Category Archives: Photographs: Wildlife

Three Lesser Sandhill Cranes

Three Lesser Sandhill Cranes
Three lesser sandhill cranes fly against blue sky above the San Joaquin Valley

Three Lesser Sandhill Cranes. Central Valley, California. February 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Three lesser sandhill cranes fly against blue sky above the San Joaquin Valley

These beautiful sandhill cranes are found up and down California’s Central Valley and beyond. Many things characterize the winter “bird-scape” in the state, but high on my list is the sound of these birds, whether directly overhead or somewhere off in the fog, invisible but often present in large numbers. They are not as numerous as the geese, but at times their numbers can become quite astounding, especially when they find a good place to feed. I think that they can be a bit awkward looking on the ground, but in flight they are transformed. Their flying pattern features slower wing motion, periods of gliding, a flat trajectory, and often wingtip-to-tail relationships with other cranes.

They aren’t always easy to photograph, though if you come (quietly!) upon a group on the ground and they don’t fly away you can often get good photographs, and you may even see the “dancing cranes” behavior. Photographing them in flight can be just a bit tricky. They seem uneasy about flying directly over humans, and birds that appear headed for your position will often divert at the last moment. Fortunately, they can be very attractive viewed from the side — perhaps more so that a straight-on view or photographed from underneath. These three were part of a larger group that was flying at low elevation between two areas of pasture-land.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Evening Geese

Evening Geese
A large flock of geese takes to the air in evening light

Evening Geese. Central Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A large flock of geese takes to the air in evening light

Each day among these migratory birds moves through a kind of cycle, with variations that eventually become familiar but which don’t become any less compelling or exciting. It typically starts with a pre-dawn drive and arrival at a likely spot to find them — preferably in fog! It is always thrilling to catch the first sight and sound of the birds. The day continues, likely passing from fog to hazy sunshine, as the birds tend to settle into midday routines. Sometime after lunch it is (almost always) time for a break, but the work resumes by mid-afternoon. At first things happen slowly, but as evening approaches the pace picks up – more birds coming and going, more frequent take-offs, light that evolves in beautiful ways — and before long it is sunset and then dusk.

Early morning and evening are times of daily transition for the birds, so there is often a lot of action. Although a mass take-off can occur at almost any time if something sets off the flock, they become more likely and more impressive in the evening. They also become more difficult to photograph! As light fades and the subject becomes more interesting, the photographic challenges of low light increase. Rather than giving in to the dimming light I often take a different approach and embrace the motion blur, following the general mass of birds but allowing the fine details to soften and merge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Two Geese, Reflection, Fog

Two Geese, Reflection, Fog
Two geese float on a winter pond in morning fog, Great Central Valley

Two Geese, Reflection, Fog. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Two geese float on a winter pond in morning fog, Great Central Valley

As is typical, this morning in California’s Great Central Valley began in fog — for so think that it initially obscured almost all potential subjects, at least if they were more than a few yards off of the route. Many times we could hear large numbers of geese and cranes that were not visible in the fog, but eventually some would break off from the flock and fly over and past us.

The fog is among my favorite features of winter in this valley, especially in the lowland wet areas where it can be foggy on many winter days. The fog transforms the landscape in many compelling ways. By obscuring distant detail, subjects can sometimes be seen apart from their regular surroundings. It is possible to make photographs in locations that would have been far too busy in “good” light — the fog selecting obscures of mutes more distant subjects. Here I stopped in a spot where there were few geese at all, though those that were hanging out here we floating serenely on the surface of the pond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tundra Swans, Mount Shasta, Winter

Tundra Swans, Mount Shasta, Winter
Tundra swans fly over Klamath Basin and in front of Mount Shasta

Tundra Swans, Mount Shasta, Winter. Klamath Basin, California. February 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Tundra swans fly over Klamath Basin and in front of Mount Shasta

Near the conclusion of several days photographing along the Oregon/California border around Klamath Falls I packed up for the last time, loaded my vehicle, and started the long return trip to the San Francisco Bay Area. Since it was a gray and rainy morning I had been lazy, sleeping in until there was some morning light before leaving — it didn’t seem like much of a morning for bird photography, at least not by comparison to the past few days, with their beautiful morning and evening light. I drove through town, picked up my highway, and headed out.

As I drove it was raining lightly and there was mist everywhere. As usually happens, I began to see photographic potential in this winter landscape, and when I saw a cloud-shrouded lake off to one side, I quickly turned onto a side road to investigate. There wasn’t much there to photograph, but I realized that this was the far end of a road along which I had earlier photographed tundra swans. I had no idea how far away they might be, but I wasn’t in a hurry, so I decided to investigate. It turned out that I didn’t have far to go, and too I saw flocks of tundra swans lined up and passing overhead as the rain let up. i turned of this road and onto a gravel track, driving out to an area that appeared to be under the birds’ path, and from there I saw this wintry view of Mount Shasta, with layers of storm clouds stacked above its snow-covered lower slopes — and I waited until a group of the swans passed in front to make this photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.