out as they sleep in, linger over morning coffee, or head back to campfires before the day is over.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.