Category Archives: Photographs: Yosemite

Forest Reflection, Morning

Forest Reflection, Morning
Morning light on forest trees, reflected on the surface of a backcountry lake.

Forest Reflection, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on forest trees, reflected on the surface of a backcountry lake.

Photographing the special and transitory light at the start and end of the day reminds me of the experience of spring skiing. It can be great, but you’ve got to be there at the right moment, and it doesn’t last long. Early on a spring skiing morning the slopes (be they groomed or natural) are often badly frozen in the early morning. I’ve done a lot of cross-country skiing and a bit of telemark skiing, and I have to say that that refrozen slush can be really nasty stuff. But as the morning warms there is a point where the surface softens just enough and what was nearly impossible become quite wonderful… for a very short time, as the snow soon turns to slush.

Early morning (and evening) light seems a lot like this. In the same way that you need to already be on the slopes while they are icy to catch that bit of wonderful spring snow, you need to be up and about and finding your photographic subjects before the light is ideal — and while the cold and lack of coffee aren’t making things any easier. But if you are out there and you know where to look, at some point the light “happens,” continuously changing as the rising sun works its way across the landscape, illuminating a bit of meadow, a tree, the rim of a peak… and then it becomes too harsh and flat and is gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dry Corn Lily Plants, Autumn

Dry Corn Lily Plants, Autumn
A bed of fallen and dry autumn corn lily plants, Yosemite National Park.

Dry Corn Lily Plants, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

A bed of fallen and dry autumn corn lily plants, Yosemite National Park.

The corn lily is one of my favorite Sierra plants. It tends to grow in meadowy, wet areas that are often particularly lush — and thus bug infested— in the early season. I think it is an attractive plant at almost any point in its annual life-cycle. It emerges as the green shoot as meadows come back to life early in the season, and before long the intense and lush bright green plants stand tall. But this state of perfection doesn’t last long, and soon blemishes appear — dark spots, holes, and eventually yellow areas as the end of the summer season draws near. (I’ve long thought of this change as the first sign of the coming Sierra autumn season.) Eventually the plants dry out, fall over, and when everything works out just right the form small carpets of brown and yellow and tan and fading green.

The corn lily is a favorite of photographers, most often photographed during that earlier lush, green stage. (It often seems like photographing such a beautiful plant would be easy, but once I start looking for the perfect conjunction of leaf shapes it inevitably becomes more difficult than I expected. )


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Storm, Sierra Crest

Evening Storm, Sierra Crest
An evening thunderstorm dissipates over the Sierra Nevada crest in Northern Yosemite.

Evening Storm, Sierra Crest. © Copyright 2021 G Dan Mitchell – all rights reserved.

An evening thunderstorm dissipates over the Sierra Nevada crest in Northern Yosemite.

The Sierra Nevada crest runs just northwest of this area in northern Yosemite National Park, and the mountains here rise to rugged, rocky heights, in places high enough to be topped by the older geological layers that were lifted up on top of the material that produced the range. This is alpine country — in places it is easy to travel since the landscape is so open, but eventually you’ll run up against these jagged peaks.

On this evening I had ascended some gentler — though still quite rocky — terrain not far from our camp, originally with the idea of photographing a large valley to our west and the peaks beyond it. Just before sunset I started to descend, coming back around the shoulder of “my” ridge and turning toward this line of peaks to the east and the remnants of a huge dissipating thunderhead on the other side of the crest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shoreline Trees, Morning Light

Shoreline Trees, Morning Light
Morning light on shoreline trees at a backcountry Yosemite National Park lake.

Shoreline Trees, Morning Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on shoreline trees at a backcountry Yosemite National Park lake.

Our group spent the better part of a week camped near this northern Yosemite Lake, exploring it, its two companion lakes, and the surrounding high country. We camped in the forest a ways back from this lake, but it was only a minute away and thus became a daily subject for photography, especially in the morning when the light come over the ridges to our east and backlight the shoreline trees.

This subject, in this light, presented a pair of interesting challenges of the sort that you only learn to appreciate after doing landscape photography in such places. The first came from shooting toward the light from the edge of the lake. Photographers know the issues with flare that can result from light hitting the lens directly — but multiply that times two when the light comes from above and from the reflections from the lake’s surface. The gyrations necessary to block both often prove interesting. The second challenge was… mosquitos! Not just that the fiends, biting little devils annoyed us constantly, but also that their blurry forms tend to appear in photographs when viewed closely. You don’t know the meaning of fun until you’ve cloned a few hundred of them out of a photograph!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.