Category Archives: Photographs: Structures and Objects

Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Three San Francisco Street Photographs – Late October, 2013

November 17, 2013 G Dan Mitchell Leave a comment

Street scene at the corner of 17th and Bryant, San Francisco

This simple – or maybe not so simple – street scene was photographed at a somewhat busy corner in San Francisco, where a woman was about to cross the street with her dog, a van and a delivery truck were about to enter the intersection, a building reflected morning light, and masses of electric bus cables ran overhead.

A painted-over red zone curb, San Francisco.

I’m not quite certain where this photograph came from, aside from the recollection that I made it as I walked down Bryant Street.

A man checks his phone as he waits on a corner in front of a blue shop.

The man on the corner, engrossed by his smartphone and oblivious to his surroundings was my initial interest in the scene. Then I noticed the prevalence of blue tones and the interesting and strange, if you look at it the right way, window display of lampshades and a few other things.

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Photographs: Architecture, Photographs: Pacific Northwest, Photographs: Structures and Objects, Photographs: Urban/Street

Blue Shirt Pedestrians, Linear Landscape

November 16, 2013 G Dan Mitchell Leave a comment

Two pedestrians in blue shirts walk past architecture emphasizing vertical and horizontal lines

A photograph like this is a bit hard to explain, but I’ll try. At least a little bit. As is often the case, for some reason this structure – a parking lot – caught my attention. I like the texture of concrete when doing city photography, and this landscape of lines seemed a bit striking, and in fact it got me thinking again about the very linear nature of much of the urban environment. Aside from a few things – the green tree, the red card, and the people – essentially everything in this scene can be regarded as being a sum of horizontals and verticals, from the obvious vertical covering of the garage to the wires, to the street lanes and lane lines, to the sidewalk, and the rows of squares on the background building.

It occurs to me from time to time that there is something very unnatural about this, and it might even be a cause of the disconnect from the environment that can occur in such places. But as (pretty much) always, the constructed world is not perfectly linear. But still, to me, the two people walking along the sidewalk, whose blue attire also caught my attention, look very small and very passive relative to the constructed world they inhabit.

Night Photography, Photographs: Architecture, Photographs: Night, Photographs: Structures and Objects, Photographs: Urban/Street

Five Night Photographs from Mare Island

November 5, 2013 G Dan Mitchell 5 Comments

I have so many photographs in the queue right now that I have decided to do something a bit different and post some of them in collections. This first group features night photography from the historic Mare Island Naval Ship Yard, a location where I have been doing night photography for about a decade now. As is often the case, this visit was with my friends from The Nocturnes, the San Francisco Bay Area night photography group.

A street light illuminates tracks running down Railroad Avenue at historic Mare Island Naval Ship Yard

This is probably one of the iconic views of the nighttime environment at Mare Island, as it was made in a location where many night photographers start, whether it is their first visit or their fiftieth time there. The spot is near the Mare Island Museum, which holds many objects and photographs from the long history of the place as the first important west coast naval ship yard. The tracks – obviously! – given this street its name. The tower is the chimney of the old power plant, and off in the distance more of the old ship yard buildings are visible.

Red light behind the door of an industrial building at the historic Mare Island Naval Ship Yard

I was interested in the windows, doorway, and wall of this building for several reasons on this visit. First – and night photographers will understand – Mare Island has recently started to see an update of its lighting. As newer and presumably more energy-efficient types of lighting become available, the older lighting gets replaced. Some years ago the move was to the intensely yellow sodium vapor lights (which you can see in other images in this set), but today it is to what I understand are LED systems. Since the ambient light is tremendously important to night photographers, we notice that this produces a significant change in the mood of photographs made here since the LED light seems to have a much more subtle coloration that is closer to what we might regard as daylight. The new lighting has been installed by this building, so I wanted to see how I could use it to make a photograph that still captured the feeling of the night. In addition, I noticed some subtle red interior lights behind the doorway that seem to suggest something a bit mysterious in this scene.

