Category Archives: Photographs: Travel

Stained Glass Light

Stained Glass Light
“Stained Glass Light” — Beams of colorful light from stained glass windows on the stone floor of the Eglise de Notre-Dame Des Victoire, Brussels.

First impressions on entering old European churches like the Eglise de Notre-Dame Des Victoire in Belgium focus on the architecture, the scale, and the quietness of these places. If you have some time to wander — and you should take that time if you visit them — smaller details start to emerge. Stained glass windows originally provoked me to look up at them, but later I learned to look down at the light they cast.

The first time I understood the projected light was during a late-afternoon visit to the Sagrada Familia in Barcelona. The low angle of early evening light sent colorful beams of light everywhere. The effect at this smaller Brussels church was not quite as broadly spectacula, but its beauty still caught my attention.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Michigan Avenue, Evening

Michigan Avenue, Evening
“Michigan Avenue, Evening” — A wet autumn evening along Chicago’s Michigan Avenue, photographed from the Chicago Institute of Art.

Needless to say (though I am saying it anyway!), for Californians, Chicago around Thanksgiving seems like a very cold place. (I can imagine Chicagoans shaking their heads and muttering, “Come back in January, California boy!”) To be truthful, we had very nice weather for late November: overcast, but daytime temperatures into the 40s and only a little bit of light rain. Yet, this photograph just looks cold to me!

We had been out for a walk and as we passed the entrance to the Art Institute of Chicago, I decided to use that building (on the left) to frame the early evening sky against the skeletal trees, and set against the other buildings along Michigan Avenue.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

River Walk

River Walk
“River Walk” — Pedestrians on the Chicago River Walk on a cold November morning.

This scene caught my attention as we crossed the bridge on Michigan Ave, heading toward Chicago’s “Magnificent Mile.” Here the river bends slightly before heading deeper into downtown Chicago near “The Loop.” Nearby tall buildings reflected the morning sun into the scenery from different directions. It was early enough that only a small number of people were out walking along the river.

Until this morning we had spent most of our visit inside The Loop, located south of the Chicago River. Now we joined the throngs of people (not visible in the photo, obviously) heading south on Michigan Avenue to the “Magnificent Mile,” where a nighttime holiday parade would take place later on.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Graffiti and Barred Window

Graffiti and Barred Window
“Graffiti and Barred Window” — Colorful wall, window, and metal grate in Ghent’s “graffiti alley.”

An alley in Ghent, Belgium is called the “graffiti street” or the “graffiti alley.” (The latter is more apt, since it is a very narrow walkway.) The walls (and sometimes the pavement) are covered with a wild mix of tags, graffiti, and street art. New imagery is continuously added on top of the old, and the intersections of these old and new images can be fascinating.

I have mixed feelings about photographing graffiti and street art, at least when it isn’t just an unavoidable element of the scene or an embellishment on other subjects. But here, the individual work is subsumed by the sum of it all, and in ways that hardly could have been anticipated by those who produced the deeper layers.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.