Category Archives: Photographs: Urban/Street

At the Manneken PIs

At the Manneken PIs
“At the Manneken PIs” — Tourists taking pictures at the Manneken Pis in Brussels, Belgium.

Some “tourist attractions” are darned near inexplicable. Manneken Pis is one of them. Located at a nondescript corner in a relatively nondescript area of Brussels, it is a fountain with a tiny (61cm tall) statue of a small boy urinating. Indeed, the idea that such a thing exists is mildly interesting. But the actual site is a pretty big nothingburger in my ever-humble opinion.

So, you might wonder, where is the fountain in this photograph referring to it? It is out of the frame to the right. I was completely uninterested in photographing the peeing kid myself. However, the people who came to look and photograph themselves in front of it were fascinating. Some stood back and shot images of it — and I’m trying to imagine them getting back home and wondering why they did. Others lined themselves up to take selfies with the urinating youngster in the background, thus managing, I suppose, to prove that they were actually there. Standing next to a 61cm statue. Of a pissing boy. Or something. ;-)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Street Art, Antwerp

Street Art, Antwerp
“Street Art, Antwerp” — An old structure is decorated with street art along the waterfront in Antwerp, Begium.

The photograph comes from Antwerp. We were in Belgium at the end of May and beginning of June. Adding Belgium to a trip that was mostly in Portugal and Spain was a bit of an afterthought, but we managed to stay in Antwerp, Bruges, and Brussels, and make a day trip to Ghent. It was a lot to see in one week, and with more time we might have spent extra days in Antwerp and Brussels.

On the day that I made this photograph we headed out on one of our typical wandering walks. It took us towards the waterfront, where it appears that some sort of long term redevelopment project is underway. An urban walkway traverses much of the area, but there’s also still a certain amount of interesting street art.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Handbills and Tags

Hadbills and Tags
“Handbills and Tags” — Handbills and tags in a frame on a wall, Santiago de Compostela.

This subject comes from a side-street in Santiago de Compostela, Spain. It is in the historical core of the “old town” but not at one of the main attractions — on a street where visitors are perhaps more likely to walk past than to linger. In a sense, its content attests to the fact that life here goes on apart from the world of tourists like us.

I thought several things were interesting about the display. Most of the handbills seem to concern musical performances, but not quite all of them. For example, there is a “FOTO-GRAFIA” event listed on one of the fliers. It also intrigues me that this object, the inner square and the frame around it, seem to both encourage and constrain the sharing of marks that are not found on the surrounding walls.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Shadows, Ponte Dei Carmini

Shadows, Ponte Dei Carmini
“Shadows, Ponte Dei Carmini” — Light and shadows on buildings at the Ponte Dei Carmini, Venice.

This photograph from Venice embodies many of the features that I expect to see in that part of the world. The Southern European light? Yes. Wrought iron work? Check. Earth tone colors on the buildings? Indeed. Narrow walkways? For sure. Of course, the venetian-style canals — not visible in this photo — are not quite so ubiquitous.

I’ll share a little technical note about this photograph. Cameras cannot really produce a native image that shows us details in both the very bright highlights (direct sunlight) and deep shadows. (Our eyes deal with this by quickly adapting to the brightness at the center of our attention.) So with digital photography our first priority is to protect those bright highlights — let them get out of control and you’ll lose highlight details completely. The subsequent post-processing task is then to brighten details in the shadows to restore what we think we saw when we looked at the scene. The trick is to do that in a manner that doesn’t give it away, one that doesn’t make the technique too obvious


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.