A green tinted shadow falls across the front of a yellow building, Mare Island Naval Ship Yard

There are several things I like about this photograph of the side of a tall building and a lower section casting an odd green shadow. In much night photography we create photographs of things that we actually cannot see – essentially we are making photographs of what the camera sees. Standing in front of this scene it was very, very dark and the details of the building wall was barely visible at all. However, after shooting this stuff for some time I can recognize what might happen with an exposure long enough to make this scene visible. The old sodium vapor lamps are still installed along this street, and I knew that their yellow light would have a powerful effect on the colors of the scene. I also know that where there is a shadow that is not illuminated by sodium vapor light, the shadow will take on the colors of other kinds of ambient lighting – in this case a relatively green type of light coming from a nearby open area. In the end, without actually doing any light painting (the process of using colored lights and gels to illuminate the subject) I was able to make a photograph that is “naturally” just as wildly colorful.

Metal wall with white doors, window, and Reserved Parking sign

The plain and simple geometry of this building and its front wall has attracted me for several years, with its vertical lines, square forms of the door and the shadows, and the surprising orange highlights – and I have photographed it before. This building is now also lit by the newer lighting, so I had to see what I could do with this new coloration. I made two photographs of it. This one is a simple, straight-on view that is “about” the angular and square forms and the thin lines of orange paint and asphalt, with the only curves coming from the shadows in the window and a bit of broken-off pipe near the bottom center.

White door on a metal building with industrial structures of Mare Island Naval Ship Yard in the distance

This is a different take on the same wall, here composed off-center so that some of the darker ship yard machinery and structures can be seen.

Photographs: Northern California, Photographs: People, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Twenty Minutes of Street Photography – Six Photographs

October 29, 2013 G Dan Mitchell 9 Comments

I was in San Francisco this morning for a demo/announcement of new Google Plus features and after the event I had a bit of extra time on my walk back to the Caltrain station – 20 minutes to be precise. So, just for fun, the results (most of them at least) of 20 minutes of street shooting in The City.

It might seem odd to some that a photographer who does so much landscape work would be interested in photographing the sometimes-gritty urban environment of San Francisco. There is a lot I could write about this, but I’ll limit myself to a few ideas here. First, to some extent I think of photographing the urban environment as an extension of landscape photograph – let’s call it “urban landscape.” Second, shooting handheld while on the move leads to a different way of seeing that is quicker and more “improvisational” (to use a term from my music background), and this is, if nothing else, a great exercise in seeing.

Woman with Phone, Tall Building. San Francisco, California. October 29, 2013, 11:01AM.

I had stopped to try to photograph a woman pushing a stroller with this wall as a backdrop. She walked out of the frame too quickly, but I managed to grab this one of the solitary woman against the same backdrop.

MUNI Bus Yard. San Francisco, California. October 29, 2013. 11:03AM.

A moment later and on the other side of the street, I walked past this MUNI yard full of buses ready to head out.

Woman and Dog, Brown Building. San Francisco, California. October 29, 2013. 11:04AM.

One minute later and back on the other side of the street once again, I saw this interesting structure and a woman with a dog fortuitously walked in front at just that moment. This photograph is about many things, but the colors are quite important.

Pedestrian, Sidewalk. San Francisco, California. October 29, 2013. 11:16AM.

Slacking now, it was 12 minutes between the previous photograph and this one… ;-) Here I was trying to figure out my best route and I think I wandered around a bit without shooting, but then I saw this low building which was covered with swatches of paint that had been applied to cover graffiti. Once again, I was lucky and a pedestrian walked into the frame just as I was ready to shoot it.

Autumn Leaf, Sidewalk. San Francisco, California. October 29, 2013. 11:19AM.

After making a wrong turn I ended up walking around a block and back up towards where I started. While walking I saw this leaf and photographed it quickly without looking through the viewfinder.

Garage and Fence. San Francisco, California. October 29, 2013. 11:21AM.

A moment later and on the other side of the street from the leaf, I saw this small lot and the light blue building with the roll-up door, and the bright sky beyond. Initially I wanted to include the more of the building to the left along with a street light near its corner. So I made a few exposures of that, pausing as traffic passed by, and then made this one that eliminated all of the left-side building except for the tall wall facing the lot.

At this point I realized I had a train to catch, and one stop to make on the way there…

G Dan Mitchell Photography

Category Archives: Photographs: Structures and Objects

Three San Francisco Street Photographs – Late October, 2013

Blue Shirt Pedestrians, Linear Landscape

Five Night Photographs from Mare Island

Twenty Minutes of Street Photography – Six Photographs

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.