Category Archives: Photographs: Northern California

Photographs from Northern California

Shoreline, Trees, Morning

Shoreline, Trees, Morning
Morning light on trees and granite slabs along the shoreline of Tenaya Lake

Shoreline, Trees, Morning. Yosemite National Park, California. July 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning light on trees and granite slabs along the shoreline of Tenaya Lake

I think this photograph combines several elements that I find attracting in my landscape work. I have written that I sometimes like to photograph along the “edges of the light,” the boundaries between shadow and sunlight that move across landscapes, especially when it is early or late in the day and/or when the landscape is surrounded by higher ridges. This photograph was made in early morning, in an area where the sunlight does not arrive until some time after dawn. When the light does come, it works its way down the granite slabs on the left as beams of light pass across the valley from the right. I also love to work with haze. (I often am baffled by photographers who always want crystal clear atmosphere — that can be beautiful, too, but it can also be stark and obvious.) There was plenty of haze on this morning, and the light shining through it partially obscures the background forest. And the photograph is rendered in black and white. While I don’t think of myself as a “black and white photographer,” I frequently find myself seeing scenes like this one in monochrome. Perhaps that goes back to my roots as a photographer.

There is something a bit unusual about this landscape, too — a road bed features prominently in the scene! This is the edge of Tenaya Lake along the Tioga Pass Road through Yosemite’s high country, and here the road (for better or worse) passes right along the shoreline. But for me the trees are the dominant feature, standing along the base of the granite slabs, trying to push their way up onto the slabs, and filling the background as forest ascends the slopes of this valley toward the granite ridges above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tenaya Lake, First Light

Tenaya Lake, First Light
Early morning light shines on granite cliffs above Tenaya Lake, Yosemite National Park

Tenaya Lake, First Light. Yosemite National Park, California. July 15 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Early morning light shines on granite cliffs above Tenaya Lake, Yosemite National Park

I have long been intrigued by a certain patch of sunlight that descends the granite slopes above this Yosemite lake in the mornings, and I planned to photograph it again on this trip to the park. I was up early on the first morning and off to this location, but I quickly got distracted by low fog floating in a very large nearby meadow. Somewhere I have heard an old saying about not ignoring the photograph in front of you for the possibility of another photograph that [i]might[/i] (or might not) happen, and I followed that “rule” and stopped and photographed the fog as the sun rose. By the time I finished this it was well past dawn, and although I continued on to the location of this photograph, when I got there the early light had transitioned into something much less interesting.

A couple of mornings later I thought I would try again. This time I was up even earlier and resolved to not stop for any but the most astonishing distractions, and I made it here before the first light was on the granite slopes. In this case, since I had a specific photograph in mind (and a few others that I might also try afterwards), I went to the exact spot where I wanted to be, pulled out the lens I knew I would need, set up and waited for the light. My location is not exactly an isolated or inaccessible one, and later on this day (and every summer day!) there would be lots of people and vehicles here. But at dawn even a place like this provides almost complete silence and the sense of deep stillness and huge space that I love in these mountains. I marvel that so many go to the Sierra yet so few seek out this quiet stillness. Soon the first tough of light appeared high on the dome to the left above the lake as beams of light began to pass between the peaks to the right, and I photographed as the light gradually worked its way down toward the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tuolumne River, Evening

Tuolumne River, Evening
Evening clouds dissipate above the Tuolumne River, Yosemite National Park

Tuolumne River, Evening. Yosemite National Park, California. July 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening clouds dissipate above the Tuolumne River, Yosemite National Park

For the past few days I’ve been photographing in the Yosemite high country. When arriving at some familiar places in the Sierra Nevada I tend to follow certain rituals. I often arrive in the middle of the day and whenever possible on the day when the largest number of visitors are leaving — this makes it a bit more likely that I’ll find a campsite. That’s how it worked out on this Sunday, when I was able to grab a tent campsite at Tuolumne Meadows, even though it is the start of the peak season. As usual, I spent an hour or so getting my basic camp set up, then sat for a while, resting up from the drive and eating lunch and thinking about where I might photograph later in the day. I finally came up with vaguest of vague plans: I would simply start out by driving back down the road a ways to see what I could find. This turned out to be fortuitous decision.

In some ways it was a typical high country summer evening, with clearing clouds from recent monsoonal rain softening the light a bit. I passed a beautiful clump of trees that were dramatically lit by the low-angle sun but there was no place to pull over. I continued on up the road a ways, finally turned around, and as I headed back I decided to pull over where I could take in the wider view. There were two vehicles in the pull-out already and as I pulled in I wondered if I was going to startle the woman getting out of the one right in front of me. I took another look and soon realized that she was my friend Claudia, and that the other car was her husband Michael’s vehicle. (It still astonishes me how often I run into friends in the Sierra.) After greetings we decided to wander out along the Tuolumne to see what evening would bring. They set out across the meadow and a few minutes later I followed. As I walked I became vaguely aware that another couple was following in the same direction and when we met up at the far side of the meadow we realized that there were Charlotte and Gary, yet another couple I know! Joining “forces,” now we wandered down the river this beautiful area of small trees, open views, granite slabs, and flowing water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Drake’s Estero

Drake's Estero
Summer sun penetrates clearing fog over Drake’s Estero, Point Reyes National Seashore

Drake’s Estero. Point Reyes National Seashore, California. June 27, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Summer sun penetrates clearing fog over Drake’s Estero, Point Reyes National Seashore

I took my camera for a hike this week. Or at least that’s how it felt. I have to confess that Point Reyes, a place I visit somewhat regularly, has always been a photographic challenge for me. I can’t quite put my finger on why that is. I certainly have good results with seascape photographs from other areas along the California coast. As I hiked today — an eight mile round trip to the entrance to Drake’s Estero* — I pondered this what might explain it. Because the point extends out into the ocean, it is often foggy. This fog is not the mysterious sort that hangs along the ground and partially obscures trees and hills. It tends to be the cold gray fog that hovers a few hundred feed up, simply blocking and flattening the light. Although I’m intrigued by this landscape, much of it can be quite barren. There are forests, but they often consist of slender trees growing closely together, often with dense undergrowth. It is difficult to find the things that attract me to the landscapes of the Sierra and the desert — rugged rocky forms, tall cliffs (there are some of these at Point Reyes), light-filled forests, bare and rocky ground. Oh, and did I mention the wind!?

But I keep going back, frequently returning with only a few photographs. This was one of those days. I very much like the place I hiked — a route that alternates between forest, tramping along the waterline, and traversing high bluffs above the estero. I walked four miles out past the end of the trail, to a place where I could walk along a narrow band at the base of cliffs that front the estero, and across the relatively still water were sandbars with birds. Beyond that the surf broke outside of the entrance to the estero. At this far end of the hike I was completely alone, and I found a rock to sit on and quietly take in this scene before turning around to retrace my steps. The photographic challenges on this walk were primarily the strong winds and the gray light. As I passed along the top of one of the bluffs, the sky cleared enough to produce beautiful, soft light on the water and the far peninsula, providing an opportunity to make my one good photograph of the day.

  • “Drake’s Estero” is, as you probably guessed, an estuary — but here I’m using the word that the park service uses for this feature.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.