Category Archives: Photographs: Utah

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Murphy Point and Murphy Hogback, Evening

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Murphy Point and Murphy Hogback, Evening - Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.
Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.

Murphy Point and Murphy Hogback, Evening. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening light on the brow of Murphy Point, with Murphy Hogback leading to the right and the areas of the Green and Colorado Rivers confluence and the Needles beyond, Canyonlands National Park.

When I photographed from the Green River Overlook in Canyonlands National Park back in early April, I arrived there in the evening with one shot definitely planned out ahead of time (though the conditions were, as they often are, a bit of a pleasant surprise once I arrived) and one sort of half planned. The first was a shot across the rugged terrain to the west and southwest through which the Green River has carved a deep and twisting canyon. The second was of more or less the same subject, but shot in vertical format with a longer lens and tracking some of the formations out toward the horizon.

Once there, I quickly figured out my shooting location – to be honest, there are quite a few options and unless you include cliff-top foreground subjects you don’t have to be terribly particular. I composed the first, landscape-orientation shot and then sort of went back and forth between that image and the vertical shot as the light evolved. As I did this and the low angle light began to cut through some of the haze a bit more, the terrain to my south that I had not really thought about earlier started to look a bit more interesting. From the Green River Overlook, the upper sandstone cliffs first curve back away from the river canyon, then run south, and once again extend a bit out into the canyon at Murphy Point, the impressive prominence at the left side of this photograph. One thousand feet below, Murphy Hogback – a flat-topped ridge – extends further toward the Green River. Beyond that the terrain extends into the distance, full of features that were unfamiliar to me but still very impressive – a series of plateaus, often with white rock edges, steep drop-offs into deep canyons, more distant and barely visible towers and other formations. From what I’ve read since then, I’m pretty certain that beyond the shoulder of Murphy Point, I am seeing the area roughly where the Green and Colorado Rivers meet and beyond that the area known as The Needles.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Turk’s Head, Green River, Evening Haze

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Turk's Head, Green River, Evening Haze - The Green River curves past Turk's Head in evening haze, Canyonlands National Park, Utah.
The Green River curves past Turk's Head in evening haze, Canyonlands National Park, Utah.

Turk’s Head, Green River, Evening Haze. Canyonlands National Park, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Green River curves past Turk’s Head in evening haze, Canyonlands National Park, Utah.

Just to the west of the “Island in the Sky” area of Canyonlands National Park, the Green River flows though deep and rugged canyons on its way to the confluence with the Colorado River. The river and its tributary streams have cut thousands of feet down through the layers of rock, exposing plateaus and steep canyon walls and more sandstone than can be believed. At Turks’ Head the river winds through a very large S-curve that widens the lower part of the canyon.

I had begun shooting the evening light at the Green River Overlook somewhat earlier on this evening, and by the time I made this photograph the direct light was almost gone – a bit of it is still hitting the cliff faces at lower left and glancing across the tops of nearby flat areas. It was a rather hazy evening, which is part of what attracted me to this spot – I love shooting into or across back-lit haze which can almost glow in the right light and which can also enhance the sense of distance in the scene. Of course, most of the “glow” was gone by this time, and the result is something a lot more subtle with the most distant terrain above the far end of a tributary canyon almost disappearing into the distant haze.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Tree and Sandstone Cliff

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Tree and Sandstone Cliff - A tree grows from a crack in the face of a redrock sandstone cliff, Zion National Park.

If this photograph looks familiar, it may be because it is! A few weeks back I posted another photograph of more or less the same subject but in landscape orientation rather than portrait orientation. There are, no doubt, many examples of interesting trees growing out of surprisingly small cracks in the faces of sandstone cliffs in Zion and other similar areas, but I spotted this one in the “Big Bend” area of Zion Canyon, where I had stopped to photograph some spring cottonwood trees along the Virgin River.

I love the juxtaposition of the rich greens of the tree with the reds and browns of the sandstone cliffs. In many ways, these are two of the main colors of this part of the Southwest – with the addition of the blue of the sky. That palette of green, red, and blue is everywhere. And there is actually a bit of the blue here, too. The interesting coloration of the dark areas of the rock seems to be partly the result of reflections of the blue light from the blue sky that was above and behind my camera position.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Spring Cottonwoods, Zion Canyon

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Spring Cottonwoods, Zion Canyon - New spring leaves appear on cottonwood trees along the Virgin River in Zion Canyon, Zion National Park.
New spring leaves appear on cottonwood trees along the Virgin River in Zion Canyon, Zion National Park.

Spring Cottonwoods, Zion Canyon. Zion National Park, Utah. April 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

New spring leaves appear on cottonwood trees along the Virgin River in Zion Canyon, Zion National Park.

I encountered this scene a short distance up the trail from the Temple of Sinawava area in Zion National Park, in the area below the start of “the Narrows.” Here the canyon of the Virgin River becomes quite narrow, eventually narrowing so much that the river often spans its entire width. These young trees, which were just beginning to show their spring leaves, are in along a slightly wider section where the river curves, and just be flooded during times of high water. Beyond, the river and the canyon twist right, left, and then back to the right again between the steep sandstone walls.

I’m always intrigued by trying to photograph these scenes of very dense foliage in which the frame ends up filled with a huge amount of detail. It is a challenge to try to create anything like an effective composition out of this complexity, and I think it is even more difficult to make such photographs “work” in the small presentation necessary for sharing on the web.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.