Woman at Crosswalk

Woman at Crosswalk
A women waits alone at a cross walk for the light to change, San Francisco.

Woman at Crosswalk. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A women waits alone at a crosswalk for the light to change, San Francisco.

One thing that might surprise some folks about my street photograph is that I do not think that it is unrelated to my nature and landscape photography. I think that it all connects together as “photography,” whether the subject is a mountain or a building, a bird or a person. I also believe that photographing more than one type of subject — which some might regard as a dilution of vision — actually makes me better at seeing all kinds of subjects as photographs. Shooting street, where things often happen quite quickly and in the midst of a lot of visual stimuli, forces me to be “on” all the time, to see potential subjects quickly, to recognize things that work instinctively, and to look for juxtapositions. And photographing natural landscape subjects informs the way I see the urban landscape.

One obvious potential thread in urban photograph is the juxtaposition of individual figures against a constructed and sometimes massive and impersonal urban landscape. I often look for these “stages” and then watch for people to appear and populate them. This location can actually be a fairly busy street corner, but here I first found the massive stone building, then waited for the scene to clear with the exception of the solitary woman waiting for the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Shoreline, Forest, Morning

Shoreline, Forest, Morning
Morning light and forested shoreline reflected on the surface of a subalpine Sierra Nevada lake

Shoreline, Forest, Morning. Yosemite National Park, California. July 15, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Morning light and forested shoreline reflected on the surface of a subalpine Sierra Nevada lake

It is way past time to share this photograph — it has been sitting here since I made it back in July! The location is a familiar one to those who visit the Yosemite high country and drive across Tioga Pass Road, but sometimes I do stop at those iconic locations and make a photograph, especially in a quiet and uncrowded morning like this one.

Lakes like this one are among the places that often make me wonder if visitors have any idea what they are missing. So many people, for practical reasons or because they don’t know better, come to such places in the middle of the day or in the afternoon. While they are certainly beautiful at any time, these locations are almost (but not quite always!) at their most beautiful at the very beginning and very end of the day. Lakes like this one are often completely still at dawn, sometimes with a bit of fog rising from their surface, and the surroundings are usually quiet and uncrowded. Even in a spot like this one — where I can assure you there were crowds later in the day — I can have the place virtually to myself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Fire Escape, Shadows

Fire Escape, Shadows
Shadows from a fire escape fall across the front of a San Francisco building

Fire Escape, Shadows. San Francisco, California. September 5, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Shadows from a fire escape fall across the front of a San Francisco building

I made this photograph late in the day back in early September, on a street photography shoot with a group of like-minded folks in San Francisco. We met in the late afternoon, wandered about for a while in the beautiful late-day light, then broke for dinner before going back out to photograph after dark.

One one hand, you could probably find a similar scene in many other cities. On the other hand, it also evokes the architecture of San Francisco, where buildings are packed tightly together, often with seemingly little regard for their aesthetic appearance when viewed from the street — with the result being very utilitarian facades, often featuring metal gates, fire escapes, and sometimes a worn and weathered appearance. This street runs almost directly east-west, so late in the day the sunlight was falling across the front of the building at a low angle and casting strong shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens, Early Autumn Snow

Aspens, Early Autumn Snow
Snow from an early autumn storm dusts the high peaks above Eastern Sierra aspen trees

Aspens, Early Autumn Snow. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Snow from an early autumn storm dusts the high peaks above Eastern Sierra aspen trees

I made this photograph on an early autumn morning, on a day with conditions that were either difficult or special, depending on your point of view. After several days of photographing aspen color in the Eastern Sierra, this was my final morning of this particular trip. The weather had mostly been “nice” — perhaps a bit unusually so for this time of year, but in line with the pattern of California drought that was now in its fourth year. But on my last night of this trip an early fall storm blew in, and overnight it snowed lightly on my camp.

Looking at this as an opportunity, I was up early in the morning. I headed up higher into the mountains where I knew there would be plenty of the aspen color that I had photographed during the past few days, but now altered in appearance by this “interesting” weather. It was cold enough that light snow was sticking on the higher peaks, and at my elevation it was that raw kind of weather that is windy and just cold enough to “try to snow.” The overcast softened the light, bringing more illumination to shadows and intensifying the autumn colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.